Moses (1996): As is traditional in Moses films, the ‘bad ringleader’ part gets assigned here to someone named Zerach - who heretofore is the quintessential complainer: like DeMille’s Dathan, he is like this film’s version of the personification of all bad stuff the Israelites said and did that the Bible records.
Days (something like a month) after Moses went back up, Zerach finally grows discontented and suggest that they make something “the people will look to for inspiration.” Nope, according to him it would apparently be not a graven image: it was a ‘symbol’, a ‘guide’ of sorts. Aaron first resists this suggestion, but after seven more days with no Moses, he finally gives his assent to them despite Miriam’s protests.
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We are not shown how exactly the calf was made, or even who made it, as the next scene shows Zerach consecrating the idol and burning incense to it. His wording is wonderfully ambiguous: he just calls the Calf a “symbol of the great Force that led us out of Egypt”. The sons of Israel then rejoice and make merry to this ‘symbol’, as Aaron hides in shame.
Moses and Joshua finally appear, in great anger in seeing his people fall into sin, while Aaron rushes to him, asking for forgiveness. The Lawgiver then smashes the Tablets of the Law (the making of which also happened off-screen, like the Calf), to which Zerach replies: “;
If that was the word of God, Moses, it was easily shattered!” Moses then calls all those faithful to God to his side, and orders that all those who worshipped the idol be killed. Zerach is of course the first to fall down.
The anguished Moses then gets handed a dagger, which he uses to smash the Calf’s head (we notice here that the idol was ‘easy to shatter’ as well!) He takes the sun-disk portion, throws it into a nearby fire, and goes back up the mountain for forgiveness. The next scene shows the people pounding up what remained of the idol into dust.
The Ten Commandments (2006): You’ve probably guessed what would happen here: the ringleaders (here three Israelites) suggest to Aaron and the Israelites that they make a statue, a “reminder” (here it is again!) that the Israelites are God’s people. Unlike the 1996 series, here Miriam is on their side. This adaptation is rather unique in that unlike traditional depictions of the Calf as being gold all over, here the idol is depicted as made out of earth and straw with a wicker core, with the golden trinkets being merely tacked over it.
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On one hand, it does seem to provide a solution to that interpretation which points out that the Bible does not explicitly say anything about the gold trinkets being melted. “
And [Aaron] received from their hand, and fashioned with an engraving tool and made an 'egel massekah.” On the other hand, this has been a source of confusion for viewers used to seeing a totally-golden, molten calf.
So, we go on to the usual worship scene. The film here shows Aaron and Miriam fully participitating in the sins of the people; in fact, the only sane person left is Joshua (he gets left out with these people often in the movies, doesn’t he?

) - to whom Aaron’s words in verse 5 (“
Tomorrow is a feast to the LORD”) is directed, as a sort of excuse. The film then continues to the next day, with Moses coming down, getting angry, confronting Aaron, and smashing the Tablets. He also topples the Calf from its pedestal, takes its now-severed head and throws it into a fire.
The Ten Commandments (2007): As in DeMille, the ringleader is Dathan - here a more shorter, stockier, whinier and admittedly more comical character than Edward G. Robinson’s. Aaron is convinced - or rather, bullied - into making the idol. Out of all the films we’ve mentioned here, this is the one which may show it being a literal (huge) ‘molten calf’. Again, here the idolaters die and the idol gets destroyed by being swallowed by the earth.
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