I read through the entire thread and I would like to try to help refocus it in terms of charity for all in question.
I think what has happened here is that for the most part, the majority of people have focused on the question of whether or not nude modelling is in and of itself intrinsically sinful/immoral. I think what Ed has been doing, correct me if I’m wrong, is absorbing that question within the context of the spirit of the age, his experience of the art world, etc. (I will add here that I think it’s unfair to demand he produce his work to prove that figure drawing can be successfully done without nude models: there would have to be drawings by several artists of both groups compared to come to any sort of conclusion on that matter). He has recognized the delicate problem that JP2 alludes to, given all the factors in question, and I believe, given what he has experienced is suggesting and promoting maximum prudence given the myriad abuses that currently exist and our made possible by modern circumstances, which is not an unreasonable thing. He was trying to draw (no pun intended) the question into the bigger picture of what is currently the status quo in the world but as a result, his answers were not satisfactory for those who were looking at the argument on a more isolated level.
Ed, it would seem, is justly concerned with not only moral decay but a lukewarmness on the part of Christians about it (even if that lukewarmness is not objectively there). Others’ concerns seemed to be about avoiding puritanism, scrupulosity, and also the potential for good that may be achieved through legitimate artistic pursuits, etc. As a result, both “sides”, if you will, were not really hearing the other’s concerns and sadly, it seems that charity and hope, especially, were not prevailing.
I think it’s extremely important to understand what we are up against, so to speak, spiritually and practically, in the world around us. It is important that we realize we are all prone to self deception and being influenced by the spirit of the age, to indifference. It is also, however, important to recognize just who we are as Christians within that milieu. We are the light of the world and salt of the earth, ambassadors for Christ, sons and daughters of the most high God who has WON the victory over sin and death. Yes, our fallenness is a fact - but so is our redemption. When we forget that, our identity, we get into the culture war mentality, the “us vs them”. Are we at war? Yes. But what are our tactics? To go on the defensive and dismiss those who are not 100% in our camp? What is our goal? Is it not to “Go therefore and make disciples of ALL the nations”? To love our enemies?
Our response should neither be to avoid the world or imitate it but TRANSFORM it by being close to Christ. That transformation isn’t only done through our creative works, but by recognizing we are being made every moment, by allowing for and seeking out our own transformation by Christ. It is by being truly creative in relationship, oriented towards love, so that the viewers, the public, have at least the possibility of being changed, their eyes opened to see things as they really are and as they could be. If we do this, we will be able to rise above the rut of “this is how it is; we should have none of it”, and participate in His making all things new, in the restoration of all things to Him.
As of now, I think that the possibilities for serving God through all kinds of art, for proclaiming the truth about the goodness of God and creation are largely untapped because we’ve thrown in the towel, assumed that the evil that is truly present is more powerful and inevitable than the mercy of God.
I feel the section of TOB “Ethical Responsibilities in Art” says it best in this section:
“Our preceding reflections did not intend to question the right to this subject (
i.e. man as model-subject. They aim merely at proving that its treatment is connected with a special responsibility which is not only artistic, but also ethical in nature. The artist who undertakes that theme in any sphere of art or through audiovisual media, must be aware of the full truth of the object, of the whole scale of values connected with it. He must not only take them into account in abstracto, but also live them correctly himself. This corresponds also to that principle of purity of heart, which in determined cases must be transferred from the existential sphere of attitudes and ways of behavior to the intentional sphere of creation or artistic reproduction.”
www.ewtn.com/library/papaldoc/jp2tb62.htm
In other words, we cannot be indifferent to very real moral and ethical questions that necessarily arise within art - both within the creative sphere, and taking into consideration the viewer’s sphere. While we cannot control all aspects of the work and how it will be received, we must be sure that not only our intentions are pure, but that our technique and end result truly communicates that pure intent and doesn’t betray the dignity of man.
I genuinely believe that the first creative work that needs to be done by artists is to go in the fields where the harvest is plentiful but labourers are few - the art world - and meet Christ there. Where is He? “Whatsoever you do to the least of my brothers, that you do unto me”. Who are more shepherdless, lost, least, the poorest of the spiritually poor than those who don’t even know they need Him? Who think they make themselves? Jesus loved some people who didn’t seem like they would be “likely” followers. Allow Him to transform you there. In other words, not only till the soil, but allow yourself to be the grain of wheat that falls to the ground and dies…perhaps after several seasons of this, the result will be a culture more able to receive the beauty we have to give which would have formerly been choked up with weeds.