Church Exorcist and Pro Life Priest Warns Against Harry Potter

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This is exactly why I can’t be dismissive of Rowlings work, and hesitate at concluding the inconsistencies in characters is completely unintentional. As you discuss it, the complexity becomes apparent despite the simplicity of language and the target audience being developing children.
Yeah, well put, styrgwillidar!
And I think in some ways you’re conceding mashas point that exposure to art (good and bad) has a subtle influence on the reader.
Oh, yes, I am conceding that point. As you say below, I love Harry Potter because, among other things, I’ve observed its positive influences.
Because you agree with me, we both see HP influencing to the positive. Those seeing it as bad art take the opposite side, that it subtly erodes or at least seduces the reader into accepting lowered standards. Those who see an overall decline in the pop-arts in our current culture, I think, then lump HP in with pop-culture overall. HP is undeniably popular, but I don’t see it being popular from trying to fit into or express current pop culture themes.
Exactly. I personally neither enjoy nor revile pop culture universally - it depends on the work. I think Harry Potter is great, and I despise Twilight - yet these two works are continually lumped together by the media simply because both are financially successful novels for a young adult audience.
I won’t deny people perceive it differently. I can only fall back on the explanation that the view of the audience is determined by attitudes they bring to the work.
Of course. To some extent I admit that has to be true.
But was it Rowlings goal (or even responsibility) to ensure that no person could possibly misunderstand, misinterpret or have misplaced motivations to act based on her work?
I think you’re implying that the answer is no - it wasn’t her responsibility to do so. If so, I agree with you wholeheartedly.

I could very much understand people disagreeing about characters - Harry himself, Ron, Snape, Albus Dumbledore (especially with the way he died), etc. - or about other ambiguous things in the series. I’m just flabbergasted when people get it so wrong that they think it promotes the occult. Plenty of critics who are harsher than me to Rowling’s novels (masha probably fits in this category) base their negativity or wariness on something other than the magical or moral elements in Harry Potter.
 
I think you’re implying that the answer is no - it wasn’t her responsibility to do so. If so, I agree with you wholeheartedly.
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Well… this is where the discussion of good vs bad art, transactional approach to art, and artist responsibility and ethics becomes germane. And it is a matter of judgment so I don’t pretend to have the answer, only an opinon. Yeah, I’m wordy, so I beg your patience…🙂

I’ll circle back to the original post- that an exorcist warns against reading HP because of the possibility of leading children to the occult. We’ve beaten the Narnia, LOTR, and HP similarities to death. As others have said, if we accept the warning’s validity- portrayal of magic may influence children to investigate the occult, there is no good or evil magic it all leads to the devil-then the portrayal of ‘good’ magic is actually a higher risk because it seems to legitimise the use. So, no matter how the author treats magic, or how it’s used or by whom in a novel, as soon as it’s included in a work it’s introduced the risk- because it isn’t the author’s intentions that are the issue it’s the audience’s reaction. Something beyond the author’s control. The author can never know if the use of magic by his flawless hero for the ultimate good provides the fascination for a special power that draws a young reader to the occult. Do we hold the author responsible for something they didn’t intend and can’t control? Even for the reactions of a very small portion of the audience? If so, C.S. Lewis, Tolkein and Rowlings are peers in perpetuating this risk.

You’ve read my answer above- my preferred solution is to address the realities and concerns of the exorcist with my children while still allowing them to enjoy and understand fantasy. As well as use a christian bias in interpretation.

But, if an author claims to be a christian, there is the matter of ethics and scandal. We should not mislead others into sin. We certainly don’t want to be the influence guiding someone to the occult. I don’t see much difference in any of the series in terms of drawing lines between good and evil. Rowlings is more direct in showing eternal consequences vice using allegories- but just not traditional hell. Sin requires intention and awareness-and an author can never predict the reaction of every individual to their work. I don’t know the right answer, certainly a christian author should be held accountable to at least contemplate possible effects, but I don’t think it’s unreasonable for an author to expect an audience to be able to differentiate between fantasy and real life. I would say a christian author labors under additional restrictions he should be held responsible for that a non-christian author doesn’t.

Masha referred to art as indicating truth. But the artist is attempting to portray a truth as they believe it to be. I think one of the distinctions of good vs bad art is how well the artist gets their points across, as they intended. For example, a crucifix in urine really doesn’t send much of a message about truth- other than the artist is a talentless, hostile hack. Art should provoke a reaction, good art a contemplation of a truth, just insulting folks isn’t art- or else every irate driver is a master. I don’t have to agree with the artists view of truth, but I should at least understand the artist’s point- even if it’s just a simple appreciation of beauty or form. Their depiction of their truth, if I understand their view, can make me consider my opinions and form a response about why their depiction is false, vice persuading me.

