A
anon48198893
Guest
Excellent article by Fr. Armand de Malleray, FSSP.
Let us recall a few sindonological discoveries. It took nineteen centuries to realise that the Shroud is a photographic negative: inversing paler and darker areas reveals the actual picture. Further analysis established that the depiction results from irradiation, not from the application of pigments upon the linen material. Later on, the image was found to be three-dimensional, allowing the shaping of a resin model of Our Lord’s Body as when it was lying wrapped in the Shroud. Anomalies such as the absence of thumbs on either hand were explained, while microscopic examination found diverse pollens from the Middle-East stuck in the fibres of the cloth