B
benedictgal
Guest
I looked up the matter regarding instruments and whose competency it is to regulate their usage. According to a letter written by the CDWDS to the USCCB regarding American adaptations to the GIRM:
Now, regarding the music itself, one of the things mandated by Liturgiam Authenticam was that the individual national episocpal conferences submit a repetoire of hymns to be used in their particular territories. The USCCB submitted theirs in 2006; however, the Holy See has yet to approve it. In other words, the content, settings and music are all under review. The document was supposed to have come out in early 2009; however, with the change in administration at the CDWDS, there has been a delay as the new Prefect and his team are reviewing everything. When I met the previous secretary to the CDWDS back in 2008 while I was at a conference in St. Louis, he told me that he and the Congregation were aware of the musical situation in the United States and that things would be changing. Yes, the wheels of the CDWDS may grind slowly, but, they grind finely.
As to the provision for n. 393, the Congregation appreciates the evident intent to encourage a new era of responsible creativity among liturgical musicians and composers, and has no difficulty in principle with a provision for the submission of texts of the Gloria, the Creed, the Lord’s Prayer, the acclamations and responses (perhaps more simply “the musical settings for the various parts of the Order of Mass”) as well as other rites to the Conference’s Secretariat for the Liturgy prior to publication. At the same time, it would ask the Bishops to extend the same provision to the melodies. It is clear that according to the past implicit criteria which it has developed, the Conference would not approve banalizing settings or others that conflict with the liturgical spirit. Moreover, at a juncture when new compositions are to be made, it seems prudent to set in place a filter to exclude inappropriate settings for the future. For the implementation of this norm of the Institutio Generalis, the Congregation is willing to sanction internal legislation at the level of working regulations (not requiring the formal recognitio of the Holy See), whereby the Conference regulates this matter as they do copyright, liturgical edition design and other matters in a case-by-case manner through the Liturgy Secretariat or any other appropriate organ of their devising.
Thus, the competency falls on the national bishops’ conference and not an individual bishop/archbishop.Certain other provisions seem to require further study and specification before being introduced as adapting legislation. **What is said here may be understood to apply to nn. 301, 304, 326, 329, 339, 343, and the portion of n. 393 referring to approved musical instruments. In cases where the Conference of Bishops is to legislate, such legislation should be truly specific, and the law intends precisely that any particular episcopal legislation on these matters be enacted in common by the Bishops of the Conference rather than being left to be determined variously in different dioceses. In the absence of any particular legislation on such a matter, specifications contained in the universal law maintain their full force. In **other words, the Conference of Bishops may name specific materials or instruments as suitable in addition to those universally deemed so, but in the absence of such specification, only the “traditional” materials or those otherwise specified in the Institutio Generalis Missalis Romani are to be regarded as approved.
Now, regarding the music itself, one of the things mandated by Liturgiam Authenticam was that the individual national episocpal conferences submit a repetoire of hymns to be used in their particular territories. The USCCB submitted theirs in 2006; however, the Holy See has yet to approve it. In other words, the content, settings and music are all under review. The document was supposed to have come out in early 2009; however, with the change in administration at the CDWDS, there has been a delay as the new Prefect and his team are reviewing everything. When I met the previous secretary to the CDWDS back in 2008 while I was at a conference in St. Louis, he told me that he and the Congregation were aware of the musical situation in the United States and that things would be changing. Yes, the wheels of the CDWDS may grind slowly, but, they grind finely.