Feminine liturgical music

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This is an old song that’s working it’s way into Catholic churches more frequently and I love it: “What Wondrous Love.” I think it’s early American, but might be English. Anyone know the history?
That hymn is American–composed by William Walker, who was born, died, and buried in South Carolina in the 19th century. The hymn was published in a hymnal called *The Southern Harmony and Musical Companion *(now called the Southern Harmony), which is widely known for its use of the shape note system, part of the Southern hymn singing tradition.
 
Gizmo,
I don’t hate On Eagles Wings because of the message; I take lyrics apart, too. It’s the music itself. It just grates on me.
Sorry, I didn’t mean to imply that you hated everything about the piece. I knew what you meant when you referred to people trying to sing it but can’t.
 
The usage of all this 70’s folk music is one of the worst things that has happened in the last 50 years.
 
The usage of all this 70’s folk music is one of the worst things that has happened in the last 50 years.
Agreed.

90% of you are saying: “But wait, you can’t say that its all bad, how about “so and so”.” A folk hymn might be a good song, but its a good song outside the context of the Sacred Mass. Around a campfire, fine. At Mass, no way.

Most men have given up, thrown in the towel, and simply decided in their mind that singing is for girls. And many more have thrown in the towel and decided that religion is for girls. AND I DON’T BLAME THEM. The Church has become so feminine that guys no longer relate. Most sanctuaries are so full of women at Mass, that the priest is the only male (but that is a separate topic).
 
Agreed.

90% of you are saying: “But wait, you can’t say that its all bad, how about “so and so”.” A folk hymn might be a good song, but its a good song outside the context of the Sacred Mass. Around a campfire, fine. At Mass, no way.

Most men have given up, thrown in the towel, and simply decided in their mind that singing is for girls. And many more have thrown in the towel and decided that religion is for girls. AND I DON’T BLAME THEM. The Church has become so feminine that guys no longer relate. Most sanctuaries are so full of women at Mass, that the priest is the only male (but that is a separate topic).
Not in my church. Plenty of men, and most of them sing, and our cantor is a man. I like all the songs frankly and I don’t think they are fluffy at all.
 
Well, I can’t testify to what a bunch of namby-pamby 80’s men think about things, but the rest of us are ready to puke.
 
Agreed.

90% of you are saying: “But wait, you can’t say that its all bad, how about “so and so”.” A folk hymn might be a good song, but its a good song outside the context of the Sacred Mass. Around a campfire, fine. At Mass, no way.

Most men have given up, thrown in the towel, and simply decided in their mind that singing is for girls. And many more have thrown in the towel and decided that religion is for girls. AND I DON’T BLAME THEM. The Church has become so feminine that guys no longer relate. Most sanctuaries are so full of women at Mass, that the priest is the only male (but that is a separate topic).
Name some examples of hymns that you think would be acceptable to men.
 
Most men have given up, thrown in the towel, and simply decided in their mind that singing is for girls. And many more have thrown in the towel and decided that religion is for girls. AND I DON’T BLAME THEM. The Church has become so feminine that guys no longer relate. Most sanctuaries are so full of women at Mass, that the priest is the only male (but that is a separate topic).
I think this phenomenon is less about a feminisation and more about certain societies today. It’s just as difficult to get straight men (at least in the U.S.) to sing in secular choirs which do what many here would consider “masculine” type of music - especially in the classical music world. I still don’t believe in placing a gender on certain kinds of music, although I do understand the common misconception that the arts, in general, is something only women and “sissies” are into.

Certain societies today do not value singing, especially for males. It is more important to promote sports and things of that sort. I am NOT saying that is bad. I have nothing against sports as I was a track sprinter in high school and enjoy light sports still. BUT there is an imbalance with a lack of encouragement in the arts for boys than there is in sports and other typical activities.

