F
fisherman_carl
Guest
Yes, something of the human author must be in the work if it has his style of writing. That doesn’t mean that it is a bad thing. It just means that style changes with the human author. If it was an outright dictation then there would be no human element in the style of writing. We wouldn’t be able to recognize the difference between St. Paul writing or St James.Now, what I think our fine 1920s priests who wrote the Cathlic Encyclopedia are getting at is the idea that the art is not what was inspired in a theological sense. although (as Soussa and Dostoevsky and others have said) all great art is kinda inspired by God in a sense.
That it is inspired in a theological sense is different from a dictation or from writing it while possessed by some angel or something.
And I think that’s what they are getting at. That the truths the authors were meant to communicate were given to them by the Holy Spirit, and these truths and the Holy Spirit guided their writing to ensure these truths’ communication, as God can guide all things.
Note that this distinguishes inspiration from infalliblity; infallibility is purely negative and does not necessarily require any special communication between God and Man really. A rock is infallible. Inspiration is more.
One of the things the article mentioned is that the human authors are like God’s instuments. And when you think of different instruments you realize they all make different sounds regardless of who is playing them. A tuba sounds like a tuba, not a flute. So while the instruments are capable of playing the same song in an orchestra they each have distinctive sounds. Similarly, if we think of the human authors as instruments in God’s hands they will each have their distinctive style while still conveying the message of the principle author, God. Somehow God is inspiring them to write what they did while giving them freedom to write it according to their own style. Otherwise God might has well of written it like he did the ten commandments.
Now if there was a defect in the instrument that would not fault the musician. Perhaps that is what they meant by imperfection. If the tuba had a slight rattle in it because it is slightly misshapen it is not because the musician is playing it wrong. But because the instrument is dammaged.