S
siena_avila
Guest
Hello, everyone! Last week my boyfriend proposed! 
We are engaged to be married sometime next summer and very happy. :extrahappy:
Now, while many girls and women dream of their dress, the look of the reception, first dance songā¦Iāve dreamt about the music at the wedding Mass.
If Iād gotten to church too early, Iād thumb through the various hymnals and make notes on whatever I had in my purse to remember the music. Iāve snagged worship aids from various Masses and have a folder of programs (yes, really). Iāve half-jokingly told my fiance that if I were to go Bridezilla over anything, itād be the music.
I believe beautiful music contributes to the sacredness of the Mass and can elevate peopleās experiences of the Mass. Good singing (from a full choir) and instrumentation can be signs that reveal the beauty of the consecration. My sister said something really sad: no one will remember the Mass, but will remember if the food and cake was good/bad, and if they had a good time at the reception. I personally think that has more to do with people used to lackluster liturgies.
My dream is to have a choir of nuns (Iāve worked with them and have a great relationship even after moving), my friend (a soprano at my former parish), and my future sister-in-law (classically trained and cantor-trained) sing at the upcoming wedding Mass. My family is not a singing family, and several of my friends are not even Catholic, so itās not like the guests will participate in that special way.
Hereās the problem: the cantor at our parish is, well, not great. Even my guy admits sheās had some poor quality singing here and there. When we met with our celebrant and he mentioned the choir loft and it being Cantorās domain, I excitedly told him about my wish to involve my singing friends, who are very happy to gift us with their talents. He again re-iterated that weād have to talk to Cantor, because the loft is her domain.
To put it bluntly, I do not want her cantoring. At all. She can sing, but my ideal is that the other voices mask over the sometimes cringe-inducing errors in pitch or key sheās prone to.
But of course I want to be charitable and respectful. As an employed liturgical singer, she obviously has experience and knows how to plan liturgical music. But how can I best approach her about a) inviting other singers b) try to get around her voice being the focal point and c) present her with our selections which involve arrangements and settingās sheās never used, and hymns that come from everywhere but the limited insert at the back of our missalette? I also donāt just want to cave to be āniceāāI do have some knowledge about liturgical music and hope to work with her to plan a beautiful liturgy.
Thanks in advance for any advice you can give.
We are engaged to be married sometime next summer and very happy. :extrahappy:
Now, while many girls and women dream of their dress, the look of the reception, first dance songā¦Iāve dreamt about the music at the wedding Mass.
I believe beautiful music contributes to the sacredness of the Mass and can elevate peopleās experiences of the Mass. Good singing (from a full choir) and instrumentation can be signs that reveal the beauty of the consecration. My sister said something really sad: no one will remember the Mass, but will remember if the food and cake was good/bad, and if they had a good time at the reception. I personally think that has more to do with people used to lackluster liturgies.
My dream is to have a choir of nuns (Iāve worked with them and have a great relationship even after moving), my friend (a soprano at my former parish), and my future sister-in-law (classically trained and cantor-trained) sing at the upcoming wedding Mass. My family is not a singing family, and several of my friends are not even Catholic, so itās not like the guests will participate in that special way.
Hereās the problem: the cantor at our parish is, well, not great. Even my guy admits sheās had some poor quality singing here and there. When we met with our celebrant and he mentioned the choir loft and it being Cantorās domain, I excitedly told him about my wish to involve my singing friends, who are very happy to gift us with their talents. He again re-iterated that weād have to talk to Cantor, because the loft is her domain.
To put it bluntly, I do not want her cantoring. At all. She can sing, but my ideal is that the other voices mask over the sometimes cringe-inducing errors in pitch or key sheās prone to.
But of course I want to be charitable and respectful. As an employed liturgical singer, she obviously has experience and knows how to plan liturgical music. But how can I best approach her about a) inviting other singers b) try to get around her voice being the focal point and c) present her with our selections which involve arrangements and settingās sheās never used, and hymns that come from everywhere but the limited insert at the back of our missalette? I also donāt just want to cave to be āniceāāI do have some knowledge about liturgical music and hope to work with her to plan a beautiful liturgy.
Thanks in advance for any advice you can give.