My husband would be considered the sensitive, artsy type of guy. He’s all masculine through and through, but he is not afraid to show his sensitive side. He loves classical music, good high art sacred music, foreign movies, going to concerts, museums, tearing up if something really touches him, etc. As much as he loved sacred music, he never sang in a choir until he was in college and after we were dating. The only reason he got into it was because he used to escort me to the church for the evening choir practice at the church and the director as well as myself got him to join as they needed basses. It was also a nice way to spend time with each other while we were dating during the week and on Sunday mornings. This choir only does polyphony, motets, chant, traditional hymnody and the like. He loved hearing it, actually has a good voice with a lovely timbre, but never thought about singing in the choir. Why? Because it was never something encouraged by those who would have influenced his life. It didn’t matter what kind of music it was, singing wasn’t “manly”.

I find this is the typical line of thought for many. It was something I noticed especially when I still taught music and ran a children’s choir and handbell choir. I had a fairly equal number of boys and girls in the handbell choir, but for the voice choir, the girls always outnumbered the boys. You’d have young boys up to about 3rd grade, then the number of boys would drop out. The older boys got, the more they’d be teased for singing in a choir.

In the high school and college choirs I took part in, the straight boys who’d join were usually the very sensitive types or trying to impress the girls.

That said, it is different depending on the kind of culture you are in. My husband is from a typical all-white (Irish/English/Polish) culture. I’m part Filipina and Spanish (although I’d say my father’s side which is all European descent of German, Irish and English loves to sing. Something always ends up with someone singing) and in my mother’s culture, singing is THE THING. So, I grew up with a family on both sides who encouraged singing. Both my parents sang at mass, so we grew up singing at mass. But I will say, my brother also doesn’t like the typical songs at a typical parish. He won’t sing - but not because it’s feminine. Just because it’s bad music in his mind. He prefers to attend mass where I cantor. He recently started going back to mass a couple years ago and admits one of the things that turned him off to mass previously was the watered down liturgies and the music. Our Catholic school and poor teaching there also left a bad taste in his mouth. So, he is still relearning and is not always on board, but it is huge step for him to even be going back to mass.

Basically, the kind of music we are discussing on this thread can turn off just as many women as it does men. The lack of singing in males, I believe, has more to do with how society views singing with the male gender. If people want things to change, they need to start changing their attitudes towards singing and the arts in general. If you want your boys and girls to sing at mass, parents have to set an example. Encourage boys to pursue the arts (ie singing) just as much as sports and other activities. Don’t feed into the belief that anything artistic is only for wimps and sissies.
 
Name some examples of hymns that you think would be acceptable to men.
Adoro Te Devote
All Glory, Laud and Honor
Alleluia, Sing to Jesus
At That First Eucharist
Ave Verum Corpus
Behold the Lamb of God
Come Holy Ghost
Come Thou Almighty King
Crown Him With Many Crowns
Faith of Our Fathers
For All the Saints
Hail Redeemer, King Divine
Holy God We Praise Thy Name
I Sing the Mighty Power of God
Jesus, My Lord, My God, My All
Jesus Christ is Risen Today
Joyful, Joyful We Adore You
Let All Mortal Flesh Keep Silent
Let the Heavens Be Glad
Lift High the Cross
Love Divine, All Loves Excelling
O Sacred Head Surrounded
Oh Lord I Am Not Worthy
Pange Lingua
See Us Lord About Your Altar
Seek Ye First
Sweet Sacrament Divine
The Church’s One Foundation
To Jesus Christ, Our Sovereign King

I looked through the index of our missalette (which is inadequate in my opinion) to find these. But I used to belong to a parish which used the Saint Michael’s Hymnal, and I thought it was great.

I know what the next post will be: “we sing some of these songs at our parish and men still do not sing.” My point is most men gave up a long time ago, and your not going to get them to start singing again by simply sprinkling in a few majestic hymns. ALL the hymns need to be fitting, and even then it will take a while, and not even then will all the men sing.

