In the perception of the pirahã, both rituals are realized with the intention of provoking sounds, making noise, so that the Demiurge Igagai, located on the second celestial plane, may hear, becoming aware of their existence and of the exact place where they are. The fear of the Pirahã of not being located by the Igagai can be interpreted with the temor of repeating what is contained in the mythical fragment that narrates the destruction of the world. The destruction of the world was owed, in last instance, to the fact that Igagai ignored where the pirahã were. It was only through the cry of the woman, that remaining alone and without fire, the Igagai could, then, listen, locate and begin the reconstruction of the world.