So, here it becomes more interesting to me, because I have my opinion about what the artist was trying to say. If I am right, they did a good job. If I’m wrong, they didn’t. If I took away something the artist never intended it to say, is the accidental message invalid? Or does some art simply attempt to start a chain of thought, vice provide a truth. I mentioned commercial art earlier. Let’s take a TV ad. Pretty simple, some are very clever, engaging, visually wonderful. But did the artist get the message across? How many times have you seen an ad you really liked, but can’t remember what product/brand it was for? The artist failed in their message no matter how much they entertained you. Extend that to ‘serious’ art, where the author is attempting to persuade/convnice/portray some truth. I do think the primary responsibility of an artist is to get their message across. I’ll agree with masha that Rowlings stuff is poorly written- if I can ever sit down with Rowlings and question her about the work- what she intended her audience to come away with. Now, there’s the matter of personal preferences in writing style, which is even harder to address during criticism.
 
Good reflections, styrgwillidar. Good food for thought.

I still don’t think her series is poorly written - at least, not since before Prisoner of Azkaban or Goblet of Fire - but I can see how others would.

I honestly am confident, though, that Rowling’s readers definitely come away from Harry Potter having experienced and seen what she wants them to experience and see. I’m not suggesting they’ll pick up on all the Christian imagery and symbolism that Christian critics have opened my eyes to (after all, other critics - of the Freudian/psychoanalytic school, for instance - interpret the novels’ symbols with equal finesse, specificity, and depth), but there are certain things they simply cannot miss if they pay attention at all to the story: that love and trust are ultimately more powerful and efficacious than even the most powerful individual’s personal might, that seeking to evade and triumph over death on our own terms is futile, that the morally right choice is often not the easy one, that self-sacrifice is both noble and efficacious, etc.

I guess that’s why I don’t worry about Harry Potter tempting kids to the occult. Not only does the series put in place all the objective and externally identifiable barriers which separate Harry Potter from the occult (sharp wizard/Muggle distinction, no invocational magic whatsoever, highly fantastical/fictional effects, etc.), but also, subjectively speaking, I don’t really think it’s possible for someone who has absorbed the above themes to think that seeking power through “real” magic could ever be a good or advantageous thing.
 
I guess that’s why I don’t worry about Harry Potter tempting kids to the occult. Not only does the series put in place all the objective and externally identifiable barriers which separate Harry Potter from the occult (sharp wizard/Muggle distinction, no invocational magic whatsoever, highly fantastical/fictional effects, etc.), but also, subjectively speaking, I don’t really think it’s possible for someone who has absorbed the above themes to think that seeking power through “real” magic could ever be a good or advantageous thing.
I agree, but I think you’re raising a point I’ve only alluded to, that the reader has a responsibility in this as well. The reader must consider the entirety of a work and attempt to understand the artist/author’s intent. This is where my patience with Portrait runs a bit thin, he abrogates the responsibility to read and consider a work, but still attempts to critique it. Masha has raised good points, some actually similar to Portrait, but via an honest and reasonable attempt to read and consider everything in them, and then make a decision. So we as reasonable people can have a difference of opinion on what Rowlings messages were and how well they were communicated. I have a responsibility as a reader, I think, to not put things into a work the artist didn’t intend and cloud their real message. Hence, masha’s point that there is cloudiness to the christian views can just as easily be cloudiness put there by the reader to whatever Rowlings actual intended messages are, christian or non-christian, it cuts both ways.

I worry about my kids having an attraction to power leading them to make bad decisions in this life. Either the occult, or more mundane matters such as physical force or politics and the misuse of power of any sort. So, as I mentioned in a post in response to masha’s question about taking Fr Amorth’s warning seriously, I do take** the actual warning **seriously indeed. I think others have done a great job in showing that the attraction to power can come from any work utilizing magic, therefore Fr. Amorth’s warning applies to any such work- including Narnia or LOTRs. So, I don’t worry about HP leading them to the occult, I like you see the positive, and use it to educate my children and reinforce a christian viewpoint using a set of novels and story they’ve found engaging. I understand masha’s view that some skepticism and self-awareness needs to be involved- are their non-christian views I’m tolerating or overlooking? Have I lowered my standards and am allowing myself or kids to be subtly influenced? Picking up not just what I’m pointing out, but other values I’m not sensitive enough to realize? Good points, which I think are good standards to apply in considering any work of art.
 
