King David danced in his skivvies before the Ark of the Covenant to express his delight. Michol, his wife, disdained what she thought was a base expression unworthy of the king. For her judgment, David refused to have sexual relations with her ever again. Why was this just? Perhaps because if Michol didn’t see the sacred nature of his dance, she surely didn’t see the sacred nature of their conjugal relations, so it would have been mere profane sex. He saved her and himself from sin. What a lesson.
King David’s dance was not liturgical dance per se but was sacred dance. David’s exuberance shows we must be careful in judging expressions of love for God. “Make a joyful noise unto the Lord.” Today, “entertainment” means passive distraction and feeding “vain imaginings” like the obsession with Bat Man & Fiends that overtook the Aurora shooter. Even pagan Greek theater was meant, not merely to entertain, but to transform. So with the morality plays of the Middle Ages. It’s not liturgy that is debased but entertainment itself. Today there is little “metanoia,” transformation, just endless mazes to get one lost, to distract a person from finding self and God.
Some churches have massive pipe organs; and bring in large choirs and orchestras to perform classical Masses. For Gregory the Great, who threw out the greater part of “liturgical” music, he might have thought of this polyphony as excessive and constituting entertainment versus worship. Having heard Faure’s Requiem Mass performed as an entertaining musical presentation; and heard Faure’s Requiem in the context of a funeral Mass; there is no comparison. Here’s Faure’s PIE JESU on YouTube. Imagine that in the context of a Mass. Infinitely more transforming, bringing man closer to God and God closer to man, not leading down some rabbit trail. “Shout for joy unto the Lord, all you nations.”
Christ urged the people to sing hosannah on His triumphal entry into Jerusalem or the very rocks themselves would sing out. “Hosannah, Fillio David!” It may not be thought of as shouting, but hearing a choir, after a season of sad lamentations, load the acoustics of a church, making it ring like a bell with resonance and harmonics and overtones as they sing a glorious “Allelulia” on Easter, is as close as it gets.
youtube.com/watch?v=rM0BmhAS_8A Mozart SANCTUS/HOSANNAH!
youtube.com/watch?v=_-fkcJbTBOM Gregorian HOSANNAH!
youtube.com/watch?v=VWMmolrId_4 Faure’s PIE JESU.
May we delight in praising and thanking You, dear Lord, praying always.