Here’s a nice article from Catholic Exchange:
catholicexchange.com/gregorian-chant-pride-of-place
An excerpt:
Although many of us see little or no evidence of it, the Church holds a high preference for Gregorian chant in the Mass. The General Instruction of the Roman Missal (GIRM 41) states that “Gregorian chant holds pride of place because it is proper to the Roman Liturgy” …
Some think that Gregorian chant was swept out the door by Vatican II. But Vatican II never swept Gregorian chant away. The real truth is that Vatican II preferred Gregorian chant. The Vatican II document Sacrosanctum Concilium (116) stated that “the Church acknowledges Gregorian chant as especially suited to the Roman liturgy; therefore, other things being equal, it should be given pride of place in liturgical services.” This past December, Monsignor Valenti Miserachs Grau, President of the Pontifical Institute of Sacred Music, explained the problem: “Gregorian chant has been unjustly abandoned and its place in the life of the Church should be recovered”.
I’ll preface this by saying I love Gregorian chant. I sing in a schola, I’m a director of Gregorian Institute of Canada, and I sing the Liturgy of the Hours daily in Gregorian chant (at least when not traveling).
But we do have to recognize that Gregorian chant is in fact a synthesis of various styles of Western plainchant. It was preceded by Ambrosian, Mozarabic, Old Roman, Beneventan, and Gallican chant, to name a few. Much of what is considered Gregorian chant comes from the Carolingian era.
However, and this is important, by the 19th Century classical Gregorian chant had fallen largely out of use, or had been completely denatured by excessive non-Gregorian embellishments. What we chant today, is in fact Gregorian chant as reformed and re-interpreted by the monks of Solesmes in the late 19th Century and finally published in the 1908 Vatican Edition of the Graduale Romanum, promulgated by Pius X (at least for the Mass; the Office is another matter that was complicated by Pius X’s 1910 reforms of the Divine Office and the subsequent need to revise the antiphonary).
So what we sing as Gregorian chant is in fact what we imagine Gregorian chant sounded like. Nobody knows for sure. It’s a work in progress, I know of a couple of antiphons that variously appear in the 2008 Les Heures Gregoriennes and the 2010 Antiphonale Romanum (two antiphonaries for the current LOTH), both written by the Atelier Paléographique of Solesmes. Yet in both volumes, only two years apart, there have been slight changes to the melodies that are in fact enough to change the mode of the melody.
One could argue that these were organic developments, and not ruptures like Vatican II. Yet the slow denaturing of chant over many centuries was more of an organic degradation. The restoration of chant by the monks of Solesmes was in a way, a significant rupture. Even at Trent, there were tragic musical losses like troped Kyries:
Orbis Factor
If one compares say, Ambrosian to Gregorian chant, it will be clear these are very different styles.
Culturally, I think we can safely say that the chant forms that have survived (mostly Gregorian and Ambrosian, with a tiny dash of Mozarabic), are identified with the Latin Church.
However, the “Latin” Church has expanded into parts of the World that I suspect it never anticipated back when “Gregorian” chant was composed. I think it would be safer to say that “Gregorian” chant is culturally identified with the
Western or
European Church, with “Western” meaning the Latin Church in Western Europe and those parts of the New World that imported them. Taken as a whole, I think it’s increasingly improper, and in fact is a form of cultural imperialism, to consider the Latin language and Gregorian chant as the main forms of liturgical expression in places like, say the Far East or certain parts of Africa. On the other hand as the Church’s history is more recent there, we have to accept that there will be innovation; and even in the West, as the Latin language recedes farther back into our collective memories, vernacular innovations are bound to happen.
That said, I really do wish that Gregorian chant would make a comeback in the Western European Church. All the books exist to use it for both the Mass and the LOTH. Even if we use the vernacular in most places because of loss of Latin ability, I wish we’d retain
some Latin (and Greek Kyries) for the Ordinary, and simple plainchant for the Propers. I think the “Simple English Propers” project is therefore very important in the cultural evolution of the Church; I’d like to see something as formal in French.
As an aside, I’ve heard through the Gregorian grapevine that some folks in the Vatican want the Gregorian repertory to be re-written in the Neo-Vulgate translation of the scriptures (most of the Propers is from the Bible, including the Psalms, and was written with the Vulgate translation). This would be a huge project, and a disaster. It would again put us back on the path of denaturing chant, and may end up driving the final nail in the coffin of Gregorian chant. History may yet repeat itself, and we may lose the ability to recover it this time. IMHO, Traditionalists should fear this as much as the loss of the EF Mass.