Sarabande:* “I think this phenomenon is less about a feminisation and more about certain societies today.”* This is true, but I think the men in some protestant churches and even more so in the eastern rite still sing.
 
Cat, you are funny! You are assuming that a lot of parishes have hymnals. Our parish gives us a “program” every Sunday with the lyrics to the songs we are singing. No melody or anything–I guess we are just supposed to be mind readers and know how the song goes. Or else they really only want the Choir to sing.
That drives me crazy! I really hate when I forget it’s the 3rd Sunday and end up at a Teen Mass because you get a piece of paper with the words, but not always in the right order, and no music. With most songs, after you hear a few lines you can bluff your way through but the Teen songs…well, maybe I just don’t like rambling songs. They all sound like the songs you make up in the shower.

We have the Breaking Bread hymnals for the folks in the pews, and we have Choral Praise for the choir. Choral Praise costs a whole lot more than Breaking Bread, which is why we only have about 10 of them.
 
Adoro Te Devote
All Glory, Laud and Honor
(edited to make post shorter)
The Church’s One Foundation
To Jesus Christ, Our Sovereign King

I know what the next post will be: “we sing some of these songs at our parish and men still do not sing.” My point is most men gave up a long time ago, and your not going to get them to start singing again by simply sprinkling in a few majestic hymns. ALL the hymns need to be fitting, and even then it will take a while, and not even then will all the men sing.

Sarabande:* “I think this phenomenon is less about a feminisation and more about certain societies today.”* This is true, but I think the men in some protestant churches and even more so in the eastern rite still sing.
Yes, we do sing these hymns in our parish, along with the more comtemporary hymns (written mainly in 1970s, so they’re technically “oldies”.) We are fortunate to have a nice mix of hymns at our Masses. I like both styles.

I honestly don’t think it would matter what hymns were sung in most parishes or Protestant churches for that matter.

In the U.S., singing corporately is simply not done anymore except by choirs and ensembles.

I believe this is the main reason people don’t sing in church: I think we have become a musically ignorant nation of spectators who prefer to experience our music by watching the professionals do it instead of making music ourselves.

I honestly don’t think it has anything to do with “feminine” music. In the past, many of the old songs were very “effeminate,” e.g., When You And I Were Young, Maggie"–an old ballad with a very sweetly sentimental message and lilting melody. Yet, men sang it. It’s in the old songbooks.

Also, the old hymn, In The Garden, is one of The Most Popular Protestant hymns ever written. When I play piano for groups of older people, inevitably I am asked to play this hymn. I taught it to my daughters when they were very young so they could sing it whenever old people requested it. It’s about a garden, and the melody is a waltz. It’s so sweet and dainty that you should hold your little fingers aloft when you sing it! Yet, MEN love it! Almost every male in my family requested it for their funerals.

So I don’t think it’s “feminine music” that discourages men (and women and children) from singing. I think it’s because in the U.S., singing together is just weird to most people.

Corporate singing has gone the way of croquet, afternoon tea, barn dances, minstrel shows, circus parades, freak shows, and other recreational activities that were once wildly popular in the U.S., but no longer are done except in isolated social settings.

Yes, there are people who still play croquet. There are still families in which afternoon tea is a ritual–my family was one until my grandmother died. There are families who remodel their barns into rec halls and host the church youth group or the church Senior Citizen group. I don’t think minstrel shows or freak shows would be acceptable anywhere in the U.S. right now, but there are occasionally circus parades in circus towns like Baraboo, Wisconsin. .

But for the most part, no one does these things. They’re old fashioned and quaint.

Same for singing with others. I’m not sure if kids even sing “100 Bottles of Beer on the Wall” on long bus rides anymore. (When my kids were members of an elite synchronized skating team, and rode on buses to competitions, the skater played “Mafia” on the bus–a guess the murderer logic game. They never sang together.)

