Thank you for reciting the high-culture buff party line. So, can you actually say something other than the same old expression of emotionally attaching perceived truths to things that don’t necessarily carry them?
This is a loaded question (like “so, when did you stop beating your wife?”). But I’ll bite. I’m less interested in originality than in truth–I guess that would make me a dinosaur in the eyes of the secular priesthood (i.e., the intelligentsia). Thus, the objection that I asserted the “same old expression” carries little weight with me. I don’t care that the argument is old, only that it is true.
Remember, moral truths are absolute because they are established, tried, and tested.
I disagree. At the risk of writing what sounds like double talk: something is true because it is true. All truth, but in particular moral truth, is true independently of our testing of it. There is, I admit, a possible objection to this, but it is quite technical and since it falls apart anyway, it’s not worth mentioning in this response (for anyone wondering, it involves first-order logic).
I’m sure you’re aware that emotions and personal tastes are distinctly thrown out because of that. Therefore, since morality itself establishes human taste to be too relative for any significant role, then I don’t see why I shouldn’t rule out your attachments as simply your own personal opinion and does not apply to every human being on the planet.
The “because” and “therefore” requires justification.
You implied it with your talk of ‘negative influence’. Stop dodging the issue.
I’m not “dodging the issue.” Yes, I don’t hold low-culture in high regard. But that wasn’t the point. Your “recycling” analogy just doesn’t work. Don’t blame me for it.
Apparently you’re another person in need of a crash course in basic semiotics and linguistics. The cross-cultural potency you see is in fact attached meaning, not inherent meaning. That’s how we managed to hijack a symbol of disgraceful Roman execution and the Satanists in turn managed to hijack a symbol that originally stood for our first Pope.
Slow down. I don’t want to get into a credential-slinging match–that’s counterproductive. But I have studied linguistics as an undergrad, and I’ve also studied more logic than is good for one’s health.

In any case, I don’t see the relevance here. Although you make a paritally good point about the crucifx, notice that the Satanists haven’t really hijacked anything: they just inverted (and the theme of inversion is central, for obvious reasons, in Satanism) a Christian symbol. This, however, is the exception rather than the rule. If meaning is merely attached rather than inherent, then why do many symbols show up in disparate cultures?
A glaring majority of classical music brings forth to my mind nothing but comedic gag skits and antiquated commercials.
Madison Avenue has done us all a disservice by using Mozart to pitch dish soap.
The sight of Victorian-era dress and theme makes me think of just that era and unless given the modern twists of steam punk and gothic-lolita redesign, any literature from that era will always bring to me the same thematic package.
Well, these are prejudices that you ought to overcome.
Simple. You hail the qualities you see in ‘high culture’ all the while take no shame in blasting the flaws of ‘low culture’. Unless you’ve shown yourself capable of making fun of both, then you’re in no place to encourage me to favor either one. In fact, you wouldn’t be able to even if you were capable.
Yes, that’s quite true: since I don’t kowtow to the pomo multicults, I need not feel ashamed of my beliefs.
You’re confusing art with other fields that have established absolutism (e.g. religion). And even in the case of religion, just because the belief system is superior, it doesn’t make its followers any more so.
No. I’m pointing that your argument is either valid or invalid. If it is valid, then you
must accept as valid any instance of the argument.
This is the problem with you high-culture Catholics. You’re far more materialistic than you think because you’re so attached to the culture that you put it on the same level as our faith.
I mean this sincerely: consider the possibility that you’re projecting your own views onto “us”. (By the way, why should this be an “us vs. them” argument?)
Right and a ‘low culture’ buff can’t say the same to you in turn? “I’m not hammering you; rather I’m encouraging you. You’re capable of more than old novels.”
I was only attempting to clarify my intentions. Unfortunately, you thought I was “hammering” you; I do not want you to think that’s my intent.
And for the record? I have gone beyond comic books. I’ve read classical novels. I’ve read modern fiction. I’ve read works both foreign and local. In the end, it’s all the same. They all have cliches. They all have something they hold sacred that I have no qualms in mocking.
Mockery of greatness is a symptom of the modern age.
When it comes to art, nothing is good and bad. Standards change. Ultimately, it’s a matter of perspective. Sounds like you need a crash course in post-structuralism too.
These are assertions that require justification. Can you justify them? Why do I need to learn anything about post-structuralism? Can you summarize its core principles?