Masha referred to art as indicating truth. But the artist is attempting to portray a truth as they believe it to be. I think one of the distinctions of good vs bad art is how well the artist gets their points across, as they intended. For example, a crucifix in urine really doesn’t send much of a message about truth- other than the artist is a talentless, hostile hack. Art should provoke a reaction, good art a contemplation of a truth, just insulting folks isn’t art- or else every irate driver is a master.** I don’t have to agree with the artists view of truth, but I should at least understand the artist’s point- even if it’s just a simple appreciation of beauty or form. Their depiction of their truth, if I understand their view, can make me consider my opinions and form a response about why their depiction is false, vice persuading me**.
Thanks for all your lovely explinations and clarifications. I’m glad to know that I - at least somewhat - managed to express myself clearly and without sounding snotty 🙂 I do want to clarify a point you made (underlined) above. I agree that the artist attemps to portray a truth as they believe it, but I think that success comes when that “truth” becomes a Truth, transcending the “truth as they believe it” and pointing toward Truth (in the objective sense); an example is in the movie “Pan’s Labyrinth” - the director used a creature out of folk myth (one of those that eats children) with the intention of portraying the Catholic Church, but because of the nature of the creature as the director portrayed him, the message was lost and the creature represented only the monster “Temptation” which he alway represents, and no one I spoke to to read (Catholic or otherwise) saw the link intended by the director. That is artistic success, the overwhelming of the “truth” as the artist sees it with Truth as God sees it.

Not to say intentions aren’t important, but they aren’t everything. I really liked your comments on the crucifix-in-urine, why people can parade around angry-actings-out as art is beyond me. 🙂 I also agreed completely with your comments (bolded) absolutely and completely. Very well said!
So, here it becomes more interesting to me, because I have my opinion about what the artist was trying to say. If I am right, they did a good job. If I’m wrong, they didn’t. If I took away something the artist never intended it to say, is the accidental message invalid? Or does some art simply attempt to start a chain of thought, vice provide a truth. I mentioned commercial art earlier. Let’s take a TV ad. Pretty simple, some are very clever, engaging, visually wonderful. But did the artist get the message across? How many times have you seen an ad you really liked, but can’t remember what product/brand it was for? The artist failed in their message no matter how much they entertained you. Extend that to ‘serious’ art, where the author is attempting to persuade/convnice/portray some truth. I do think the primary responsibility of an artist is to get their message across. I’ll agree with masha that Rowlings stuff is poorly written- if I can ever sit down with Rowlings and question her about the work- what she intended her audience to come away with. Now, there’s the matter of personal preferences in writing style, which is even harder to address during criticism
So the (I believe) “accidental” message you took away from Rowling is not invalid, though I don’t believe it is something that can be inherently found in the works, rather, it’s something we can chose to apply from outside - gathering together hints and fragments, or weak attempts to model characters on nobler, better created characters. In that way, she fails because Truth has to be introduced into her works from outside, rather than existing within to be discovered (whether intended or otherwise).

I hope that was all clear. 🙂 I am going to officially bow out of the discussion now though, as maple syruping is starting soon, and that, along with an over-abundance of kid-related activities, and a fast approaching deadline for one of my own projects is going to keep me from the cafes for a while. I really enjoyed the discussion though, and hope everyone enjoyed it as much.

Blessing to all, sorry to leave,
Masha
 
Masha,
Thanks for the exchange of ideas. You made some good points in that last post, best of luck and have fun with the syruping and kids activities.

ETA: We’ll probably all get together on the thread which will inevitably start when the next film is released.
 
I agree, but I think you’re raising a point I’ve only alluded to, that the reader has a responsibility in this as well. The reader must consider the entirety of a work and attempt to understand the artist/author’s intent. This is where my patience with Portrait runs a bit thin, he abrogates the responsibility to read and consider a work, but still attempts to critique it. Masha has raised good points, some actually similar to Portrait, but via an honest and reasonable attempt to read and consider everything in them, and then make a decision. So we as reasonable people can have a difference of opinion on what Rowlings messages were and how well they were communicated. I have a responsibility as a reader, I think, to not put things into a work the artist didn’t intend and cloud their real message. Hence, masha’s point that there is cloudiness to the christian views can just as easily be cloudiness put there by the reader to whatever Rowlings actual intended messages are, christian or non-christian, it cuts both ways.

I worry about my kids having an attraction to power leading them to make bad decisions in this life. Either the occult, or more mundane matters such as physical force or politics and the misuse of power of any sort. So, as I mentioned in a post in response to masha’s question about taking Fr Amorth’s warning seriously, I do take** the actual warning **seriously indeed. I think others have done a great job in showing that the attraction to power can come from any work utilizing magic, therefore Fr. Amorth’s warning applies to any such work- including Narnia or LOTRs. So, I don’t worry about HP leading them to the occult, I like you see the positive, and use it to educate my children and reinforce a christian viewpoint using a set of novels and story they’ve found engaging. I understand masha’s view that some skepticism and self-awareness needs to be involved- are their non-christian views I’m tolerating or overlooking? Have I lowered my standards and am allowing myself or kids to be subtly influenced? Picking up not just what I’m pointing out, but other values I’m not sensitive enough to realize? Good points, which I think are good standards to apply in considering any work of art.
I want to say that you sound like an excellent parent. When I was growing up my Dad would get so upset whenever anything remotely alluding to a non-Catholic idea was presented on TV or in a book that he would immediately turn off the TV (or change the station) or confiscate the book.

