Cat, I would be more than happy to oblige you, but alas the OF parishes in my area only seem to trot out the Agnus Dei during Lent. As for chant, it is essentially unheard of. Even at the end of the Eucharistic prayer, when the paten and chalice are raised, the priest says, but does not chant the doxology (“through him, with him, in him …”). I have noticed that a couple of the priest that were ordained in the last couple years do use plain chant (in English) much more often.
I actually fell in love with Latin when singing in high school some 20 years before I became Catholic.The church has so much beautiful liturgical music that I was shocked by how little of it is used now a day. When we moved to a new parish a few years back I went and talked to the music director about joining the choir and looked at the current song list. About 85% of the repertoire was the folksy stuff turned out since the mid sixties. I was so disheartened that I couldn’t bring myself to join the choir and rarely sing any more. Even if you discount chant, there are hundreds of beautiful mass settings in both Latin and English, but most parishes stick with the contemporary stuff. Not only do I not like the music, but most have that fuzzy-wuzzy kumbaya feel to them; they are both musically and lyrically empty to me. If “Here, I am Lord” is the best we can offer up in praise and adoration then liturgical music may be beyond recovery.
Just imagine if the Church allowed the same thing to happen with other art forms. Could you imagine taking Michelangelo’s Pietà and sticking it in the Vatican basement so that it could be replaced with a sculpture made of polished steel pipes? How about we replace the paintings of the Sistine Chapel with a laser light show? If we can appreciate the old masters in sculpture and canvas why do we lock up church music and pretend like the last 30 - 40 years are the culmination of musical expression? That’s what I fell we have done with both traditional music and Latin; stick it in the basement and pretend it doesn’t exist.
I still go back to blaming music education in the U.S. over the last few decades.
As the pressure has mounted on the public schools to teach more academics such as reading, writing, math, and science, the budget for teaching fine arts, music, theater, has been cut and cut again. The elementary school students in our city’s public schools get one half-hour per week of music–that’s it. That’s not enough time to teach children how to read music. It might be enough time to teach correct singing techniques, but there will be little retention because there is no time for regular practice of the skills.
As for teaching music appreciation and literature–fat chance. No time or money.
On top of all these woes, the public schools have been utterly purged of any mention whatsoever of anything Christian, other than to teach how Christians have exploited the rest of the world. In the public schools in our city, the children and teenagers aren’t even allowed to do a biography of Jesus Christ, because He isn’t recognized as a historical figure.
So music teachers are never allowed to use music that has any connection whatsoever with Christianity, and that includes many Latin pieces and classic or baroque pieces. I’m guessing that if by some chance a public school teacher manages to find time to teach any music history or literature at all, he/she will not even mention Gregorian chant because it means acknowledging the existence of the Christian church and faith.
So it’s no wonder that the musicians in our churches are undereducated, and that the non-musicians are completely uneducated about music.
In my opinion, the answer is an organized system of musical catechesis not only in the Catholic schools, but offered in the parish as well for all children who are not enrolled in Catholic schools. I also believe that the catechesis needs to include teenagers and adults. Somehow, we have to teach Americans how to sing and how to appreciate (even if they don’t love) different musical styles.
But until this happens, we will continue to hear contemporary Christian hymns in the Mass because they’re easy to do. And that’s OK with me, because I frankly would rather hear reasonably-well-done contemporary music rather than really badly-done ancient music.