Blest Are They

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The hymn Blest Are They would accompany a Gospel reading of the Beatitudes very nicely.
Part of the refrain is quite profound: Rejoice and be glad! Yours is the kingdom of God!
 
A sappy melody and a pop-music rhythm that unfortunately undercuts the Sacred Scripture in the lyrics.
 
A sappy melody and a pop-music rhythm that unfortunately undercuts the Sacred Scripture in the lyrics
Sorry you don’t like the melody and rhythm. Music is a very personal, individual expression. I’ve found people often like material I dislike and vice-versa.

Oh well.

As you and the original poster noted, the scriptural message seems good/solid.
AMDG.
 
Sorry you don’t like the melody and rhythm. Music is a very personal, individual expression. I’ve found people often like material I dislike and vice-versa.

Oh well.

As you and the original poster noted, the scriptural message seems good/solid.
AMDG.
Music can be judged on objective criteria for beauty and goodness. The Church exhorts her pastors to make use of the highest forms of sacred music, Gregorian Chant and Sacred Polyphony.

This pop tune is neither of them and a rather low form of music.

There is nothing personal or individual about it. You are simply applying the wrong criteria.

For those playing at home, who would like a basis for comparison, let us hear Arvo Pärt’s Beatitudes side by side with Haas’ “Blest Are They” and Byzantine chant of the same text.
 
A sappy melody and a pop-music rhythm that unfortunately undercuts the Sacred Scripture in the lyrics.
I agree…only after I re-read you post, and add the pre-fix of, “In my opinion…”🤷

Because all subsequent posts have no liturgical or theological credence; only opinion, which you are welcome to, but so is the OP.

As far as not agree with Aquinas or any Saint, it is not a requirement of the faith, and we bear no guilt over not cultishly accepting their every word.
 
I agree…only after I re-read you post, and add the pre-fix of, “In my opinion…”🤷

Because all subsequent posts have no liturgical or theological credence; only opinion, which you are welcome to, but so is the OP.

As far as not agree with Aquinas or any Saint, it is not a requirement of the faith, and we bear no guilt over not cultishly accepting their every word.
They are facts expounded by the Catholic Church in Magisterial documents, and Saint Thomas Aquinas by his principles of integritas, consonantia, and claritas. These are more than mere opinions as Modernism would insist - “there are no eternal truths!” Yours, however, is an opinion, and an incorrect one, and is shared by much of the world, but they are wrong.
 
De musica sacra, 1958
  1. “Sacred music” includes the following: a) Gregorian chant; b) sacred polyphony; c) modern sacred music; d) sacred organ music; e) hymns; and f) religious music.
  1. Gregorian chant, which is used in liturgical ceremonies, is the sacred music proper to the Roman Church; it is to be found in the liturgical books approved by the Holy See. This music has been reverently, and faithfully fostered, and developed from most ancient, and venerable traditions; and even in recent times new chants have been composed in the style of this tradition. This style of music has no need of organ or other instrumental accompaniment.
  1. Sacred polyphony is measured music which arose from the tradition of Gregorian chant. It is choral music written in many voice-parts, and sung without instrumental accompaniment. It began to flourish in the Latin Church in the Middle Ages, and reached its height in the art of Giovanni Pierluigi Palestrina (1524-1594) in the latter half of the sixteenth century; distinguished musicians of our time still cultivate this art.
  1. Modern sacred music is likewise sung in many voice-parts, but at times with instrumental accompaniment. Its composition is of more recent date, and in a more advanced style, developed from the previous centuries. When this music is composed specifically for liturgical use it must be animated by a spirit of devotion, and piety; only on this condition can it be admitted as suitable accompaniment for these services.
  1. Sacred music for organ is music composed for the organ alone. Ever since the pipe organ came into use this music has been widely cultivated by famous masters of the art. If such music complies with the laws for sacred music, it is an important contribution to the beauty of the sacred liturgy.
  1. High Mass, too, has its special place, even though it lacks the sacred ministers, and the full magnificence of the ceremonies of solemn Mass, for it is nonetheless enriched with the beauty of chant, and sacred music.
 
