P
patrick457
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Let’s wrap this up quickly before I get bored and abandon a thread once more, shall we? 
As everyone knows, each of the four gospels have their own unique portrait of Jesus, so much so that anyone expecting a modern, factual, ‘unbiased’ biography would be frustrated. Here let’s take a look as to how each gospel sketch Jesus’ character, and how it relates to the gospel’s overall theme/s.
Mark: Jesus as Enigma
upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Nikolay_Ge_020.jpeg/640px-Nikolay_Ge_020.jpeg
Let’s start with Mark, the shortest of the four gospels - and according to one theory perhaps even the earliest of them.
Mark is a very short, rapid and terse gospel. It begins simply with a very brief introduction (“The beginning of the euangelion of Jesus Christ, son of God”) and most likely ends in an ambiguous cliffhanger at 16:8 (“They said nothing to anyone, for they were afraid.”) In between the narrative pace is very fast: Mark has a rather quick montage of a series of episodes from Jesus’ life, but slows down a bit in order to tell the story of Jesus’ final week. These factors, along with Mark’s rather unpolished, colloquial style and certain quirks (he uses the word kai “and” a lot to connect sentence after sentence and has a penchant for Latin loanwords), have led people to label his gospel with a number of adjectives ranging from ‘terse’ to ‘clumsy’, from ‘simplistic’ to ‘uncouth’, from ‘subtle’ to ‘crude’. Alternatively, however, we can view Mark as someone like Ernest Hemingway: one who uses straightforward and understated narrative and dialogue (the so-called iceberg theory) to present a complex but subtle portrait of Jesus. While each of these adjectives have some truth to them, they nevertheless fail to completely and precisely capture Mark’s gospel. Both the gospel and its main character are enigmatic, resisting facile comprehension or simplistic interpretation.
The very first thing that Mark tells us is that Jesus is God’s Son (a running theme throughout the gospel, as we’ll later see), although he does not elaborate further on the status of His sonship. After a brief introduction involving John the Baptizer, Jesus then appears abruptly into the scene as an adult - Mark eschews any discussion of Jesus’ birth or boyhood and by means of this succinctly presents Jesus as a sort of mysterious, divine figure distinct from your average 1st century Galilean peasant. Whereas a modern biographer would trace patterns of interaction between the subject and his environment in highlight the subject’s distinctive features, Mark simply proclaims Jesus’ uniqueness but not gives us the reason why,
As everyone knows, each of the four gospels have their own unique portrait of Jesus, so much so that anyone expecting a modern, factual, ‘unbiased’ biography would be frustrated. Here let’s take a look as to how each gospel sketch Jesus’ character, and how it relates to the gospel’s overall theme/s.
Mark: Jesus as Enigma
upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Nikolay_Ge_020.jpeg/640px-Nikolay_Ge_020.jpeg
Let’s start with Mark, the shortest of the four gospels - and according to one theory perhaps even the earliest of them.
Mark is a very short, rapid and terse gospel. It begins simply with a very brief introduction (“The beginning of the euangelion of Jesus Christ, son of God”) and most likely ends in an ambiguous cliffhanger at 16:8 (“They said nothing to anyone, for they were afraid.”) In between the narrative pace is very fast: Mark has a rather quick montage of a series of episodes from Jesus’ life, but slows down a bit in order to tell the story of Jesus’ final week. These factors, along with Mark’s rather unpolished, colloquial style and certain quirks (he uses the word kai “and” a lot to connect sentence after sentence and has a penchant for Latin loanwords), have led people to label his gospel with a number of adjectives ranging from ‘terse’ to ‘clumsy’, from ‘simplistic’ to ‘uncouth’, from ‘subtle’ to ‘crude’. Alternatively, however, we can view Mark as someone like Ernest Hemingway: one who uses straightforward and understated narrative and dialogue (the so-called iceberg theory) to present a complex but subtle portrait of Jesus. While each of these adjectives have some truth to them, they nevertheless fail to completely and precisely capture Mark’s gospel. Both the gospel and its main character are enigmatic, resisting facile comprehension or simplistic interpretation.
The very first thing that Mark tells us is that Jesus is God’s Son (a running theme throughout the gospel, as we’ll later see), although he does not elaborate further on the status of His sonship. After a brief introduction involving John the Baptizer, Jesus then appears abruptly into the scene as an adult - Mark eschews any discussion of Jesus’ birth or boyhood and by means of this succinctly presents Jesus as a sort of mysterious, divine figure distinct from your average 1st century Galilean peasant. Whereas a modern biographer would trace patterns of interaction between the subject and his environment in highlight the subject’s distinctive features, Mark simply proclaims Jesus’ uniqueness but not gives us the reason why,