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OraLabora
Guest
Changes in musical forms are nothing new. Look at the current Graduale Romanum and the subtitle below each Mass (e.g. Mass XI, “Orbis Factor”). At one time Kyries were troped, a musical style common in the Eastern Churches but not Roman. The words of Orbis Factor :I lived through it. Altar rails were eliminated at some churches. New musical forms were introduced: I played guitar at the Folk Mass. This is what I mean.
- Orbis factor rex aeterne, eleison (Creator of the world, Eternal King, have mercy on us)
- Pietatis fons immense, eleison
- Noxas omnes nostras pelle, eleison
- Christe qui lux es mundi dator vitae, eleison
- Arte laesos daemonis intuere, eleison
- Conservans te credentes confirmansque, eleison
- Patrem tuum teque flamen utrorumque, eleison
- Deum scimus unum atque trinum esse, eleison
- Clemens nobis adsis paraclite ut vivamus in te, eleison.
Lord Jesus, sent by the Father to heal and save men, have mercy on us… etc.
In the medieval Church tropes were common throughout the Mass. Now it is returned into fashion somewhat since Vatican II for the Kyrie and the Agnus Dei is often (though not licitly) troped in today’s Church.
The liturgy has always been a dynamic, living thing.