The question of the literary forms of the first eleven chapters of Genesis is far more obscure and complex. These literary forms do not correspond to any of our classical categories and cannot be judged in the light of the Greco-Latin or modern literary types. It is therefore impossible to deny or to affirm their historicity as a whole without unduly applying to them norms of a literary type under which they cannot be classed. If it is agreed not to see in these chapters history in the classical and modern sense, it must be admitted also that known scientific facts do not allow a positive solution of all the problems which they present. The first duty in this matter incumbent on scientific exegesis consists in the careful study of all the problems literary, scientific, historical, cultural, and religious connected with these chapters; in the next place is required a close examination of the literary methods of the ancient oriental peoples, their psychology, their manner of expressing themselves and even their notion of historical truth the requisite, in a word, is to assemble without preformed judgements all the material of the palaeontological and historical, epigraphical and literary sciences. It is only in this way that there is hope of attaining a clearer view of the true nature of certain narratives in the first chapters of Genesis.** To declare a priori that these narratives do not contain history in the modern sense of the word might easily be understood to mean that they do not contain history in any sense, whereas they relate in simple and figurative language, adapted to the understanding of mankind at a lower stage of development, the fundamental truths underlying the divine scheme of salvation, as well as a popular description of the origins of the human race and of the chosen people. **
This