I remember one show where a character became involved in an affair with a married man. Bad on two points - fornication and adultery. We weren’t allowed to watch this (my Dad literally jumped up to change the channel and was furious that this sort of thing could happen on TV - I should mention this was quite some time ago and it was controversial). I know his motives were good. But we were old enough to understand that perhaps this character would come to the realization that what she was doing was wrong. Later on I saw the episode again and that is exactly what happened. She deeply regretted the affair.

We all saw that she began the affair but we were not allowed to see what happened and no discussion of the sins this character was committing was allowed. It was just B-A-D. I wondered why. As a parent I would look at this situation as an opportunity to explain to my children the reasons why fornication and adultery are sinful. Certainly it could have been used as the opening to an interesting dialogue - the sort of dialogue my Dad and I engaged in when I became an adult.

Another example: in high school there was a banned book list. On that list was Catcher in the Rye. Of course I read the book as soon as I could and to this day I’m not quite sure why it was banned. It wasn’t like Portnoy’s Complaint which I would say should be banned just because it’s a horrendous book (that’s tongue-in-cheek as I don’t believe in censorship in general). I would have loved to discuss the motives of the protagonist in Catcher in the Rye with my Dad.

What I’m trying to say (in a wordy way; sorry) is that books like the Harry Potter series can be used as a tool, as the beginning of a discussion about magic, good and evil, and the other themes presented in the books. The children who read these books are old enough to be able to participate in a discussion; they aren’t toddlers or in the third grade, except for the rare exception. Chances are they are going to either read the books or find out about them from other children. And we know how people can distort things. I would much rather have my children read the books and discuss them with me than not read the books and discuss what they think is being said with other children.

One last point: I’m glad that children are reading these books. I’ve run across far too many children who look upon reading as a chore and refuse to read any more than they are forced to and they hate reading even that small amount. My neighbor has bought the most fascinating books for her son and he won’t even open them. It’s a shame. I’ve tried to explain to the kids in my neighborhood that books are wonderful; they can be adventures. They can be fun. So far I haven’t made much progress; the kids around here would rather have “fights” with long sticks, hang out at the pocket park that’s at the end of the block or play computer games. I’ve always loved reading and my Mom took us all to the library a lot. I read The Lion, the Witch and the Wardrobe as a very young child (I taught myself to read before kindergarten) and enjoyed it immensely. I wish children would read more than they do. If they want to read Harry Potter then I say let them do it, but be sure to discuss the books with them.

Especially if one is worried about possible negative effects.
 
F.A.O. Mumbles140/ Reply to Post 779

Dear Mumbles,

Cordial greetings and apologies for the delay in giving a response to your post but I was otherwise engaged yesterday. Hope all is well dear friend.

Your inference that I am claiming that “any book worth reading should have to be written from a Christian point of view”, is both risible and ridiculous as well as just mistaken. Sorry my dear chap but you are completely off beam as I would never make such a claim or even intimate at such a notion for that matter. We are discussing the differences that I believe, along with many others, exist between Rowling’s series and the classic works of Lewis and Tolkein. It is these books which are currently under review and not any other book. In any event, each work of fiction must evaluated on its merits (or demerits); some will be consonant with our Church’s teaching on faith and morals, or at least will not be inimical to it, whilst others will not; some will be culturally wholesome, whilst others will fall exceedingly short and may need to be discarded as culturally unhealthy reading material.

Since Satan has deeply invaded man’s cultural structures (literature not being excluded), the impurities of the world often come to us in very subtle ways and this makes it extraordinarily difficult to recognise them and thus harder to avoid them. Most harmful of all is evil under the guise of good. Now clearly, if one thinks that something is good, one does more than just not avoid it, one surely embraces it enthusiastically. The Potter series of books is exactly this - evil that has the appearance of good. Moreover, the very fact that many men, including Christians of all hues, are embracing it makes it look very good. Then we listen to the defective and fallacious reasoning of a John Granger who says that Potter is just fine, and we begin to think that we are joyless priggs or Puritan prudes because of our disquietude with the series. Then we meet other parents who have wholeheartedly embraced the Potter books and permit their offspring to read them, then we start to feel that we are possibly being righteous overmuch or “fundamentalist” because we do not share their enthusiasm and have grave misgivings respecting the series. Thus we find ourselves concluding that there cannot be anything amiss with the Potter books, but there just might be something amiss with us. For how could so many men, and good ones at that, be decieved so very badly; is it really mass delusion? However, this is the very sort of faulty thinking that we must needs avoid if we are to think Christianly and independently with an authentic Catholic mind.

