Frenchman Paul Vignon published THE SHROUD OF CHRIST in 1902. His main problem was the the Shroud’s missing 150 years between 1204 when the French 4th Crusade invaded Constantinople and 1357 when the Shroud made its first public appearance in France. Vignon was easily able to make the connection between the Shroud of Turin and the Image of Edessa. The 1970 edition of his book includes a forward that quotes the words of Pope Pius XI:
"After Vatican experts had spent some years studying and verifying all the historical documents connected with the Shroud, Pope Pius XI said this in 1936:
These are the images of the Divine Redeemer . . .They derive from the object, surrounded by mystery, which — this can safely be said — it has now been established is no product of human hands. It is the Holy Shroud at Turin. . . .it is absolultely certain that it is not the work of man."
The British Museum is an institution of great authority both in the scientific world and in the public’s eye. It committed great errors when it asked the C-14 labs to “average in” the Shroud’s outlying C-14 data and when it allowed the atheist Prof Edward Hall to direct the interpretation of that reworked data. Those deliberate errors amounted to nothing less than the crime of bearing false witness against our Lord Jesus Christ.
But since the Museum has such an impecable reputation, it is not surprising that the Vatican has deemed it best to presently refrain from officially pronouncing the Holy Shroud as “authentic” as Pope Pius XI did in 1936.
I regard the words of Pope Pius XI as a far greater authority than those of the publishers of Wilson’s book.