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Portrait
Guest
Dear Mumbles,But sometimes we need to see examples of the fall so we can see the need for redemption. Would you agree? If every single piece of literature we read had those who were sinless, we wouldn’t see the desperation when people realize they have lost that grace. If the Lion, the Witch, and the Wardrobe was taken away from us when Edmund betrays his family, we wouldn’t see the need for his penance, and we wouldn’t learn of the sacrifice and resurrection of Aslan. I fear you do not see the forest for the trees.
Also, I know you may be busy, but as a reminder, I will request, in every future post, that you address the issue of Lucy Pevensie I mentioned in a previous post. If you can answer that without using the author’s POV as a defense, then we can have something real to discuss. If not, it would then appear that using a combination of Fr. Amorth and other sources has lead you into a contradiction of views, which ultimately means hypocrisy.
Cordial greetings and thankyou for your reply to my post.
Look here my dear chap, I understand that you want to champion and defend the Potter books against my allegedly unsubstantiated criticisms, but I feel that you are choosing to brush aside the manifestly obvious fact that these novels are problematic. Contrary to what you assert, the Potter tales are replete with insidious dangers and do constitute culturally unhealthy reading material.
For one thing the distinction between good and evil is very nebulous throughout the series. Although it is argued that the books contain a strong moral message and depict the battle between good and evil, this simply cannot be sustained and one observes, time after time, constant contradiction. Characters who were portrayed as evil turn out to be good, whilst the good chaps end up being the villians of the peice. A clear example of this vagueness is Sirius Black, the escaped murderer who turns out to be Potter’s “godfather”, falsely accused and wrongly convicted. Throughout the majority of Book 3, he is shown to be a dangerous and evil wizard, though in the end we discover how much he cared for and helped Potter’s parent’s before they died.
At the end of the Fourth Book we see Mad Eye Moody, who has been assisting Potter to avoid punishment all year, turns out to be a Death Eater. Then we find out that it was actually one of those high up in the Ministry of Magic, who has been imbibing a Polyjuice potion all year to make himself looklike Moody.
Even Potter himself, who is supposedly the ‘hero’ of the tales, bears a striking resemblance to the Voldmort character, his mortal enemy and the most evil wizard around. However, they both can converse with snakes; they were both orphans; the scar that Potter sustained from Voldmort’s attack burns when Voldmort is close by and they both use wands from the feathers of the same phoenix.
So just who is good and who is bad in the novels? Every book in the series has at least one character that turns out to be other than how he is portrayed. Please do not misconstrue my meaning here, I am not saying that plot twist or a surprise ending is wrong and some of the best authors employ that technique. However, a problem surely emerges when too many of your characters are unreliably good or evil; when you never quite know who’s who or what side he is on. Moreover, those characters who are decidedly one way or the other are not usually portrayed in a good light, or at least they change to become what everyone else wants. Either way, indisputable messages are plainly clear to the young reader.
Hermione, for example, one of the boy Potter’s best friends, was originally ostrasized by Potter and his friend Ron because she was a goody goody. She always did her homework and always revised for her tests and to add insult to injury she neve allowed her friends to copy her work or test answers - in fact a model young woman worthy of emulation. As a consequence, she was not considered worthy to their friend, until the day she told a lie to a teacher in order to cover up for the boys. Suddenly, this wins their respect and she was now permitted to join them in their capers. From henceforth, she was the brains behind all of their exploits, from teaching them how to stealthly steal ingredients for a potion using deceitful means in procuring a restricted book from the library. Thus, essentially the message is that if one is not automatically ‘cool’, then lying will certainly make one so. This is unacceptable in books aimed primarily at children and young people who are highly influenceable. Our decent and respectable youth who conform and obey are increasingly under much peer pressure already to prove that they are “one of the lads” and most definitely not an ‘uncool’ goody goody. The warped message of the Potter books will only serve to brainwash them into thinking that going astray is the right thing to do when one is young.
Of course the Potter books are a by-product of our relativistic age, for they are hardly consonant with the world of the pre-1960’s. They embody the world view of their avante-guard author who is, alas, infused with progressive thinking and not with historic orthodox Christianity, as the above examples evince most clearly. That J.K. Rowling has a confused and vague morality is something which admits of know doubt, if her Potter series is anything to go by.
Sorry dear friends but that is my final offering today. Over and out.
May God bless all of you abundantly, even if the contention between us is very sharp on this thorny issue.
Warmest good wishes,
Portrait
Pax