M
mcliffor
Guest
Why, before the Mass of Paul VI was it not important that the altar be “close to the people.” In Gothic churches with choirs, for example, the santuary is sometimes 100 feet away from the front of the congregation. Granted, its easy to follow the mass given the altars central place and excellent acoustics, but I’m sure this seems offensive to modern thinkers. In St. Patrick’s, NY, for example, O’Connor made a point of building a new altar in front of the new one that was “closer to the people,” even though it was probably only 10 feet in front of the beautiful one behind it.
Also, in historic Churches like Chartres, why are the new altars always designed to compete with the older ones? The altar at Chartres looks out of place because it’s raised to the same hight as the magnificent baroque altar behind it. Why not just use a movable altar that can be moved out of the way and give the High Altar with the tabernacle the place of honor the building lends to it?
I ask to understand the rationale behind the traditional altar and move beyond modern criticisms. What I really want to know is why for the founders of the liturgical movement, like Don Gueranger, who wanted the people to understand and appreciate the richness of the liturgy, moving the altar out of the choir wasn’t a priority.
Also, in historic Churches like Chartres, why are the new altars always designed to compete with the older ones? The altar at Chartres looks out of place because it’s raised to the same hight as the magnificent baroque altar behind it. Why not just use a movable altar that can be moved out of the way and give the High Altar with the tabernacle the place of honor the building lends to it?
I ask to understand the rationale behind the traditional altar and move beyond modern criticisms. What I really want to know is why for the founders of the liturgical movement, like Don Gueranger, who wanted the people to understand and appreciate the richness of the liturgy, moving the altar out of the choir wasn’t a priority.