Let us look at some of these things in the way of the Mass and what it is NOT (in order to understand what it really is):
THE MASS IS NOT:
Entertainment
A social
A musical
A comedy
A talent show
Your gift to God in an act of personal munificence and sacrifice for which God should be grateful…
A liturgical and linguistic laboratory
A mere remembrance of something done long ago
A mere ritual, albeit a very ancient one
Optional
None of the above is even remotely connected to the Mass. To better understand this, imagine the following scenario:
Jesus Christ, hanging on the Cross, is being crucified before you. He is dying! His hair is matted with blood from the Crown of Thorns and His face is bruised from the blows of the Roman soldiers and covered with spit from all who mock Him. He is disrobed and open to shame. Even as the blood continues to issue from too many lacerations to count from the Scourging at the Pillar an hour before and the nails hold fast against the flesh yielding under the weight of the cruciform Figure, He is crying out in agony to His Father. Mary, His Mother, is standing before Him crying inconsolably, and would crumple to the ground were she not borne up by John and Mary Magdalene. They are weeping uncontrollably, too. All around, pious women are weeping and wailing, men are sobbing and jeering. It is a scene of utter desolation, unfathomable sorrow, a torrent of tears and a torrent of taunts.
Have you grasped the scene? THIS is what is being enacted before you at the Most Holy Sacrifice of the Mass.
Now we arrive.
The electric guitars are plugged in, the drum and trap set are being set up, and the piano is being tuned. The acoustic guitars are being strummed aimlessly, and the flute trills sporadically in the background. There is chattering intermingled with laughter among the musicians. They are preparing to entertain the sobbing women, the raging men, and the indifferent spectators looking on. The entertainment is about to begin and Cat Stevens’ (now a Muslim), “Morning has Broken” is the song that will first greet us on Calvary after the MC of the musicians cordially welcomes us to the Crucifixion. Throughout the Mass they will compete with Jesus Christ on the Cross for our attention and adulation, calling us away from the Cross that we made of our sins for the Son of God to hang upon, to their virtuosity as singers, guitarists, or piano players. They will entertain us.
But we are a restless audience, and demand more than music during this drama. We want comedy, too. The priest accommodates us, demonstrating his own virtuosity as an entertainer. He had stood briefly at the Altar by the Cross, but is now eager to leave the summit of Golgotha altogether and to walk among his audience. He leaves the Sanctuary of suffering and walks the aisles and avenues of the spectators, much in the manner of talk show hosts trying to garner the attention of the people for himself. What better way than comedy? And he is well provisioned with anecdotes and jokes … some rather “sly” and just slightly “off-color” (“what a rascal!” we smile, as insiders of the joke with him).
There may be a “question and answer session” in the style of successful television hosts, but the point is to make you feel terribly good about yourself, and him — despite what is going on in the background, on that sad summit that he quickly left and where Christ still hangs. With the “punch-line” the skit ends, sometimes vaguely connected with what is going on with Christ, or something He said prior to His being raised on the Cross.
Still restless, the audience is once again entertained by the musicians, and they remain once the Crucifixion has been consummated and Christ is dead on the Cross … awaiting our applause — which we extend them despite a sense of terrible incongruity with all that has happened in the background and from which we had been constantly pulled away … lest we see or understand the consequences of our sins … and the magnitude of Christ’s love for us.
An impolite assessment, to be sure. But a very accurate assessment … nevertheless.
There are, of course, many other things that the Mass is not. These are merely the more salient among them, for they are, very likely, what we encounter most often before, during, and after Mass, in the trivializing of the most momentous act in history that unfolds before us.
It is true that we cannot fully comprehend what the the Mass is …
We can, however, clearly grasp what it is not … even if we would have it otherwise.
boston-catholic-journal.com/most-holy-sacrifice-of-the-mass-a-primer-for-clueless-catholics-part-8.htm