- IT’S A GREAT EXAMPLE OF BYZANTINE ART AND ARCHITECTURE.
Byzantium nurtured a centuries-long tradition of art, architecture, knowledge, theology, and literature in a style that fused Greek, Roman, and other Eastern traditions. Long after the decline of the Roman Empire from which it sprang, the Byzantine ruler Justinian spearheaded a series of urban reconstruction projects following the Nika Revolt and started with the Hagia Sophia. The new cathedral included the massive dome atop a rectangular basilica, abundant mosaics that covered nearly every surface, stone inlays, columns and pillars of marble, bronze doors, a marble door, a large cross at the dome’s apex, and a square area on the floor of the nave, paved in marble, called the omphalion, a place where emperors were crowned.
- ICONOCLASM LED TO THE REMOVAL OF MANY PIECES OF ART
Meaning “image breaking” or “the smashing of images,” the period of iconoclasm (from about 726-787 AD and 815-843 AD) raged when the state banned the production or use of religious images, leaving the cross as the only acceptable icon. Many mosaics and paintings from the Hagia Sophia were destroyed, taken away, or plastered over.
- A 90-YEAR-OLD, BLIND VENETIAN ONCE CAPTURED HAGIA SOPHIA.
During the Fourth Crusade in 1203 AD, Alexius IV managed to convince the Crusaders to help him take the throne of the Byzantine Empire in exchange for a series of promises and rewards. But just months later, he was murdered in a palace coup. The powerful Doge Enrico Dandolo, the chief magistrate of the Republic of Venice who was over 90 years old and blind, led the Latin Christians on a siege of Constantinople. The city and the church were sacked and desecrated, many golden mosaics were taken back to Italy, and Dandolo was buried at Hagia Sophia after his death in 1205 AD.
- THE CHURCH BECAME A MOSQUE FOR 500 YEARS.
Centuries of sackings, conquests, sieges, raids, and crusades came to an end in 1453 AD with the fall of Constantinople at the hands of the Ottoman Empire, led first by Sultan Murad II and then his successor, Mehmed II. The city was renamed Istanbul, the church was looted for treasures, and Mehmed called for a restoration of the 900-year-old building and its conversion into a mosque.
- A MULTITUDE OF ISLAMIC FEATURES WERE ADDED TO THE BUILDING.
To use the space as a mosque, the rulers ordered that a mihrab (prayer niche), minbar (pulpit), and a fountain for ablutions be added to the Hagia Sophia. A succession of minarets was added to the exterior, and a school, kitchen, library, mausoleums, and sultan’s lodge joined the site over the centuries.
- THE SULTAN PROTECTED CHRISTIAN MOSAICS
Instead of destroying the numerous frescoes and mosaics on the Hagia Sophia walls, Mehmed II ordered they be whitewashed in plaster and covered in Islamic designs and calligraphy. Many were later uncovered, documented, or restored by the Swiss-Italian architects Gaspare and Giuseppe Fossati.