I would not say that but I would not see a difference between watching Harry Potter which glorifies witchcraft or watching a movie that glorifies the porn industry. Personal taste. Personal examination of conscience.
But it doesn’t glorify witchcraft. There are no real-world occult practices in the novels. It’s fictional, literary, incantational “spellwork” that symbolically undermines the philosophical materialism of our times and inculcates powerful (and good) spiritual lessons into its reader.
Are you aware that other works by Tolkien in the series reveal that every “wizard” is actually a semi-incarnate angel? Are you aware that not a single human EVER casts any magic in the whole series?
Of course. That doesn’t change the fact that Tolkien crafted a whole mythology for his fantasy world, one that is not theologically synonymous with Christian beliefs.
Now, I don’t have a problem with that. I see the Christian influences quite well. But I do wonder why not including Christ as a literal character renders it incorrect to speak of the Christian influence in
Harry Potter, whereas not including Christ as a literal character apparently does
not do so - according to you - for
The Lord of the Rings.
Again, the use of a bird does not denote a Christ symbol. It’s simply a bird sent by an old (gay) man (who according to you is supposed to be an allegory for God?)
… No. Not an allegory. That’s one of the principal points I’m trying to get across. Allegory is heavy-handed and very limited. Obviously Dumbledore couldn’t be an allegory for Christ, but he often functions as a symbol for our heavenly Father. For instance, he is clearly a God/Father-figure at the climax of
Half-Blood Prince as we readers experience it.
But he can’t be an allegory, because (this is just one example) in
Deathly Hallows we learn that he asked Snape to euthanize him, and Dumbledore himself tells Harry that Harry is a better man.
You’re right. Harry lies there and can’t save himself. Finally, we think, here comes a symbol of Christ, and Harry is SAVED! But you’re also wrong. Because the REALITY which the reader is revealed to is that there never was a magical stag, the symbol of Christ was only a spell cast by Harry. What’s the message? He was on his own the whole time and just needed to save himself all along using his own innate abilities.
That message isn’t there at all. Look at how the Patronus Charm works, at what it
is: everything about the mechanics of this fictional spell suggests looking beyond our own power for victory over evil. That’s why Harry’s Patronus takes the form of the animal his father could transform into, and remember that he would be totally unable to cast it if he didn’t have a memory happy enough to generate his Patronus - and the memory he uses is an early one of his parents. Harry’s father
does in a very real sense save him in that scene.
Connections of friendship and love like these are precisely the ones that Voldemort, for all his power, nonetheless lacks, and the impression of
Harry Potter, as a whole and in all its parts, is constantly one of our own human frailty and the need to look beyond our own natural powers for victory. I honestly don’t see how you can interpret
Harry Potter otherwise.
Oh, I don’t know. Why would it be a bad idea to create the idea of Christ symbols for children where the Christ is portrayed as fallible, often wrong, committing “sinful” acts by using forbidden actions?
That attitude is rationalistic. No one’s going to interpret any character (Albus, Lily, Harry) or creature (Fawkes, unicorn, stag patronus) as a Christ figure when he’s behaving in flawed ways. But that doesn’t change the fact that they
do literarily function as Christ figures at key points in the series.
Harry Potter books are, quite simply, not good primers of Christian morality or theology. They are excellent fantasy novels, and as I’ve said there’s no problem with reading them or watching the films provided people understand this fact.
You know, I don’t think I really disagree with you here.
Harry Potter is not an allegorical theology textbook, nor am I trying to make it into one. Someone who didn’t know the Christian faith couldn’t learn it from
Harry Potter.
But the fact is that Rowling
does incorporate traditional Christian imagery, symbolism, and themes into her stories, and to take the spiritual and moral lessons contained therein seriously is a
good thing, because they
are accurate - not because the real world works the way Harry’s world does (obviously it doesn’t), but because the moral and spiritual framework on which
Harry Potter is symbolically built is a very Christian one.