Our parish had a situation with one of our cantors. She was in her late thirties when she developed some kind of voice problem (possibly nodules in the vocal chords?) which caused her once beautiful voice to be quite off key. Our parish had a reputation for having exceptionally good music so this cantor stood out. Enough parishioners complained that the pastor told the music director to “fix the problem”. The music director eventually had to tell her that she needed to take some time off to see if she could do anything about her voice. She would still be in charge of directing the children’s choir. Yes, this did result in some hurt feelings. She is still a member of the parish but she is no longer active in our music program.We have a sticky situation in our choir. Ours is a small parish with a choir of maybe 8 on a good day. Most of us take turns serving as cantor. We have a new director of music who has a graduate degree in vocal performance and pedagogy, and he is really struggling with our oldest choir-member. “Betty” (not her real name) is a dear lady who has been a loyal choir member for years and years, and she is also very active in other parish activities. But Betty is pushing 80 and has some medical issues that affect her singing, and also dentures which do not fit very well. It is very difficult to understand the text when she sings the responsorial psalm. When the old choir director was there, he let her have her turn with the other cantors, but this new guy would really like to get Betty to retire. He avoids scheduling her for major feast days and has tried to coach her one-on-one, but it hasn’t really helped. I have overheard parishioners commenting on how awful poor Betty sounds. We all wish that she would somehow realize that her voice is long past its prime, but so far she doesn’t get it. So we have a dilemma: on one hand, Betty is very attached to serving as cantor, and if we ask her to step down, she will be very hurt (she noticed that she was not scheduled during the Christmas season, and I saw her crying over this). OTOH, if we continue to let her sing as cantor, the quality of that day’s music ministry will suffer, and some days it’s pretty bad. As assistant organist, I am kind of stuck in the middle here. Has anyone here dealt with a similar situation? How did you handle it?
But this problem is a bit different from the situation with Betty in that our cantor was actually paid for her services. A paid cantor really ought to be held to a higher standard than an unpaid volunteer. But even volunteers should be expected to have a certain level of competency. (In general, our current cantors are no longer paid specifically to sing. But some parish staffers who also cantor count that time towards their total number of weekly hours.)
In the case of this small choir, I wonder if the solution might be for the music director to revamp the way cantors are scheduled. Perhaps the whole idea of taking turns needs to change. Then Betty would not be so obviously singled out as a problem.
Does your parish have weekday masses? Does Betty attend? I am wondering if there is some other Mass that might find Betty to be a blessing, even if her voice is not what it might be. Is there some other musical function she could help with? I find it hard to believe that Betty is unaware of the problem with her voice unless she also has a hearing problem.