It is high time that modern day Catholics see the whole Potter phenomenom within a broader context of the idealogical confusions of the present socio-historical era and the unprecedented power of the new media culture to reshape our understanding of reality. Moreover, Catholics need to appreciate afresh that the global resurregence of interest in the occultic sub-culture is a symptom of the bankruptcy of secularism. There is a deep spiritual void and longing within man that must be satisfied somehow; if the Church is failing to offer the fulness of the Catholic Faith to the emerging young generation, then it will search elsewhere in the psuedo-mystical - not infrequently connected with the occult. Seen in this larger context it would be height of folly to assume that the Potter books, devoid of an authentic Christian world-view, could never open a gateway into that dark world.

Magic in the Potter tales is both innate and learned, hence the Potter boy is a wizard in training at the Hogwarts academy. Thus magic may well be presented as an inherent faculty, but it is, nevertheless, an inherent faculty that requires awakening and formation through the pursuit of esoteric knowledge and power, hence the training.

There is no doubt whatsoever about Father Amorth’s opinion respecting the dark world of the Potter books themselves and it is this, I respectfully suggest, that we must keep before our mind’s eye in the Potter controversy, given Father’s wealth of experience and expertise. Thus his stern warning ought not to go unheard or, in my opinion, unheeded by the faithful. Moreover, we should also not forget his highly critical words regarding the disordered morality, presented in the Potter novels, which he believes, quite rightly, strongly reinforce moral relativism.

Finally, as regards Rowling’s bolt out of the blue anouncement respecting the Dumbledore character at Carnegie Hall, this was, undeniably, most inappropriate and irresponsible coming from a notable children’s author, notwithstanding specious arguments to justify it or to explain it away. Surely in making such an impious remark, she was throwing the weight of her influence behind the cause of homosexual equality and acceptance of homosexual liaisons. In short it was Rowling’s stand for so-called “diversity” and a call for tolerance of homosexual conduct in our modern and enlightened age. Her ill-advised comment is very telling indeed, for it explains the nebulous morality that pervades the entire Potter series. Nothing that you, or anyone else, have said thus far has caused me to change my opinion or to revise my thinking about this matter. That she can talk about such a distasteful topic in a flippant manner, given her status as a children’s author, without blush or shame, is utterly deplorable, but methinks hardly surprising, given her progressive world-view.

Warmest good wishes,

Portrait

Pax
 
One last point: I’m glad that children are reading these books. I’ve run across far too many children who look upon reading as a chore and refuse to read any more than they are forced to and they hate reading even that small amount. My neighbor has bought the most fascinating books for her son and he won’t even open them. It’s a shame. I’ve tried to explain to the kids in my neighborhood that books are wonderful; they can be adventures. They can be fun. So far I haven’t made much progress; the kids around here would rather have “fights” with long sticks, hang out at the pocket park that’s at the end of the block or play computer games. I’ve always loved reading and my Mom took us all to the library a lot. I read The Lion, the Witch and the Wardrobe as a very young child (I taught myself to read before kindergarten) and enjoyed it immensely. I wish children would read more than they do. If they want to read Harry Potter then I say let them do it, but be sure to discuss the books with them.

Especially if one is worried about possible negative effects.
Dear LittleSoldier,

Cordial greetings and jolly good to hear from you again. I cannot recollect when we last spoke on the boards, but if my memory serves me well it was in a debate on modesty of attire.

Thankyou for your kind comment upon my post but I am, of course, sorry that you do not preceive the Potter books as being culturally unwholesome.

Whilst it is perfectly true that the Potter tales are captivating the minds of the youth an hooking a whole generation of children on reading, I rather think that this is a most superficial and wholly unconvincing defence of the series. Will the global army of young Potter readers now turn their attention to Tolkein, Dickens or the great classics or will they simply go in search for more of the type of thrills that Rowling has whetted their appetites for? There is a great deal of corrupt literature, well written material that may indeed stimulate a literary habit, I do not deny, as it also accelerates the degeneration of moral consciousness.

The urgent need of the hour is surely for a discerning literacy, as I am sure you would agree. However, I am bound to say that literacy alone is insufficient. An appetite for reading fiction cannot be of higher value than a child’s moral foundation for that far out weighs every other factor.

A steady onslaught of indoctrination pours into our children’s lives nowadays via films, DVD’s, TV, books,rock/pop music and all other forms of social communication. Catholic parents need to thoroughly familiarize themselves with what is going on in the debased youth culture of today.

Nice to hear from you and God bless.

Warmest good wishes,

Portrait

Pax
 
There was once a guy who didn’t want people to think for themselves and had any book he disapproved of burned.

Man… what WAS his name???

The kind of fanatical thinking here is not so different and is actually one of the attitudes that I saw in Christians so often as a child that kept me away from Christ.
 
Great post, LittleSoldier. 🙂 I just have one quasi-relevant nitpick:
I remember one show where a character became involved in an affair with a married man. Bad on two points - fornication and adultery.
No fornication involved. Both parties are guilty of adultery (CCC 2380).