, 1903Tra le sollecitudini
  1. The Church has always recognized and favored the progress of the arts, admitting to the service of religion everything good and beautiful discovered by genius in the course of ages – always, however, with due regard to the liturgical laws. Consequently modern music is also admitted to the Church, since it, too, furnishes compositions of such excellence, sobriety and gravity, that they are in no way unworthy of the liturgical functions.
You, therefore, Lord cardinal, in your high office as Our Vicar in Rome for spiritual matters, will, We are sure, exert yourself with the gentleness that is characteristic of you, but with equal firmness, to the end that the music executed in the churches and the chapels of the secular and regular clergy of this City may be in entire harmony with Our instructions. There is much to be corrected or removed in the chants of the mass, of the Litany of Loretto, of the Eucharistic hymn, but that which needs a thorough renewal is the singing of the Vespers of the feasts celebrated in the different churches and basilicas. The liturgical prescriptions of the Caeremoniale Episcoporum and the beautiful musical traditions of the classical Roman school are no longer to be found. For the devout psalmody of the clergy, in which the people also used to join, there have been substituted interminable musical compositions on the words of the psalms, all of them modeled on old theatrical works, and most of them of such meager artistic value that they would not be tolerated for a moment even in our second-rate concerts. It is certain that Christian piety and devotion are not promoted by them; the curiosity of some of the less intelligent is fed, but the majority, disgusted and scandalized, wonder how it is that such an abuse can still survive. We therefore wish the cause to be completely extirpated, and that the solemnity of Vespers should be celebrated according to the liturgical rules indicated by Us. The Patriarchal basilicas will lead the way by the example of solicitous care and enlightened zeal of the Lord cardinals who preside over them, and with these will vie especially the minor basilicas, and the collegiate and parochial churches, as well as the churches and chapels of the religious orders. And do you Lord cardinal, neither accept excuses nor concede delays. The difficulty is not diminished but rather augmented by postponement, and since the thing is to be done, let it be done immediately and resolutely. Let all have confidence in Us and in Our word, with which heavenly grace and blessing are united. At first the novelty will produce some wonder among individuals; here and there a leader or director of a choir may find himself somewhat unprepared; but little by little things will right themselves, and in the perfect harmony between the music with the liturgical rules and the nature of the psalmody all will discern a beauty and a goodness which have perhaps never been observed. The Vespers service will indeed be notably shortened.
You, Lord Cardinal, will be good enough to provide a remedy for this also with solicitude, by insisting especially that Gregorian Chant, according to the prescriptions of the Council of Trent and of innumerable other councils, provincial and diocesan in all parts of the world, be studied with particular diligence, and be as a rule preferred in the public and private functions of the institute. It is true that in other times Gregorian Chant was known to most people only through books which were incorrect, vitiated and curtailed. But the accurate and prolonged study that has been given to it by illustrious men who have done a great service to sacred art has changed the face of things. Gregorian Chant restored in such a satisfactory way to its early purity, as it was handed down by the fathers and is found in the codices of the various churches, is sweet, soft, easy to learn and of a beauty so fresh and full of surprises that wherever it has been introduced it has never failed to excite real enthusiasm in the youthful singers. Now, when delights enters into the fulfillment of duty, everything is done with greater alacrity and with more lasting fruit. It is Our will, therefore, that in all seminaries and colleges in this fostering city there be introduced once more the most ancient Roman chant which used to resound in our churches and basilicas and which formed the delight of past generations in the fairest days of Christian piety. And as in former times the chant was spread abroad over the whole Western Church from Rome, so We desire that Our young clerics, educated under Our own eyes, may carry it with them and diffuse it again in their own dioceses when they return thither as priests to work for the glory of God. We are overjoyed to be able to give these regulations at a time when We are about to celebrate the 15th centenary of the death of the glorious and incomparable Pontiff St. Gregory the Great, to whom an ecclesiastical tradition dating back many centuries has attributed the composition of these sacred melodies and from whom they have derived their name. Let Our dearly-beloved youths exercise themselves in them, for it will be sweet to us to hear them when, as We have been told will be the case, they will assemble at the coming centenary celebrations round the tomb of the Holy Pontiff in the Vatican Basilica during the Sacred Liturgy which, please God, will be celebrated by Us on that auspicious occasion.
 
The hymn Blest Are They would accompany a Gospel reading of the Beatitudes very nicely.
Part of the refrain is quite profound: Rejoice and be glad! Yours is the kingdom of God!
Glad you like it. Don’t mind the naysayers.
 
Glad you like it. Don’t mind the naysayers.
I hope everyone who likes it is contributing BIG BUCK$ to the offertory collection, because the sheet music, praise band, and performance licenses don’t come cheap.
 
I hope everyone who likes it is contributing BIG BUCK$ to the offertory collection, because the sheet music, praise band, and performance licenses don’t come cheap.
I don’t place money in the offertory to please you, I place it in to please God. And I do it without placing restrictions on it. Thank you very much.
 
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