The mass should not be a matter of personal preference. The whole point of Gregorian chant is that it is its own kind of music that was made specifically for worship. Rock music was not. If you heard Gregorian chant, it doesn’t matter what language you speak, you know it is holy music. And it’s been used in the church for hundreds of years. If you hear P&W music in another language, for all you know they could be singing songs by the Rolling Stones. You can’t compare the two. Why do people get upset by the awful clown masses where priests dress up as clowns and conduct mass? I mean maybe those vestments are also a matter of personal preference. But it’s more than that, isn’t it? Clowns are for the circus, for entertainment, for making people laugh (or scared, depending on your personal views on clowns). They do not belong in the mass, and having clowns in mass is irreverent. So why is it acceptable to have rock music in mass? Rock music is for entertainment. Maybe you like Christian rock music, and that’s fine, but why would it belong in the mass? How sad that after hundreds of years we have replaced the so-called “antiquated” holy music with the hip and modern stuff of today.
With respect, it sounds to me as though you are using “personal preference,” if not your own, than that of others, to justify using Gregorian chant and excluding more contemporary forms of music.
To begin with, chant was not created for and by the Church. It came out of secular music. It was taken by Pope Gregory and re-tooled, so to speak, for liturgical use in the Mass.
Sorry to be the one to tell you this, but it’s true. Chant didn’t drop out of heaven, and chant is definitely NOT used exclusively by the Catholic Church. It’s just another music style that has been “redeemed” by Christians, in the same way that rock, jazz, rap, etc. have been “redeemed” by Christians and taken back from the devil.
Second, yes, we CAN compare Gregorian chant and rock music, and I’m guessing that scholarly musicians somewhere have done so. The musical construction of both styles of music can be analyzed. Gregorian chant is not some ethereal spiritual utterance; it is music, and it can be taken apart and analyzed, along with all the other styles of music.
And I’m thinking that you would be hard-pressed to find a knowledgeable musician who would be willing to say that any musical “style” is “superior” to any other musical style. It doesn’t make sense. There are musical styles that are more “complex” than other styles (and Gregorian chant is NOT one of these.) But complexity does not confer superiority.
It makes no sense to say that one musical style is “superior” to others, or “more spiritual.” It cannot be objectively determined. It’s all a matter of preference and tradition.
Third, you make the statement, “If you heard Gregorian chant, no matter what language you speak, you know it is holy music.”
This is absolutely not true. Perhaps you skipped over the posts in this thread in which I and others cite situations in which Gregorian chant and other forms of chant are used; e.g., movies and television shows, in the concert halls, in the recording studio.
**If you read nothing else in this post, please read the following statement and think about it: Those of us who grew up in non-Catholic religious traditions do NOT automatically think “church music” when we hear Gregorian chant. **
I would be willing to bet a dollar that those who have grown up with “Gather Us In” etc. recognize by now that these are not “songs by the Rolling stones.”
In fact, I would be willing to bet $10.00 that ANYONE in the United States who heard a Catholic congregation singing “City of God” during Mass would not have any trouble distinguishing it from “We Built This City On Rock And Roll,” and would definitely NOT make the mistake of assuming that “City of God” was written by for a secular concert setting.
Even though some Catholics don’t like them, nevertheless, the contemporary hymns in our Catholic hymnals and missalattes scream out, “I am a CATHOLIC liturgical song!” The words alone make it obvious that these pieces were not written to be sung as pop songs on the secular radio stations. In fact, they are not even sung by today’s Catholic rock musicians.
When my husband and I first started attending Mass, we had no problem recognizing the Haugen and Haas hymns as “Christian” and “church-appropriate.”
In fact, I was so touched by the words of Gather Us In that I sat and wrote it all down after a Mass so I could take it home and read it over and over. (Keep in mind that my husband and I had just suffered being “ousted” at our Evangelical Protestant church and we were in much pain. Gather Us In is a good song for those who are separated from the Church.)
Also, I question strongly whether people from countries other than Europe and the U.S. would “know that it is holy music.” Are you able to cite a study proving this statement? Have such studies been done using some kind of scientific method? (In other words, it isn’t scientific to walk up to your pal from Nigeria who is studying in the U.S., play a few measure of Gregorian chant from your iPod, and ask, “Hey, bud, does this sound like Catholic music to you?”)
Fourth, what is all this about clown masses?!

Where did this come from in this conversation?!

We aren’t talking about clown masses here! Over and over again on CAF, people admit that clown masses are rare and happened mainly in the 1970s, when the whole U.S. went crazy in the aftermath of the 1960s.
Having a contemporary piece of liturgical music in the Mass is NOT the same as having “clown Masses.”
I hope I have made some points that will help you to consider some different viewpoints and recognize their validity.