It’s only fornication if both parties are unmarried (CCC 2353).
 
Your inference…

It wasn’t an actual inference - it was hyperbole. I was trying to show the absurdity of dismissing a book solely because it wasn’t written from a Christian viewpoint. You see, the only claim you have to refute the magic is that the magic is from a Christian viewpoint. It would then follow that this, and not magic itself, is the deciding factor. I just applied it universally to show you the effects of your statements.

…The Potter series of books is exactly this - evil that has the appearance of good. Moreover, the very fact that many men, including Christians of all hues, are embracing it makes it look very good. Then we listen to the defective and fallacious reasoning of a John Granger who says that Potter is just fine, and we begin to think that we are joyless priggs or Puritan prudes because of our disquietude with the series…

**You have yet to prove Potter as insidiously dangerous, culturally unwholesome, or even related to the Occult. The fact that you call this series ‘evil’ while producing no evidence supporting that claim is ludicrous.

I made my decision independent of Granger, and only read about him when he came up in discussion. However, if you find flaws in his arguments, as we have found in those of O’Brien and Fr. Amorth, by all means share them. In fact, I insist, because if not, I consider your description of him to be quite slanderous.

Also, I have never used the terms ‘Puritan’, ‘prude’, ‘prigg’, or ‘scrupulous’ in terms of those against Potter. My argument has been, however, that it can be easy to see the Devil in everything when we are overly cautious, and this can hinder the joys God has allowed man to create. I mean, should we turn away from the statue of David because he is naked? Now, staring at certain magazines with naked people in them is dangerous, but what about paintings or sculptures containing nudity? Surely, God has given us logic and reason to discern from that which is good in the right context and that which isn’t. Your views on magic ‘not written from a Christian standpoint’ (which isn’t really a claim at all) are similar to those who see David as pornographic, and it is a little disconcerting.**

It is high time…

You have yet to prove that Potter is related to the secularism in the world. Granted, the world is extremely secular and getting worse, and there are non-Christians who have read and enjoyed Potter, but you have no evidence drawing the two together. And at a time when the only use of ‘God’ or ‘Jesus’ you hear in popular media these days is in the use of profanity, it is refreshing to see a very popular work quote the Bible (and this was written AFTER the series became a hit) while maintaining such strong Christian themes, and even having Christ-like figures and events.

Magic in the Potter tales is both innate and learned, hence the Potter boy is a wizard in training at the Hogwarts academy. Thus magic may well be presented as an inherent faculty, but it is, nevertheless, an inherent faculty that requires awakening and formation through the pursuit of esoteric knowledge and power, hence the training.

But such is the case with any use of magic in any work of literature whenever it is confronted. There is always the idea that the ability must be honed, crafted, etc. This is usually done under apprenticeship or magical books/items. I repeat from my last post - a human child reads a spellbook and performs ‘good magic’. I cannot see how, based on all of your arguments, this is acceptable, but you seem to think so because the author was Tolkien and not Rowling. Please answer the “Lucy” problem.

There is no doubt whatsoever about Father Amorth’s opinion…

But his stern warning, without adding to or taking away from what the Father actually said, should also apply to Narnia and Middle Earth. I heed his warning, and though I disagree with it particularly with Potter, I think it is important to be wary of that which draws us to evil. However, by maintaining education about the faith with our children and ourselves, the book can be enjoyed without the threat of danger.

Finally, as regards Rowling’s bolt out of the blue anouncement respecting the Dumbledore character at Carnegie Hall…

**Seriously, you made your claim. It was refuted, because the Dumbledore character as a homosexual is even more virtuous now than had been previously, to which your reply was that Rowling never intended that. We cannot just make claims on other’s opinions without some sort of backing. Yours is that she ‘comes from a liberal Church, and thus must be pushing her liberal agenda of tolerance and acceptance.’ Mine is that the character is asexual in the novels. If her inspiration for him was as a homosexual, as is the seemingly most accurate interpretation based on her wording, her point could be seen that homosexuals can still lead lives of virtue, which is in line with Church teaching. Unless you have anything else to add to this part of the debate, I no longer wish to hear your baseless banter concerning the matter. Whether it was proper for her or not, good parents would use it as a teaching example.

Do you not realize that you are trying to do the same here that you did with Father Amorth, but in the opposite direction? Father said very clearly** that there is no distinction between good magic and evil magic, for all magic bears the signature of the devil. You say what he ‘really’ meant though, which is that he must not have meant ‘all magic’ even though he said ‘all magic’. Now, with Rowling, you again take a direct statement, add your own spin (in your direction of course), and yet can provide no backing to support such a conclusion. If you want to convince me, create an agreed upon premise, lay out the facts, and then present the inevitable conclusion.
 
