B
benedictgal
Guest
“Our God is an Awesome God” is just another example as to why the Protestant Praise and Worship genre simply does not work for the Holy Sacrifice of the Mass. Those who support this kind of genre seem to ignore what Pope Benedict wrote in Sacramentum Caritatis:
Perhaps when the division on Sacred Music finally comes into being at the CDWDS, it will have its hands full looking at what the publishers are passing off as Sacred Music. I do hope that they will examine all of the OCP and GIA materials. There is certainly no quality control coming from the publishing houses.
Liturgical song
Each week I am subjected to the drek contained in Spirit and Song. While this book may be good for use outside of the Mass, I believe that its contents do not have any place within the Holy Sacrifice, based on SC 42.
- In the ars celebrandi, liturgical song has a pre-eminent place. (126) Saint Augustine rightly says in a famous sermon that “the new man sings a new song. Singing is an expression of joy and, if we consider the matter, an expression of love” (127). The People of God assembled for the liturgy sings the praises of God. In the course of her two-thousand-year history, the Church has created, and still creates, music and songs which represent a rich patrimony of faith and love. This heritage must not be lost. Certainly as far as the liturgy is concerned, we cannot say that one song is as good as another. Generic improvisation or the introduction of musical genres which fail to respect the meaning of the liturgy should be avoided. As an element of the liturgy, song should be well integrated into the overall celebration (128). Consequently everything – texts, music, execution – ought to correspond to the meaning of the mystery being celebrated, the structure of the rite and the liturgical seasons (129). Finally, while respecting various styles and different and highly praiseworthy traditions, I desire, in accordance with the request advanced by the Synod Fathers, that Gregorian chant be suitably esteemed and employed (130) as the chant proper to the Roman liturgy (131).
Perhaps when the division on Sacred Music finally comes into being at the CDWDS, it will have its hands full looking at what the publishers are passing off as Sacred Music. I do hope that they will examine all of the OCP and GIA materials. There is certainly no quality control coming from the publishing houses.