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www.nytimes.com/2006/03/04/movies/MoviesFeatures/04cash.html
Johnny Cash’s three enduring obsessions are summarized in the title of a Cash retrospective released by Sony in 2000: “Love, God, Murder.” But “Walk the Line,” the film about his life, deals prominently with just two of those three themes: it is a love story about Mr. Cash and June Carter that takes place before they were married, and it shows Mr. Cash onstage ripping through some of his songs about brutality and its consequences.
For a movie that is so scrupulously accurate in so many respects, “Walk the Line” makes surprisingly little of the abiding faith that Mr. Cash always credited, along with Ms. Carter, for saving his life.
“That dimension of Cash’s life, which was present all the way through, was absent,” said the Rev. C. Clifton Black, a professor at Princeton Theological Seminary, who criticized the film for that reason in a review for the magazine The Christian Century. “I was stunned.”…