Catholic parents need to thoroughly familiarize themselves with what is going on in the debased youth culture of today.
Well, actually it’s the adult culture which is corrupt. I have found that children care more for what is morally right and wrong, with less rationalization and tolerance for what is ‘legal’ or accepted. As well as less tolerance for various categories of victimhood put forward as justification for poor behavior.

Which is why I’ve found that children can read and see the lessons of the virtues portrayed in HP, loyalty to friends, self-sacrifice, doing what is right and difficult even when those in authority are obviously going down the wrong path.

It is the adult culture trying to get the kids to accept and conform with the immorality and choices of adults-- like divorce and the disintegration of the family, abortion and the disrespect for life etc.

The HP are fairly refreshing novels for, unlike most youth oriented media including Disney, there is a distinct lack of urgency or importance of male-female relationships. And despite everything you have written, yes HP portrays an eternal moral code which transcends whatever is accepted or perpetuated in human society at any given time.
 
Dear LittleSoldier,

Cordial greetings and jolly good to hear from you again. I cannot recollect when we last spoke on the boards, but if my memory serves me well it was in a debate on modesty of attire.
If it were indeed on any debate of modest dress I am sure we disagreed. As we do here.
Thankyou for your kind comment upon my post but I am, of course, sorry that you do not preceive the Potter books as being culturally unwholesome.
My comment on your post was facetious, as the rest of the post should have made clear.
Whilst it is perfectly true that the Potter tales are captivating the minds of the youth an hooking a whole generation of children on reading, I rather think that this is a most superficial and wholly unconvincing defence of the series. Will the global army of young Potter readers now turn their attention to Tolkein, Dickens or the great classics or will they simply go in search for more of the type of thrills that Rowling has whetted their appetites for? There is a great deal of corrupt literature, well written material that may indeed stimulate a literary habit, I do not deny, as it also accelerates the degeneration of moral consciousness.
So why don’t we let you decide which books are appropriate (and I remember reading in this thread that you haven’t read the Harry Potter series)? Who is to decide? Is censorship appropriate? Are we to keep our children “in the box,” expose them to explicitly Catholic ideas re morality and homosexual activity exclusively? Are we not responsible to help form their minds? Doesn’t the Church welcome questioning? That’s always been my understanding.

If you have some proof that those young people who read the Harry Potter series go on to seek only or in a majority of the time other books which present the occult in an obvious non-Catholic way (such as The Devil’s Bible and/or other works of that nature) – please present this proof. I question your conclusions because I haven’t seen one shred of evidence to back up your claims and I therefore discard them as baseless and completely without meaning. And I’m not sure but I believe you have been asked for this proof before.
The urgent need of the hour is surely for a discerning literacy, as I am sure you would agree. However, I am bound to say that literacy alone is insufficient. An appetite for reading fiction cannot be of higher value than a child’s moral foundation for that far out weighs every other factor.
To be honest, Portrait, and certainly with all due respect, I have absolutely no idea of what you mean by “the urgent need of the hour is surely for a discerning literacy” and I have problems with people telling me that they are “sure” I “would agree.” Please don’t be so sure - you might be surprised at the thoughts tumbling through my somewhat addled brain. As brevity is the soul of wit, I request that you rephrase this sentence. Although I am loathe to bring this up, I have brain damage with problems in language comprehension and your posts often either give me a headache or exacerbate one I already have (such as today). Hemingway is a personal hero of mine as he was successful in getting his points across without resorting to such complex language. I apologize for requesting this and I mean absolutely no offense to you (it’s your right to write in the way you feel is best as long as it follows forum rules) and I hope you can understand that I am only making this request so that we can communicate in a more productive way. If you don’t wish to do this, that is perfectly fine with me. I don’t want you to think that I am making fun of your posts or anything of that nature. I just want to communicate with you. That’s all.

As I implied in my post, an appetite for reading in general does not seem to exist in most of today’s youth. If they do not read what they want to read (within certain parameters; for example, I would not allow my children to read The Devil’s Bible) they quite simply do not read. At all. Except perhaps the instructions for the newest computer game. Nah - they probably wouldn’t read those either. They may not read the Bible. They may not read their school books. But they most likely will learn about Harry Potter from their friends. Certainly it is more appropriate for them to read the actual books and then join in a discussion with their parents as to the messages that are put forth in the books.

Do you believe my Dad’s behavior was appropriate? I think he would have done a much better job in teaching morality to his children by actually letting us watch the episode I mentioned on TV and then turning the TV off, sitting us all down, and telling us why fornication and adultery are wrong. That would have been a much appreciated lesson and one I *never *received from him when I was growing up. All I knew was that most of what I engaged in was probably bad and the chances of my conducting myself in a moral, Christian way were extremely low. All those chances for learning were thrown out with the garbage.

