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Whilst I love many carols, O Holy Night would be one of my absolute favourites…
Oh, I can so see this in my mind!!! Wish I could see it for real!!!Adeste Fidelis. The altar rail at a church I used to go to for First Fridays had VENITE ADOREMUS as part of the metal work. I knew what the Latin meant but seeing it on an altar rail with Jesus in the monstrance behind it, the full meaning hit me like a ton of bricks. Now I get emotional at the chorus and it’s sort of embarrassing.
Very true! Wouldn’t it be wonderful if the whole world woke up and started singing Christmas Carols with gusto and love. We would all “fall on our knees” and know that “God is not dead, nor does He sleep!!!” I’d love it…I go to Knott’s “Merry” Farm every holiday season, partly because I was so impressed the first few years at hearing the song I Heard The Bells On Christmas Day song in their holiday “Saloon Show”. It is very impressive to go to a theme park and hear someone singing these words, “God is not dead, nor does he sleep,” and the man who sang it had so much conviction and emotion in his voice. After that it became one of my favorites.
Likewise, hearing carolers and live performances of O Holy Night has emotional effects on me. Knott’s uses it in their ice show and it is such a beautiful scene. It is so wonderful to go out to a public place and hear that song performed, in particular the part that begins, “fall on your knees.” That song can make me well up with emotion.
Possibly because the Third King’s (Balthasar?) verse is a bit of a downer:Many of my favorites have already been mentioned.
I didn’t see We Three Kings. Rarely do I hear all the versus.
It’s the same with “What Child Is This?” I see it often in the hymnals, but even when including all the verses, they sometimes put the second part of the first verse in as a refrain or chorus:Myrrh is mine, its bitter perfume
Speaks a life of gathering gloom:
Sorrowing, sighing, bleeding, dying,
Sealed in the stone cold tomb.
In actual fact, there is no chorus, each verse has its own “refrain”, and one is a tad less cheery than others. William Chatterton Dix, the lyricist, put these words at the end of verse 2:This, This is Christ the King
Whom shepherds guard and angels sing.
Haste, haste to bring Him laud,
The Babe, the Son of Mary.
It may be that whoever is putting out the hymnals or carol sheets may think that those verses are a bit too glum for Christmas.Nails, spear shall pierce him through,
The Cross be borne for me, for you;
Hail, hail the Word Made Flesh,
The babe, the son of Mary!
I did that this week for Christ the King.Let All Earthly Flesh Keep Silent sung in 5 or 6 part harmony
Same here. I think my favorite new (old) one is Puer Natus in Bethlehem. I am going to start teaching it to the children tonight for Christmas Eve, mixing Latin and English. I intend to use it as a lead-in and transition from their singing carols to Mass.Whilst I love many carols, O Holy Night would be one of my absolute favourites…
Interestingly, John Mason Neale, who translated the lyrics, was an Anglican but widely considered to be a secret Catholic. (He even got stoned by a mob for it!) He also translated the lyrics to my other favorite carol, “O Come O Come Emmanuel.”But his deeds I think you know better than I could tell you; for, as is read in his Passion, no one doubts that, rising every night from his noble bed, with bare feet and only one chamberlain, he went around to God’s churches and gave alms generously to widows, orphans, those in prison and afflicted by every difficulty, so much so that he was considered, not a prince, but the father of all the wretched.
“In the Bleak Midwinter”
“Lo, How a Rose E’er Blooming”
“Bring a Torch, Jeanette, Isabella”
“Good Christian Men, Rejoice” (In Dulci Jubilo)
“Ding, Dong, Merrily on High”
“The Holly and the Ivy”
“Once in Royal David’s City”
“Creator of the Stars of Night”
“Good King Wenceslas”
These are all from my home parish’s Christmas repertoire, new for this year. It hurts me very much that I will not be with the choir when they sing them. I will be visiting my family in OCP-land.
Well, there are several versions of this song. Wikipedia gives a good summary. It was originally in German, and portrayed Mary as the Rose, with Jesus as a rosebud sprung from Mary. An English translation to this effect is provided in the Wikipedia article, but it is labeled as “literal” and I don’t think it was ever set to music. The Protestants got a hold of it and translated it into English, this time portraying Jesus as the Rose and Mary just an innocent bystander.Does anyone know the meaning of the lyrics to “Lo, How a Rose E’er Blooming” or the history of the song?
www.familchristmasonline.com mentioned:Does anyone know the meaning of the lyrics to “Lo, How a Rose E’er Blooming” or the history of the song?