I
Irenic
Guest
Or just a dummy (aka, me.)
I’m having some struggles that are hard to articulate, but I’m thinking this place is as good a place as any to seek meaningful feedback.
I’m a Catholic and a creative type. I’m involved improvisational theater and aspire two write and make films. I dabble in music and painting (doing both poorly) as well as basic web and graphic design.
All of the above there has me wrestling with the concept of Beauty and how my work as creative person and follower of Christ relates to it. If feel that my religious upbringing as more fundamentalist baptist (I’m a “convert”) and my cultural upbringing as a heavily pop-culture consuming middle-class American have left me woefully unprepared to deal with this issue.
I don’t know anyway to handle this other than to just toss out some questions, so here it goes.
Pax.
I’m having some struggles that are hard to articulate, but I’m thinking this place is as good a place as any to seek meaningful feedback.
I’m a Catholic and a creative type. I’m involved improvisational theater and aspire two write and make films. I dabble in music and painting (doing both poorly) as well as basic web and graphic design.
All of the above there has me wrestling with the concept of Beauty and how my work as creative person and follower of Christ relates to it. If feel that my religious upbringing as more fundamentalist baptist (I’m a “convert”) and my cultural upbringing as a heavily pop-culture consuming middle-class American have left me woefully unprepared to deal with this issue.
I don’t know anyway to handle this other than to just toss out some questions, so here it goes.
- There are works that I would probably describe as beautiful in the sum (Flannery O’Connor’s stories come to mind) which have pieces that are anything but beautiful. Even these dark spots seem to add to the over all beauty in some way. Is it true that beauty and perfection aren’t synonymous? My instinct is to answer that “yes.”
- The face of great works (esp. the music of Palestrina or hand-written iconography which was created for sacred use), what is the place of more trivial art? Is there a place of art for entertainment’s sake? Again, my instinct says “yes.”
- How can I begin to train my eye and ear to more appreciate objective beauty and how does this objective beauty relate to my subjective experience of beauty? Can that “gut” be trusted at least as an initial indicator of beauty? I’m thinking “yes” yet again.
- I’m over thinking this???
Pax.