This has been an interesting discussion.
Having not read the passages in the new translation which have been criticised or praised for good/bad grammar, I cannot comment directly on it. That said, I think it is a bit harsh and unfair to accuse Agapewolf of knowing little about grammar. I’m sure she has a decent grasp of grammar based on her past posts.
Moving on…
…There is nothing wrong with a fifty-word sentence, so long as it is structured and punctuated properly. Dickens, Chesterton, Waugh, et al–they all used long sentences, and most upper level textbooks today do the same. **It is a very current and trendy mindset that dislikes lengthy sentences, simply because our modern attention spans have grown shorter and shorter. **
I do agree with this, especially the part bolded by me. I studied both journalism and music whilst at university. What I found very interesting were the various different styles and approaches to writing based on the audience you were addressing. In journalistic writing, for example, you were taught to write for the average 6th to 8th grader - short sentences, simple, quick and easy comprehension, a concise overview of the entire story in the first and last paragraphs since it is known that most people will focus on those paragraphs and then scan through the rest. I also worked at a law library throughout my college years, and discovered the confusing style of writing of law, which, at first glance, appeared to be the worst kind of writing. It bothered the heck out of me, especially when I’d be asked to proofread and edit my boss’s work, continually reminding myself I had to edit according to that writing style and not of any other kind.
I actually preferred writing more for literature, thus, took many literature and English courses. Most of the courses I chose focused on the classic writings, especially of the 19th century British and American writers. The use of the language was like an art, with such impeccable beauty in which to describe the authors’ thoughts, scenes, etc. There was something sacred (not in the religious sense) with the way they used words and how they could so perfectly compose an incredibly long sentence with such beauty and meaning, as well as comprehension. It created a heightened sense of importance to what was written. It was something I have always been in awe of even as a little girl. Edit… To add, we were also instructed to read writings of bad writers of the time as well, just so we can see how mediocre or bad writers used “flowery” language in the worst and distasteful ways. Sort of like certain kinds of musical compositions of various centuries past.
I also took courses in which the professors were very much into the current way of writing, even within literature. They completely pooh-poohed the “old” way of writing. It was considered passe and they even admitted to the fact that it was because people’s attention spans had shrunk considerably and would be putting too much of a mental burden on them, which I found somewhat insulting to humans in general. That said, I still had to learn how to write in this style as well. Most certainly, there are writers of this century and of the last century which were able to write beautifully in the modern style, thus keeping the art of writing in tact, but there is also a lot writing which leaves much to be desired, keeping the “sacredness” out of it and making it cold, too practical and untempered. As you have probably seen with your students, some will take advantage of that and write poorly out of sheer laziness. I saw this with some of my own classmates.
For certain subjects, this cold, practical style works very well. For others, it wouldn’t be appropriate, especially in regards to subjects which require a high sense of quality, respect, sacredness and even “other-worldliness”, thus often compelling a person, purposely, to focus more on what they are reading so that they can receive a fuller and deeper comprehension of what is being described. I know that is the case for me when I read these kinds of writings.
Again, I cannot and will not comment on the new translations as I have not seen those passages which have been criticised, but if these passages are truly grammatically sound and the construction of the sentences is meant to relay the sense of sacredness, importance, as well as require a deeper sense of focus and understanding, I would not find anything wrong with it. I’m of the mind-set of not underestimating the ability of people in many spheres of life, as well as providing that utmost sense of importance to the sacredness of anything to do with the Mass and the Church. But if those passages are written poorly, then there is no excuse for it, because it most likely is very difficult for anyone to comprehend since the entire meaning of the passage would be missed.