In defense of the books, Harry did not intend to blow up his aunt.
As you know, I’m not talking about the books, I’m talking about the movie.
They are two different things.
My analysis is just of the film version and how the scene was portrayed in the film is exactly how I originally described it.
There is no indication in the film version to the viewer that Harry is trying to cast a different spell.
Anyway, if Harry has these magical powers that can effect people’s lives in a negative manner, he has a responsibility to others to use it wisely, and not to the harm of other people.
If Harry does not have mastery over the power, and when he uses it there is a chance of harming someone, it would be irresponsible for him to use the power.
To use a simile, it would be sort of like knowing how to use a steering wheel and how to steer a car, but not knowing how to use the brakes.
And what was his actually intent??; was he going to cast a spell to improve his Aunt’s health, but instead it blew her up like a floating ballon??
Do you restrict all literature and all films the moment the central protagonist gets angry (a mortal sin)?
I want to limit my discussion to Harry Potter; I suppose it would necessarily depend on how a different story would treat its characters and the portrait of human nature it presented.
For example, I think a novel like William Golding’s Lord of the Flies is just an awful, abominable disgusting work of fiction for young people to read and study in school; yet, when I attended public high school in the U.S., I was forced to read and study this rotten novel (and it had been taught as a classroom text at that school for at least 10 years prior to when I took the course).
Also, I don’t restrict (that is kind of a strong word

) the Harry Potter story or whatever that means.
My point is that the Harry Potter story, **which is **meant to be
a story for children, on a whole, does not seem to be suitable Christian entertainment, especially for Catholic or Christian children.
One of the responders even said Harry is not a Christian; children tend to emulate their cultural heroes and you can see that with how many of them dress up like Harry Potter, bought the toys, dolls, and games, and all the commercial knick-knacks like backpacks that helped to make the author in fact wealthier than the Queen of England.
The function of a lot of stories is, especially children’s stories, in addition to providing entertainment, to provide a word of advice, or teach a lesson, or a moral.
What’s the moral we draw from this scene from the film?
That a teenage boy can use power to manipulate his step-parent and Aunt’s body, blow her up like a balloon, have her float across London, and treat it humorously?? (in the film it was treated as being a funny moment; and Harry was laughing to himself).
So, I don’t understand, are some of you perhaps arguing that “this mean lady had it coming to her,” so to speak, and Harry was morally justified to control and manipulate her body and expand her and turn her into a balloon??
I understand Harry’s anger too, but The Fourth Commandment tells Harry to respect, love, and obey his parents
Harry owes his Guardians (Aunt and Uncle) the same respect and obedience due his birth parents.
Harry should offer up his sufferings as identifying with the suffering of Christ and pray for his step-parents.
If Harry was being
actually abused, the state authorities are just a phone call away.
Perhaps maybe now some of you are beginning to see why some Christians object to this story.
I saw five minutes of the film.
Often, an opening scene of a film, play, or work of art sets the tone for the rest of the performance; I think that was enough to give me an idea of what these films are like and about.
I guess there is some other scene in the films where Harry or one of his pals controls the body of another kid and adds a pig’s tail to his body;
Five minutes of this was enough; I have other things to do with my time, like read Shakespeare or great works of history.
That’s why, as Catholics, we need to create our own works of entertainment or draw from the great, classic stories of the past that have withstood the test of time.