You might want to ask youself why Mr. Donohue said what he did for other reasons than you want to believe. Might it have been because he surmised that the producers of the film used a known child actor for the very purpose of eliciting free publicity for the film? If they had used an unknown it certainly wouldn’t be getting the buzz it is. Maybe it’s the film’s producers’ motives you should be examining more closely.
As to violence in movies, I cannot speak for the Church but as a practicing Catholic and a writer I can tell you I am not afraid of portraying evil in my stories as long as they are relevant to it. Violence for its own sake, be it physical, psychological, sexual, etc. isn’t good in any medium. It’s exploitation. And that is where I draw the line.
And what other reasons might those be? The man himself said that if it hadn’t been Dakota in the movie, he would not be protesting it. This has nothing to do with Donohue wanting to protect Dakota, a successful actress who normally pulls down $3 million per film (she did Hounddog for scale, which should tell you how much she wanted to do the movie). An actress who has a team of lawyers at her disposal. An actress with so much influence in the business that Steven Spielberg had to direct War of the Worlds around Dakota’s schedule in order to have her in his movie.
Dakota does not need Donohue’s protection, and frankly it’s laughable to think that she, her agent, her parents, her attorneys, or any number of powerful figures she personally knows and works with in the business would for even one moment consider placing Dakota in a questionable situation that would lead to some type of sexual abuse or child pornography. Unsupported claims have been made about this movie, and in each and every case no evidence was found that anything illegal or improper had occurred.
Yet Donohue and others of his ilk still protest the movie sight unseen. Why? Because it gives them publicity. If Donohue wanted to actually help, he would be trying to protect all those unknown actresses who don’t have the type of support system Dakota enjoys, rather than getting his name into the headlines.
As for your statement: “Violence for its own sake, be it physical, psychological, sexual, etc. isn’t good in any medium. It’s exploitation. And that is where I draw the line.” If this is aimed at Hounddog, it’s simply not true. Dakota’s character is not raped simply for the sake of her character being raped. It’s part of the storyline, and creates a drastic change in her character. Also, the rape scene is not graphic, nor is it ever actually shown onscreen. But it is an important part of the story, and to simply call Hounddog exploitation because a rape occurs would be to condemn any movie featuring a rape victim.
“Might it have been because he surmised that the producers of the film used a known child actor for the very purpose of eliciting free publicity for the film? If they had used an unknown it certainly wouldn’t be getting the buzz it is. Maybe it’s the film’s producers’ motives you should be examining more closely.”
Strawman argument. Popular actors are highly sought after for any movie. And all of Hounddog’s “buzz” has been courtesy of Donohue & co. If they had chosen to ignore the movie, the “buzz” would have been pretty much nonexistent.