In another thread, I wrote a post detailing how in the past, men, women, and children in the U.S. sang together for recreation. If you read through the Little House series by Laura Ingalls Wilder, she describes many scenes where her father and the other men sang to lighten their workload, and the women did the same thing. Many of the recreational activities of the small towns involved a community sing-along. And many of the children’s activities involved singing a song (e.g., jump rope games).

I have old songbooks published in the early 1900s. These books were meant for family sing-alongs in the “parlor.” I’ve read novels of the past in which the family and neighbors gathered around the piano and sang for an hour in the evening just for fun. I guess that’s what people do when there’s no TV or radio, right?

Singing schools were popular, and many people in the towns joined them.

When television was invented, one of the popular shows was Sing Along with Mitch (Mitch Miller). I remember this show, and my parents singing along!

And sometime in the 20th Century (the 40s, perhaps), the Protestant churches coined the term “Singspiration,” and many songs were written for worship services that consisted of all singing and no preaching. When my husband and I attended a Christian and Missionary Church in North Carolina, every 4th Sunday evening was a “Singspiration” service, during which members of the congregation could request ANY hymn in the hymnal, and I and the organist would play and the people would sing. Wow, that was fun! Our kids just loved these 4th Sundays.

Of course, in the military, men have always done “cadence,” a cross between chanting and singing. And the military has a proud history of making music, although nowadays, it’s the choirs and touring groups, not just the enlisted men, who do most of the singing.

And I think that in African American homes and neighborhoods, there is still quite a bit of corporate singing. When I drive through the predominantly African American neighborhoods in my city, I see small groups of men, women, teenagers, and children singing and dancing together. I envy them.

Nowadays, if I invited all my friends to my house for a sing-along, they would all think I had flipped! Every Thanksgiving, I toy with the idea of inviting friends and neighbors over for an early Christmas carol sing along (before everyone gets sick of carols). So far, I haven’t had the nerve. But I do love playing piano for Christmas carols, and maybe one day, I’ll just send out those invitations, and if they cart me away to the Funny Farm, well, at least I won’t have to work anymore.

Seriously, corporate singing is a dinosaur in the U.S. As I said in another post, many people in the U.S. attended public schools that offered very little musical education. In my city, all the arts were eliminated for two years back in the 1970s due to lack of tax monies. Eventually they were restored, but that’s a lot of kids who spent two years not learning how to sing.

One last point: I utterly refuse to own an iPod. If I ever won one, I would give it away. I always tell people, “I make my own music as I go through life, and I don’t have to wear an earbud to hear it.”
 
ArthurQArch,
I absolutely disagree with you. At the parishes I’ve attended, there are way more men singing at Mass now - and loudly - than those who sang along with Gregorian Chant when I was a kid. For the most part, they, and a lot of women, left it to the choir to sing back then, as if Mass were simply something you attended, watched and fulfilled your obligation. Gregorian chant may be simple, but the melodies don’t make sense to ordinary western ears. Contemporary liturgical music does and as a result, it’s fairly easy for everyone to learn.
 
Sarabande:* “I think this phenomenon is less about a feminisation and more about certain societies today.”* This is true, but I think the men in some protestant churches and even more so in the eastern rite still sing.
Still… it has nothing to do with music being either feminine or masculine. I still believe it has much more to do with the “culture” of the specific church that these certain men are from. I know from a few eastern rites churches in my area, and one in particular, the people are taught and encouraged from the time they are in diapers to sing. The people in the pews even sing in harmony and have heard recordings of it from actual liturgies. Yes, the music is more “sacred” and awe-inspiring, but it is also because it was inculcated into their culture.

The same with certain Protestant churches. They begin encouraging and teaching the children very young. One organist I know who is Protestant grew up hearing oratorios almost every week after service or during service. In the Catholic Church you get very little encouragement today for the children from the parish or the parents. Thus, you won’t have little singers grow up to be big singers.