-----continued in next post-----
 
-----continuation of above post-----
A steady onslaught of indoctrination pours into our children’s lives nowadays via films, DVD’s, TV, books,rock/pop music and all other forms of social communication. Catholic parents need to thoroughly familiarize themselves with what is going on in the debased youth culture of today.
Then I charitably request that you read the Harry Potter series before telling parents they should not allow their children to read them. And if you are not a parent I charitably request that you read the *Harry Potter *series, anyway. As I am.

Also, I do take offense to your term “debased youth culture.” What do you mean by this? Please, simple language that I can comprehend. I want to engage in dialogue with you. Again, I apologize for this request.

And what of the “non-debased youth culture?” Is it OK for them to read the Harry Potter series?
Nice to hear from you and God bless.
Ditto.
Warmest good wishes,
Ditto.
Ditto.

I apologize for the length of this post. I couldn’t cut out anymore and feel that I had responded adequately to your points. I don’t like writing long posts and I’ll try to not do so in the future.
 
Great post, LittleSoldier. 🙂 I just have one quasi-relevant nitpick:

No fornication involved. Both parties are guilty of adultery (CCC 2380).

It’s only fornication if both parties are unmarried (CCC 2353).
Ooops. Thank you for the clarification. 😊 My apologies.

(I like your term “quasi-relevant nitpick”). 😃
 
Portrait, would you forbid your children to watch Disney’s Fantasia because of the “Sorcerer’s Apprentice” part? (I’m not trying to take this thread off-topic but I’d like to know your opinion on this.)

Also, do you believe that censorship is appropriate? Do you believe in burning books? I am not asking this to be offensive to you or to anyone else; I’d like to know your opinion. That’s all.

Thank you.
 
Ooops. Thank you for the clarification. 😊 My apologies.

(I like your term “quasi-relevant nitpick”). 😃
Meh, no problem!

And yeah, the “quasi-relevant nitpick” term came out of my desire to communicate both the correction and my awareness that for the purposes of this thread, it totally doesn’t matter. 🙂
 
Well, actually it’s the adult culture which is corrupt. I have found that children care more for what is morally right and wrong, with less rationalization and tolerance for what is ‘legal’ or accepted. As well as less tolerance for various categories of victimhood put forward as justification for poor behavior.

Which is why I’ve found that children can read and see the lessons of the virtues portrayed in HP, loyalty to friends, self-sacrifice, doing what is right and difficult even when those in authority are obviously going down the wrong path.

It is the adult culture trying to get the kids to accept and conform with the immorality and choices of adults-- like divorce and the disintegration of the family, abortion and the disrespect for life etc.

The HP are fairly refreshing novels for, unlike most youth oriented media including Disney, there is a distinct lack of urgency or importance of male-female relationships. And despite everything you have written, yes HP portrays an eternal moral code which transcends whatever is accepted or perpetuated in human society at any given time.
My experience is the same, styrgwillidar. Well said.
 
Fantasia- loved the film. My daughter used to fall asleep in my lap watching it. However, Little Soldier, you raise a valid point.

Since Mickey’s dabbling makes magic appear as seemingly harmless fun (btw, wasn’t there just a live action ‘Sorcerer’s Apprentice’ out recently, I don’t recall it being condemned or cited anywhere?), than if we are to heed Fr. Amorth’s warning it certainly can spark a child’s interest in further investigation of magic and eventually the occult. But, then again, is the work balanced by the contrast of 'Night on Bald Mountain’s depiction of demons and satan with the ‘Ave Maria’ at the end (if I remember correctly)? Regardless of how the creators balanced and intended the work, the danger of it leading to the occult still exists because it is dependent on the perception and reaction of the viewer.

As to censorship and book burnings. No offense taken here, because we are in fact discussing exercising the parental right of censoring material our children are exposed to. We have the responsibility to educate our children in morality. I prohibit my children from viewing pornography, but not necessarily all works of art which involve nudity. What is the difference? Well, pornography is targeted to titillate, evoke a prurient response in the viewer There are certainly works of art involving nudity which weren’t intended to illicit that type of response. Of course whether the depiction does or not is again, dependent on the viewer not the creator. I would say that people who know that any depiction of nudity will create a prurient response in themselves, should avoid them.

Your question speaks to how much responsibility we have to prevent our brothers from falling into sin. Certainly it is a sin to mislead others, or lure them into sin. But are we supposed to remove everything from the world which might mislead others? Even if some folks take the opposite view of the books than us? As here in HP, am I flawed because I see good in the works, or flawed because I fail to see evil in them? Because only Rowlings knows what she intended (refer to discussion re good/bad art above). I am not so sure of my taste in literature and it’s analysis that I would trust my judgment on what should be destroyed vice simply avoided. Theologically, if I could be assured that by burning books I was preventing the corruption and damnation of people, it would appear sound and prudent. But destroying others works is sinful, so I would be conducting a wrong, and the church does not condone sinful means in achieving noble ends. Also, being human, it is entirely possible that the very books I was burning were actually the key to the salvation of some.
 
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