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Yggdrasil
Guest
I’m not sure what this is supposed to imply. Absent a condemnation from Rome, the laity are allowed to pronounce their own condemnation?We all know Rome is not quick to pounce on a Bishop for ANYTHING (sexual abuse crisis, anyone?), so saying that absence of condemnation is approval is a bit of a stretch, to say the least.
What the lack of a condemnation should be taken to mean is that Cardinal Mahony is within his prerogative under *Sacrosanctum Concilium *§37: “it shall be for the competent territorial ecclesiastical authority to specify adaptations.” If you insist that his introduction of liturgical dance exceeds the fundamental norms, then the silence from Rome might indicate that Cardinal Mahony desired “an even more radical adaptation of the liturgy,” as per §40, and that this request was “submitted to the Apostolic See, by whose consent they may be introduced.” Ought not the prelate to be given the benefit of the doubt?
No, but we can say that her rubrics are either worth diddly-squat for all that they’re enforced—or we can assume that her rubrics are not as stringent as you think they are.So once again, when Rome is lax in enforcing its own discipline, we can feel free to characterize her guidance and rubrics as “obscurantia”?
Pope Benedict’s thoughts on the liturgy remain his own. The public worship of the Catholic Church, however, is on display for all to take note of. This includes papal Masses. If liturgical dancing is condemned, then the spectacle of a pope smiling at the coryphées at World Youth Day presents you with the serious problem of a self-contradicting authority.Bringing WYD into it isn’t helping the case for liturgical dancing being an authentic part of Catholic liturgical tradition. And if the conductor sets the tempo, I hope you’ll take Pope Benedicts emphasis on solemn liturgies and Sacrosanctum Concilium AS WRITTEN to heart. If you haven’t already read The Spirit of the Liturgy, I’d highly recommend reading and internalizing it. That’s the direction our “conductor” wishes to go.
Sacrosanctum Concilium (“AS WRITTEN”) affords the diocesan superior the privilege of introducing cultural practices into the liturgy. Is this in dispute?
I hardly think that ballet would be a horrifying assault to the senses. Much of the liturgical dance that has been introduced in the West has been generally tame—and in many cases, it’s incredibly lame as well: usually it’s just series of gentle turns and twirls accompanied by a little bit of arm-waving. (To the extent that I’m actually bothered by it, it’s because it often tends to scream “amateurs!” The stereotype of middle-aged ladies in leotards is overdone, but it does have a basis in reality.) Nevertheless, the histrionic objections coming from so-called “traditionalist” quarters are steeped in a weird kind of Puritanical outrage. Dance is an art form, and the arts are constituents of the liturgy.You have to reach back to pre-Christianity to find it as part of western cultural religious tradition. Trying to reintroduce it now is not an organic or authentic development of the liturgy. It’s a rupture, jarring to the senses and horrifyingly out of place in the Mass.
I don’t know if I need to point out that the notion of “organic or authentic development of the liturgy” has been duly rejected by the post-conciliar Catholic Church. She effectively Protestantized her august Tridentine Rite in less than a decade—introducing more changes in a single generation that had been undertaken in practically the entire millennium beforehand! (Thomas Cranmer, the father of the Anglican liturgy, must’ve been smirking in his grave). The sweep and scope of the Novus Ordo changes are unprecedented. “Jarring rupture” is the dominant paradigm in both the Episcopal Church and the Catholic.
Well, no. It doesn’t mention “Africa” or “Asia,” either, by the way. Dance would naturally fall under the umbrella of “anything in the way of life of the various races and peoples.”I’m unable to find “dance” in Sacrosanctum Concilium at all.
You’re setting a double standard, since presumably Catholic Masses celebrated in both Japan and Oceania did not traditionally feature dance before Vatican II. The Church in Europe, however, did tolerate dance in a way that entwined it much with the liturgical calendar and religious expression, all the way up through the Middle Ages. The condemnations of dance issued by the hierarchy were more concerned with what they perceived as an element of wantonness and lasciviousness creeping in, and not with dance itself. It was a shift in clerical attitude that ended the practice, not that the practice was non-existent.Ballet is not part of Catholic liturgical tradition in the West. If the Japanese Catholics wish to introduce kabuki theatre into the Mass, or Maori Catholics wish to continue tribal dancing as part of the liturgy, well, good on them. None of it is relevant to our traditions in the Western Church.
What Sacrosanctum Concilium is providing for is that cultural features (whether they’re Japanese, Maori, or European) be open for consideration to be “admitted into the liturgy itself.”