Bluegoat, as I tried to show Grabou3, it’s not about pushing out any or all emotion, but not making emotion the primary means through which we experience or encounter God. Indeed, many of the stories of the monks involve some sort of guarding against emotionality as a means of guarding against the demons that plague them in the desert. And I must disagree that this isn’t a Western/Eastern issue, because while the East certainly has its emotional aspects (cf. the quote from St. John of the Ladder), such things have not overtaken the practice of the faith in the Eastern churches as they have in the Western churches. I would say that it is not a matter of some sort of essential character of Western Christianity (as the Western monks used to live in a manner comparable to the East, too), but the
de facto reality of Western Christianity for some time now (whether it dates back to the 12-13th century, as Frederica Mathewes-Green asserts, or is more recent as you write, is another question). It could be argued quite convincingly, I think, that the
de facto reality has so much overtaken the Western Church that its masculine attributes or roots are…well, tough to find. Hence the Catholic article Rawb posted is about some sort of “new” Catholic manliness, whereas the Orthodox don’t need to invent such a thing…
I should say, however, that I find your point about modern Christian music to particularly true. There is little that can be said about the contrast between
this Coptic hymn or
this Byzantine one and
Catholic music as it often shows up in various Catholic liturgies (and if anyone thinks that such comparisons are unfair, I invite you to watch Noursat channel’s presentation of Eastern Catholic liturgies and
get down with yo’ bad self to disco beats and electric keyboards that often form the backbone of the liturgy’s musical accompaniment, to be topped off by faux-opera singing…

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