C
Cavaille-Coll
Guest
After having reviewed the hymns in the 2011 OCP Breaking Bread, it appears that they are plunging ever deeper into the realm of solo music adapted for congregational singing. Perhaps 10-20% of the music is in a traditional time signature, but the rest of their repertoire, including most of the new Mass parts, contains the usual ever-changing time signatures, sixteenth notes, and four-measure holds that makes average parishioners shy away from attempting to sing it. Not to mention, of course, some highly questionable theology and a general ambience of 1980’s elevator music.