O
opus101
Guest
By “his explanation”, I assume you mean Archbishop Sample’s letter, which is the second link listed. The first was a 4-part article by Bishop Olmsted.This song would fall under his explaination on page 9 concerning the use of modern style music and that it does not need to be excluded
Bottom line is that liturgist and music directors can use a variety of music
No, I think you are quite mistaken that the song in the OP would fall under the information given on p. 9. By “modern composition” he is not referring to secular-style music, be it pop, rock, broadway, etc. He is referring to newly or recently composed sacred music that is creatively influenced by chant.
Right before that section, on page 8, he writes (my emphases):
“The Church recognizes an objective difference between sacred music and secular music. Despite the Church’s norms, the idea persists among some that the lyrics alone determine whether a song is sacred or secular, while the music is exempt from any liturgical criteria and may be of any style. This is an erroneous idea, which was alluded to earlier, is not supported by the Church’s norms either before or since the Second Vatican Council.”
The section that you are referring to on p. 9 reads:
" This does not mean that more modern compositions are not to be admitted into the Mass. However, such compositions must meet the essential and objective criteria for what constitutes sacred music"
The part in italics is something that might not be understood, epecially by those with no training in music, music history and composition. But if the rest of the letter has been studied well and understood in musical terms, it becomes quite evident that he is not speaking of the type of music represented by this piece.
Both Archbishop Sample and Bishop Olmsted define the difference between sacred music and a more secular “religious music”. Archbishop Sample speaks of the "essential and objective criteria" for what constitutes truly sacred music.