Basically, if it is true that men don’t sing due to feminisation of the church, then why is it almost always more difficult to get men to sing in secular amateur and professional groups which do excellent repertoire? I’ve had 14 year old male students get totally blown away by hearing the chorus from Beethoven’s 9th or his Missa Solemnis and various other kick-butt choral works by other composers. Yet, they wouldn’t be caught dead singing them. It’s because singing in itself has been stigmatised as a “sissy” and “wimpy” activity for the male gender.

And I believe Cat does make a point where singing in general - at least from what I experience in more of the white, European culture - has been dying in the US. Both men and women have stopped singing. In a way, recordings and such have hurt the making of music. It used to be people had to learn how to play an instrument or sing in order to hear music in their homes. Now most people (at least in certain cultures) rely on the recordings for music.

I still believe that if people really want to get their males to sing (and people in general) you’ve got to encourage it from the time they are babies. Encourage music lessons, singing in choirs at school and in church. Make it an equal activity as with any other activity. Show them that music, especially in church, is important and not an afterthought.
 
Also Catholic culture, in general, has never been a singing culture in the pews. It was almost always left to choirs. And for many centuries, church choirs only consisted of men and boys, as it used to be considered unseemly for a woman to sing. 🤷 But that is for a totally different thread.

Difference between the past and today, is that it wasn’t considered wimpy and sissy for a male to sing back then. It was actually an honour to have been accepted to sing in a church choir, especially in big churches where you received excellent musical training. A number of the great composers started out as boy choristers in Catholic and Protestant churches. You also had priests who were excellent musicians and taught the boys (as well as girls - ie Vivaldi and the girl orphanage he was involved with.) Today, you barely have that - and again it all boils down to the society and culture of the times - having to do with the stigma regarding males and singing that I talked about previously and also with how liturgical music and real musical training isn’t held up with as high esteem as in prior decades. And there are plenty of threads discussing that whole problem.
 
Still… it has nothing to do with music being either feminine or masculine. I still believe it has much more to do with the “culture” of the specific church that these certain men are from. I know from a few eastern rites churches in my area, and one in particular, the people are taught and encouraged from the time they are in diapers to sing. The people in the pews even sing in harmony and have heard recordings of it from actual liturgies. Yes, the music is more “sacred” and awe-inspiring, but it is also because it was inculcated into their culture.

The same with certain Protestant churches. They begin encouraging and teaching the children very young. One organist I know who is Protestant grew up hearing oratorios almost every week after service or during service. In the Catholic Church you get very little encouragement today for the children from the parish or the parents. Thus, you won’t have little singers grow up to be big singers.

Basically, if it is true that men don’t sing due to feminisation of the church, then why is it almost always more difficult to get men to sing in secular amateur and professional groups which do excellent repertoire? I’ve had 14 year old male students get totally blown away by hearing the chorus from Beethoven’s 9th or his Missa Solemnis and various other kick-butt choral works by other composers. Yet, they wouldn’t be caught dead singing them. It’s because singing in itself has been stigmatised as a “sissy” and “wimpy” activity for the male gender.

And I believe Cat does make a point where singing in general - at least from what I experience in more of the white, European culture - has been dying in the US. Both men and women have stopped singing. In a way, recordings and such have hurt the making of music. It used to be people had to learn how to play an instrument or sing in order to hear music in their homes. Now most people (at least in certain cultures) rely on the recordings for music.

I still believe that if people really want to get their males to sing (and people in general) you’ve got to encourage it from the time they are babies. Encourage music lessons, singing in choirs at school and in church. Make it an equal activity as with any other activity. Show them that music, especially in church, is important and not an afterthought.
I saw something special a few weeks ago at Mass. (OF Mass)

A mom and dad with three teenaged boy sat next to me in the pew.

I always try to sing with a full voice during all the hymns and responses. I love to sing, even though I’m not a soloist.

