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YoungTradCath
Guest
In light of the recent thread I made about my parish’s plans for a new church, and romanticizing over the Institute of Christ the King Sovereign Priest’s affinity for my beloved Baroque, I decided to make this thread.
So, what is your favorite style of church architecture? Why? How does it contribute in its own way to the structure and beauty of the liturgy itself, and how does it support and maintain, indeed encourage, harmony with all the other necessary aspects of liturgical art, such as music and vestments? I personally believe that any style rooted in the traditions of not only the Latin Church, but also those (with some concessions) of the East, can be equally suited to the Extraordinary Form or Ordinary Form. What is your take? How does it lift the eye, and so the heart, to God? Please keep in mind the qualifier I use of the architecture being able to support the liturgy, hence why I placed this thread in this forum.
I love Baroque architecture. I love the grandiose qualities. I love the fluidity of the details while maintaining symmetry in the big picture; the dichotomy provides nice, but not too stark, contrast. I love the gilded accents. I love how it connects to the Renaissance era of Europe, and elevates my mind to that period in a way no other architectural style can.
The Baroque lets me to romanticize about God. I know that heavenly realities may not be, and probably are not, like those portrayed in Baroque architecture and art, but the style lifts my petty, lowly human mind to experience God in such a high manner as to induce in me such a prayerful state that no other environment can.
I believe that the Baroque style complements gorgeously the solemnity, but also the lightness and radiance of God, the latter two qualities which, ironically, are so prized in modern-leaning Catholic church architecture. It is so hard to think about sin and the negative side of our humanity, two qualities seemingly shunned in modern-leaning parishes, when surrounded by such lofty design. In that way, I might go so far as to say that the Baroque complements those parishes attached to the average expression of the Ordinary Form even more than those attached to the Extraordinary Form!
Lastly, I love the fact that the Baroque style is “of the Church,” that is, specifically promoted by the Church in the style’s heyday. Nothing screams the primacy and imperialism of the Catholic Church in the face of the heretical times more than Baroque architecture, which I find exciting and refreshing.
This is not to say that I do not find other types of architecture rooted in the traditions of the Church, such as Gothic or Byzantine, beautiful and supportive of beautiful liturgies in all respects. I do, and I recognize those art forms for their inherent liturgical beauty for that reason, even though I don’t particularly like them as much as Baroque. I say this not to be conciliatory to anyone, but because I feel it is important to squash the notion that “any type of architecture can be beautiful, and it’s all a matter of opinion.”
So, what is your favorite style of church architecture? Why? How does it contribute in its own way to the structure and beauty of the liturgy itself, and how does it support and maintain, indeed encourage, harmony with all the other necessary aspects of liturgical art, such as music and vestments? I personally believe that any style rooted in the traditions of not only the Latin Church, but also those (with some concessions) of the East, can be equally suited to the Extraordinary Form or Ordinary Form. What is your take? How does it lift the eye, and so the heart, to God? Please keep in mind the qualifier I use of the architecture being able to support the liturgy, hence why I placed this thread in this forum.
I love Baroque architecture. I love the grandiose qualities. I love the fluidity of the details while maintaining symmetry in the big picture; the dichotomy provides nice, but not too stark, contrast. I love the gilded accents. I love how it connects to the Renaissance era of Europe, and elevates my mind to that period in a way no other architectural style can.
The Baroque lets me to romanticize about God. I know that heavenly realities may not be, and probably are not, like those portrayed in Baroque architecture and art, but the style lifts my petty, lowly human mind to experience God in such a high manner as to induce in me such a prayerful state that no other environment can.
I believe that the Baroque style complements gorgeously the solemnity, but also the lightness and radiance of God, the latter two qualities which, ironically, are so prized in modern-leaning Catholic church architecture. It is so hard to think about sin and the negative side of our humanity, two qualities seemingly shunned in modern-leaning parishes, when surrounded by such lofty design. In that way, I might go so far as to say that the Baroque complements those parishes attached to the average expression of the Ordinary Form even more than those attached to the Extraordinary Form!
Lastly, I love the fact that the Baroque style is “of the Church,” that is, specifically promoted by the Church in the style’s heyday. Nothing screams the primacy and imperialism of the Catholic Church in the face of the heretical times more than Baroque architecture, which I find exciting and refreshing.
This is not to say that I do not find other types of architecture rooted in the traditions of the Church, such as Gothic or Byzantine, beautiful and supportive of beautiful liturgies in all respects. I do, and I recognize those art forms for their inherent liturgical beauty for that reason, even though I don’t particularly like them as much as Baroque. I say this not to be conciliatory to anyone, but because I feel it is important to squash the notion that “any type of architecture can be beautiful, and it’s all a matter of opinion.”