I’m interested in what you mean by fiction being “faithful to the magisterium.” I realize you’re speaking specifically about the
Catholic fiction market. However, I’ve always only seen two kinds of fiction: good and bad.
This is not intended to start an argument, but I really don’t see fiction as a place where theology and behavior must be clean and perfect. I understood you have a specific audience and topic in mind, but it seems to me that good literature need not limit itself to certain audiences. Probably 95% of good Anglophone literature has been written by non-Catholics, or has religion-neutral or non-Catholic themes in it. I see literature more as a place where writers can explore all the problems and vagaries of the human condition. Because we are sinful, good literature is often going to portray sin in all its vulgar glory. It’s going to have sex in it

, awful murders, vulgarities, deep passionately sinful behavior. Without even thinking about it, Shakespeare, Steinbeck, and Hawthorne come immediately to mind: all great writers, none concerned whatsoever about the Church’s teachings. They wrote about the human condition, and did it ridiculously well, and they did in ways that were uplifting to the human spirit. You would never say their work was
notin agreement with the Magisterium.
Thanks for hearing me out. I’m genuinely interested in what you as Catholic writers have to say.