B
Brennan_Doherty
Guest
Hi GaiaOne,Yep, there was quite a drop in conversion in the 1960’s. But, I don’t think that can be laid at the feet of the NO mass.
… Yep, a lot of the guitar music, and dancing, and such that came along with the NO was icky. It was neither good liturgy nor good art or music.
But you know what? It could have been expected. The NO was such a freeing experience for a lot of people who felt, many for the first time in their lives, that they were participants in the liturgy rather than just an audience. They went a little nuts. That’s common to people who experience life-changing events. So, no big deal. Things calmed down. So-so music was replaced with better music, then good music. (As an aside, don’t forget that Silent Night originally was a guitar hymn.)
… “Fr. George Rutler has stated, the liturgy is the primary means of evangelism.” The NO did that. For a lot of people. I am one of them. I saw the change in our parish. It was wonderful. We had the “hippie mass” with guitars - three of them - and eventually added to that music the piano, trombone, flute, cello, violin, and a 6-foot string base called Goliath. But we also had a mass with organ music. And one with singing without accompaniment. Something for everybody.
You can see why I have trouble with this whole discussion. I saw whole communities formed directly as a result of the NO. I saw not only individuals but whole families who became involved in their parish and wanted to do more for God because the mass was suddently “relevant.” I know that is a cliche now, but that’s because the word was appropriate.
Also, I really don’t understand the use of the word “reverent.” Solemnity and reverence don’t have just one form. I am tickled to death that I can now receive communion in my hands. I just hated receiving on the tongue.
… I find as much reverence in the NO as in the TLM. Reverence, to me, is a state of the heart, and not all forms are reverent to all people.
People differ. God likes them that way. That’s why He creates individuals. Methods of reaching them are different. …Sometimes I think we forget that God knows all of this. You think that he wouldn’t be fully aware of this response to change by His people?
… That’s why I just don’t see much point in this whole discussion of which liturgy is “better” or “true” or “more reverent” or whatever.
They are going to put on my tombstone “She didn’t get it.”
I am not talking about internal reverence. Rather I am speaking about the effect of the liturgy on the soul. Hence I am talking, as much as possible, about something objective.
I will give the exact quote from Fr. Rutler from his book “A Crisis of Saints” (Ignatius Press). He is a Priest who is old enough to have experienced the liturgy both before and after the changes. The emphases in bold are mine:
**A Liturgical Parable
The Hard Truth
**
…We seem to slip out of that golden sense of ultimate truth in two ways. The first is by losing any real awareness of the holy. The second is by denying that it has been lost. Without lapsing into cricitism that would be out of place, suffice it to say that the worship of holiness is weak in our culture, and the beauty of holiness has been smudged in transmission through the revised liturgy. For without impugning its objective authenticity in any degree, its bouleversement [Complete overthrow; a reversal; a turning upside down] of the traditional Roman rite marks the first time in history that the Church has been an agent, however unintentionally, in the deprivation of culture, from the uprooting of classical language and sensibility to wanton deprreciation of the arts.
…It is immensely saddening to see so many elements of the Church, in her capacity as Mother of Western Culture, compliant in the promotion of ugliness. There may be no deterrent more formidable to countless potential converts than the low estate of the Church’s liturgical life, for the liturgy is the Church’s prime means of evangelism. Gone as into a primeval mist are the days not long ago when apologists regularly had to warn against being distracted by, or superficially attracted to, the beauty of the Church’s rites. And the plodding and static nature of the revised rites could not have been more ill-timed for a media culture so attuned to color and form and action.
(Pp. 107-108)
Further, to essentially say “Different strokes for different folks” in regards to the liturgy is to open up the liturgy to almost any type of music or dance. Hey, you think rock music leads you into a reverent experience? Then let’s have a Mass with a band and some electric guitars!