this is my opinion only.I depends on the effect it has on an individual.I believe sexual nudity is more appealing and leads to sin more than showing Jews being starved to death by Nazis.Murder is of course a graver sin than going naked in public but I don’t think it leads to sin as much.Be honest with yourself.What would get you more excited looking a nude woman or watching someone kill another.What would have the bigger impact on your behavior?Which would you rather your child look at?Your going to extremes to try an justify overt sexual immorality.The different sins you mentions are not of the same nature.
There is no nudity in
Cabaret. The actors may be as clothed or unclothed as the director wishes, but generally, they are clothed.
If the director in the OPs post is choosing to include nudity in his/her production of
Cabaret, he/she is taking the play in a different artistic direction than the norm for this show. I personally don’t think that a university production will be allowed to make use of on-stage nudity, since it’s possible that some of the actors or crew could be underaged (17), and it’s even more possible that audience memers (siblings) will be underaged.
Cabaret is not a musical for children. The plot, characters, and music simply will not be appealing to young children. It would be like making them watch Face the Nation–there’s nothing evil or morally objectionable or pornographic about Face the Nation–it’s simply not age-appropriate for children and they wouldn’t understand what they were watching.
I’m a woman, so I don’t find graphic portrayals of sex exciting. Different people are tempted by different things. For many people, especially women, sexual sins aren’t as tempting as other sins, e.g., gossip or greed. I don’t think we can rate sins according to impact on behavior, because everyone will have a different weak area.
I agree that some people, especially young people, would have a hard time acting out a sexually-immoral character. However, I think that a good director who is also a teacher in an institute of education (high school, college, etc.) would be (or should be) knowledgeable about the limitations of inexperienced young actors, and
be capable of training these young actors to portray immoral or objectionable characters without tarnishing their own soul. After all, that’s why the young person is in the theater class at the school–to learn the skills involved in acting.
A well-trained, experienced actor will NOT be effected negatively in their soul by portraying an evil or objectionable character. Obviously every actor will draw a line somewhere; e.g., some actors will refuse to play Nazis. Other actors will refuse to play homosexuals, while still other actors will refuse to play any kind of bigots, including those who condemn homosexuality.
But most actors enjoy the challenge of researching, developing, and portraying a character who is totally different than themselves, and who has traits that they find personally repugnant. A good actor can play any part and play it well.