Holy Mass: "evocation of the Eternal" or "condemned to an internal death"?

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John Henry Cardinal Newman

“Nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Mass forever, and not be tired. It is not a mere form of words; it is a great action. The greatest action that can be on earth. It is. . .the evocation of the Eternal.”

Fr. Joseph Ratzinger, Problemi e risultati del Concilio Vaticano II, Brescia: Queriniana, 1967, pp. 25-27

"…The [liturgical] additions of the late Middle Ages were eliminated, and at the same time severe measures were adopted to prevent a rebirth. … At that time, the fate of the Western liturgy was linked to a set authority, which worked in a strictly bureaucratic way, lacking any historic vision and considering the problem of the liturgy from the sole viewpoint of rubrics and ceremonies, like a problem of etiquette in a saint’s court, so to speak.

"As a consequence of this link, there was a complete archeologization of the liturgy, which from the state of a living history was changed into that of pure conservation and, therefore, condemned to an internal death. Liturgy became once and forever a closed construction, firmly petrified. The more it was concerned about the integrity of pre-existent formulas, the more it lost its connection to concrete devotions …

“In this situation, the baroque carved it [the liturgy] superimposing a people’s para-liturgy over its true and proper archeologized liturgy. The solemn baroque mass, through the splendor of the orchestra’s performance, became a kind of sacred opera, in which the songs of the priest had their role as did the alternating recitals. … On the ordinary days that did not allow such a performance, devotions that followed the people’s mentality were often added to the mass…”
 
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