The story is set in contemporary London and the English countryside. Your witches and wizards are the gnostic cabal whose secret knowledge must be hidden from ordinary people and disclosed only to initiates.
I never understand why critics seem to think that
Harry Potter blurs the line between a fantasy world and the real world more than
Narnia or
Lord of the Rings. The children in
Narnia are
from our world, and
Narnia’s magic - the tree that grows from the fruit from
The Magican’s Nephew, the wardrobe, Susan’s horn, etc. - often reaches out into our world in order to bring individuals into Narnia. And heck, in
Lord of the Rings Middle Earth
is our world - in the so-called “Fourth Age.”
Harry Potter fans often draw comparisons between the series and such classics as The Lord of the Rings by J.R.R. Tolkein, and the Narnia series by C.S. Lewis. In The Lord of the Rings, Tolkien - a committed and conscientiously Christian writer [etc.]…
Rowling is a conscientiously Christian writer as well, as numerous interviews attest; in addition, her series is as obviously, in-your-face Christian as
Narnia. No impartial reader can miss this, especially with
Harry Potter and the Deathly Hallows, the last volume in the series. The Christian parallels, imagery, and symbolism are unmistakably obvious.
Tolkien presents an epic which intentionally depicts the Christian struggle against the corrupting influences of the personalized use of supernatural power, in which humility is the key to spiritual freedom, and the end game is one of being rid of the burden of supernatural power.
So does Rowling.
Humility, courage, and self-sacrifice consistently foil the schemes and assaults of the series’ primary antagonist Voldemort, despite the fact that his “magical” power is clearly and obviously superior to any other wizard alive (except perhaps Dumbledore).
As for being rid of the burden of supernatural power, that reminds me of how Harry willingly and gladly lays aside the power of the Elder Wand - and indeed all the Deathly Hallows except his cloak - at the end of the series.
Tolkein’s is an intentional analogy of the Christian struggle against sin and death; Rowling’s is an intentional analogy of occult libertarianism, crafted for a modern market, and those who read into it a Christian analogy are finding in it what they want to find - not that which the author has planted there.
If this writer whom you’re quoting can’t see that
Harry Potter is in its own way an analogy of the Christian struggle against sin and death (“The last enemy that shall be destroyed is death,” from 1 Corinthians, is on the tombstone of Harry’s parents at Godric’s Hollow), then he has demonstrated a fatal partiality on this matter. It is this article’s arrogance and willful ignorance which refute it.
The works of J.R.R. Tolkein and C.S. Lewis are fantasy literature with an explicitly Christian purpose
Apparently so many people feel the same way about
Harry Potter that Rowling felt the need to state in a documentary after
Harry Potter and the Deathly Hallows came out that her purpose in writing was not itself to convert people to Christianity.
For Orthodox Christians, the biggest threat of the Harry Potter phenomenon is not something as simple as the popularization of the occult: it is the forgetfulness of the mind of the Church, the Orthodox inheritance as it is and was, intentionally expressed in cultures past and present. For Orthodox Christians bombarded by the deluge of modern pop culture, perhaps it is time to take refuge in that traditional inheritance once again - and leave Harry and Hogwarts out in the dustbin.
Father Geoffrey Korz, (Holy Cross, 2007)
orthodoxcanada.com/journal/2007-04-08.html
Harry Potter stands solidly within the tradition of English Christian literature, as any educated and impartial reader - as well as numerous critics like John Granger - have thoroughly documented time and time again.
Aslan (the Christ character in the form of a lion until the end of the series) gives [Lucy] a magic potion to instantly heal those who have been injured or turned to stone. So let’s see, school children, potions, magic, creatures from mythology. Sounds about the same to me, so why the disparity in criticism?
Precisely. I believe one word that was thrown against the Potter series which I addressed was that it portrays “brewing.” I’d forgotten that
Narnia includes a magic potion that a good guy (Lucy Pevensie) uses as well.
And actually, Father Christmas gives it to her, not Aslan. She doesn’t even get it from the series’ Christ figure!
Sigh. And yet again we have come full circle. I have become weary of another Potter thread. The Catholic Potterites descend on these threads like vultures.
This is my last post here…and on any future Potter threads.
sigh
It always ends the same way…
If you do see my reply, Mickey, you really should check out
How Harry Cast His Spell by John Granger. Granger himself, by the way, is an eastern Orthodox Christian.