I noticed that in this very handsome family, one of the teenaged boys, about 14 years old, was joining in every single hymn. He opened the missallette or hymnal (we use both in our Masses) and sang with a beautiful full voice.

I know a lot of the theatrical teenagers in the city and surrounding area, so I took a closer look to see if he was one of the kids I’ve played for. But he wasn’t. Maybe he’s aspiring to become one of those kids. Or maybe he’s in the local Boys Choir, which is internationally-renowned. Or maybe he just moved to our city with his family. Or maybe he just got back from Steubenville or Kyrios Retreat, and he’s all pumped up with the joy of the Lord.

At any rate, it was such a surprise and such a blessing to hear a young man singing out!

I probably should have said something, but I wasn’t sure if I would embarrass him to death! I guess what I should have done is compliment his mom and dad on raising a musician!
 
I sing and I’m a man. 🙂 I have been singing in our church choir for 30 plus years. In fact, we basically have a men’s choir so to speak just three of us are left and because we only have one woman, God bless her. I would have to say everyone in our church sings and more so when we have a Mary hymn as a recessional, such as Sing of Mary, Immaculate Mary or Hail Holy Queen,etc. The choir can sing all the verses and the whole congregation will stay and sing the verses with us; men and women.

Our church has absolutely beautiful acoustics and I think that goes along way in having a proper musical setting. When you walk into St.Mary’s you know you’re in a Catholic church and you know God is present. We have an old Austin pipe organ and with respect to you guitar folks, you just can’t beat an organ. It would rattle the chandlers if you let it…lol. It borders on being sacred I think.

I think the problem with most of our church music today is… it lacks a sense of prayerfulness, devotion, like it was written in a hurry, the words are strung to chords and no thought was put behind it. There is no feeling in much of the music today, it doesn’t reach down in and touch you.

For example, I Received the Living God, it’s nice song, and I have sung it hundreds of times, but it doesn’t compare to I Need The Gracious Jesus, O Cora Amoris or O Sacred Heart O Love Divine, and all the Blessed Sacrament hymns; those are hymns, the other is song, OK maybe its a hymn too, but it sure doesn’t sound like a hymn.

And every time we break out one of these older hymns and sing it, we get more compliments from people in the congregation, after mass that is. “Oh, it was wonderful to hear that hymn” or “You guys did a great job on Veni Jesu, you don’t hear that kind of music anymore”. Not just from people my age but young people too.😉

I really wish composers and writers would get their head out of their you know what, get past their “creative” attitudes and really start composing good Catholic Sacred music again. There is a yearning for it, a desire for it to be sung, and a need for it to be sung again.

Ok, I’ve said enough for now. 🙂
 
Agreed.

90% of you are saying: “But wait, you can’t say that its all bad, how about “so and so”.” A folk hymn might be a good song, but its a good song outside the context of the Sacred Mass. Around a campfire, fine. At Mass, no way.

Most men have given up, thrown in the towel, and simply decided in their mind that singing is for girls. And many more have thrown in the towel and decided that religion is for girls. AND I DON’T BLAME THEM. The Church has become so feminine that guys no longer relate. Most sanctuaries are so full of women at Mass, that the priest is the only male (but that is a separate topic).
I’m sad for you because my parish is full of men at mass and at most all activities except the ones specifically for women like the young mothers group. We have a very musical parish with only a small percentage of people who don’t sing at any given mass. Our parish is huge at over 28,000 registered and still growing and at times the choir can have more men than women. Our music director is male and our cantors are about half and half. When I get to noon daily mass at my home parish it is usually at least 1/2 men and sometimes more. We also have a new men’s ministry that meets starting at 5:30am and then they go daily mass before work.

