A
AJV
Guest
None I imagine since he was replaced by St. Matthias.Which one is Judas?
None I imagine since he was replaced by St. Matthias.Which one is Judas?
Yes. The problem is that the pillars donât genuinely bear any weight. To design a building with pillars holding up the roof, and make the number of pillars sum to twelve to represent the apostles, would not be modernist.Youâre right, Malcolm, that is exactly what I would expect to hear from a modernist.
What about this picture, where the architect says the twelve pillars in the sanctuary are the twelve apostles? Would you say that is the art of a modernist?
What is arrogant about it? That theyâre superfluous? So, probably, are some of the pillars supporting the colonnade in St Petersâ Square - does it matter?Yes. The problem is that the pillars donât genuinely bear any weight. To design a building with pillars holding up the roof, and make the number of pillars sum to twelve to represent the apostles, would not be modernist.
To place 12 superfluous pillars, which donât have any technical artistic merit - they are not carved into human shapes or anything similar - in the sanctuary is an act of arrogance, and thus typically modernist work.
Superfluous, therefore their only merit is aesthetic. Arrogant if that merit is in fact lacking.What is arrogant about it? That theyâre superfluous?
But again, what makes you say that those pillars have no aesthetic merit whereas the (presumably also superfluous or partially so) pillars supporting the colonnade of St Peterâs do??? What makes you think that the one is âeasierâ or more âtrivialâ - or even âuglierâ? Those are entirely subjective judgements.Superfluous, therefore their only merit is aesthetic. Arrogant if that merit is in fact lacking.
Modernism is all about ugly, easy, trivial work being passed off as profound art.
Lily, are you saying that you see aesthetic beauty in these pillars? Do you honestly believe they enhance the sanctuary where the Sacred Mysteries take place?But again, what makes you say that those pillars have no aesthetic merit whereas the (presumably also superfluous or partially so) pillars supporting the colonnade of St Peterâs do??? What makes you think that the one is âeasierâ or more âtrivialâ - or even âuglierâ? Those are entirely subjective judgements.
Ideological movements also create their own art. In the case of modernism it is particularly ugly, arrogant, and trite art. In the case of Romanticism, which was also an anti-Catholic movement, the art was considerably better. Aesthetic quality is not an infallible guide to virtue, but it is no a useless one either.Seems to me that there is more than a little confusion here. Modernism as addressed by Pius X is a set of heresies or philosophies that have their roots in the Enlightenment. It has nothing to do with so called modern art. Pius X used the term like Benedict XVI used the term Relativism. In context it has a fairly specific meaning. I donât understand nor do I find âmodernismâ in the world of Art and Architecture to be particularly pleasing, but it has nothing to do with Piusâ condemnation.
Hereâs a good post on modern art from Abbey Roads blog. Terry has a pretty good summary, I think, of architectural style and when it started to affect the Church, which actually was prior to VII.Ideological movements also create their own art. In the case of modernism it is particularly ugly, arrogant, and trite art. In the case of Romanticism, which was also an anti-Catholic movement, the art was considerably better. Aesthetic quality is not an infallible guide to virtue, but it is no a useless one either.