Actually, yet another change was made-- this time, to the “setting” of the Black Mountain Liturgy’s
Gloria.
Instead of singing it as written and as everyone knows it, the “Glory to God In the Highest” refrain was changed to the “Gloria in Excelsis Deo” from the carol,
Angels We Have Heard On High. We rehearsed it a couple of times… andI really thought that it sounded
AWFUL! That poor congregation would have been utterly confused, and it probably would have been worse than having them “endure” 3 minutes of not singing the Haydn. The rest of the Mass setting outside the Kyrie and the Gloria was going to be the familiar BML… the Haydn was only for the Kyrie and the Gloria.
You see, we USED to do a Latin musical setting for ALL of the Mass parts-- Credo, Sanctus, Agnus Dei, etc. But Father scrapped that as soon as he came to the parish 4-5 years ago and pared it down to just the Gloria and the Kyrie. Okay, that’s fine… and I totally understand the rationale. But he did that with MONTHS and MONTHS for everyone to prepare for it, not less than a week before the Mass, and certainly not after the choir and soloists had busted their-- um, vocal cords-- to prepare. To use the Habitat for Humanity example, what happened here is like having the volunteers tear down a house that they so lovingly built and trimmed out, and totally rebuild it a week before the recipient family is scheduled to move in.
Long and short, I turned in my music that evening (with no drama) and quietly submitted a request for an audition with a neighboring parish’s choirs. They have several different choirs of various skill levels and based on the audition, the Director determines which choir is best for the member-to-be.
Based on my audition, I’ll be singing with their Schola (a HUGE honor) and their “top choir” starting after the first of the year. Because I can sight-read and sing well by ear (as well as harmonize spontaneously if so needed) and know most of the music that they’re singing since I’ve sung them before in other choirs, I was asked if I’d like to sing with them on Christmas Eve at their Midnight Mass. I politely declined to sing with them just yet, and accepted the invitation to attend their Midnight Mass. (Ironically, the director of the choir that I left USED to be the “new church’s” Music director for quite a few years. When I mentioned what choir I was leaving, this music director’s eyes just lit up and his jaw hit the floor!)
I’ve been a chorist and Cantor for MANY, MANY years in other parishes and have NEVER had any priest just change things up on such short notice as this pastor has done. If a change was desired, we generally had a few weeks to accommodate-- not 6 days before a MAJOR holiday, and certainly NOT when we were preparing for a concert as well.
I did my best to create no drama and I wasn’t the least bit hateful or anything. I just quietly said that I was no longer able to sing with the group anymore and ‘with a heavy heart’, I was resigning. Gave the director a hug and wished her and the choir all the best, promised to pray for them, and wished them peace… then I left. No fingerpointing, nothing bad said about the pastor or any of that. Just, “I’m sorry, but I’m no longer able to sing with you all anymore” and not much past that.
Believe me, though, I cried hard when I was out of sight…