Maybe “most” of the men where you live have given up on living their faith, but please don’t extrapolate your experience to the rest of the church because some of us are doing just fine with plenty of real men who know that it is their call to be spiritual leaders in their households which includes honoring their Sunday obligation regardless of the music being played. IMO, a man who allows something so trivial to keep him from mass is not much of a man at all. Bad music is not real persecution such as some Catholics still endure in order to practice their faith in other parts of the world. I have no idea how the church is too feminine for men to show up when all of the priests and deacons are still male. Should women stop showing up because we are not priests or deacons? Are women more tough than men since we have continued to come to mass with 2000 years of male priests? Puh-leez.
 
There’s another song I don’t think anyone’s mentioned that EVERYONE sings, because no matter what denomination you are, it’s like coming home. And that’s Amazing Grace. Yes, I know some of the more Traditional posters are probably cringing at that, but it’s the truth. It ranks right up there with the patriotic songs sung in recessional on patriotic holidays. Everybody sings and nobody cares whether they sing well or not.
 
I sing and I’m a man. 🙂 I have been singing in our church choir for 30 plus years. In fact, we basically have a men’s choir so to speak just three of us are left and because we only have one woman, God bless her. I would have to say everyone in our church sings and more so when we have a Mary hymn as a recessional, such as Sing of Mary, Immaculate Mary or Hail Holy Queen,etc. The choir can sing all the verses and the whole congregation will stay and sing the verses with us; men and women.

Our church has absolutely beautiful acoustics and I think that goes along way in having a proper musical setting. When you walk into St.Mary’s you know you’re in a Catholic church and you know God is present. We have an old Austin pipe organ and with respect to you guitar folks, you just can’t beat an organ. It would rattle the chandlers if you let it…lol. It borders on being sacred I think.

I think the problem with most of our church music today is… it lacks a sense of prayerfulness, devotion, like it was written in a hurry, the words are strung to chords and no thought was put behind it. There is no feeling in much of the music today, it doesn’t reach down in and touch you.

For example, I Received the Living God, it’s nice song, and I have sung it hundreds of times, but it doesn’t compare to I Need The Gracious Jesus, O Cora Amoris or O Sacred Heart O Love Divine, and all the Blessed Sacrament hymns; those are hymns, the other is song, OK maybe its a hymn too, but it sure doesn’t sound like a hymn.

And every time we break out one of these older hymns and sing it, we get more compliments from people in the congregation, after mass that is. “Oh, it was wonderful to hear that hymn” or “You guys did a great job on Veni Jesu, you don’t hear that kind of music anymore”. Not just from people my age but young people too.😉

I really wish composers and writers would get their head out of their you know what, get past their “creative” attitudes and really start composing good Catholic Sacred music again. There is a yearning for it, a desire for it to be sung, and a need for it to be sung again.

Ok, I’ve said enough for now. 🙂
I used to write music. I’ve been Catholic for five years, and I would frankly be afraid to even try to compose something. I’m afraid I couldn’t handle all the liturgical experts who know more than the bishops about proper Mass music. Catholic critics can be very cruel. Have you ever heard some of the names that Marty Haugen is called by the traditionalists on this forum? And some of the snarky insults about his songs? It’s not worth it, friend. I’m not an armadillo–my skin is too soft to take that much criticism. I would be crying constantly.

And I think other musicians probably feel the same way I do. Why would anyone deliberately throw themselves in front of a 18-wheeler?

As for your comments about the old hymns, it’s very possible that it’s not the actual hymn that the people enjoy, but rather, the nostalgic reminder of days of long ago.

Whenever I hear the hymn, He’s Everything To Me, I will get all emotional, not because it’s a good hymn (it really isn’t that great), but because it was the first “teenaged hymn” in the Jesus Rock genre that I remember, and I loved being a teenager and I loved the whole era of Explo 72 and the Jesus People and the Born Once Die Twice, Born Twice, Die Once era. It was an exciting time to be teenager.

Back then, He’s Everything To Me was considered shocking and worldly. Now it’s Christian elevator music, and Senior citizens sing it in their Wheelchair Choirs. Here’s a link in case you want to hear it: youtube.com/watch?v=FvgspvBVEUo
 
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