That’s in St. Mark’s in Venice. Here’s
one painting of St. Mark’s interior to give you a clearer look at the whole templon structure. Here’s
one during the consecratory moment in a time before pews.
A templon is kind of like an Eastern iconostasis but it’s not opaque and it doesn’t really have icons on it. It’s made of columns with a cross on top of it with Mary and St. John (and maybe other figures) beside the cross. In the picture of St. Mark’s, the templon is what’s being showed. It’s kind of a columnar division between the nave and the sanctuary. We didn’t have altar rails back then since altar rails replaced templons so my assumption is that we all received communion standing. Unless of course people had no problem kneeling on the floor/carpet without a rail.
The baldacchino is kind of being hidden in that same picture but you can see it in the back behind the templon. It’s the canopy, built on four columns, over the altar. There are indications that a long, long, long time ago, there used to be curtains that would be closed over the altar during certain points in the liturgy, like the consecration - just like in the Syriac rite. They don’t really do that anymore with Roman baldacchino and they’re mostly for show.
Technically the word “baldacchino” only refers to the one in St. Peter’s Basilica in Rome. It’s true architectural term is “ciborium” - yes, exactly the same word used to refer to the golden container where we place consecrated hosts. If you Google image it, you’ll get the golden container but you’ll also get examples of baldacchini/ciboria.
Google Search For “Baldacchino”
Google Search For “Ciborium”
One of the most beautiful modern examples of baldacchini are from
Duncan Stroik’s architecture portfolio… there are more
here and
here. You can either look here which is his Flickr account or you can Google is name and look at his portfolio.
May I ask which FSSP parish you go to that makes use of a baldacchino? I don’t think they’re monstrous at all. I think they’re stunning.