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Bulbasaur05
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drbrianmattson.com/journal/2014/3/31/sympathy-for-the-devil
Possibly linked already, but here is a good write up explaining a lot of gnostic themes in “Noah.” It is not surprising as Aronofsky has referenced gnosticism and the kaballah before in “Pi.”
*Except that when Gnostics speak about “The Creator” they are not talking about God. Oh, here in an affluent world living off the fruits of Christendom the term “Creator” generally denotes the true and living God. But here’s a little “Gnosticism 101” for you: the Creator of the material world is an ignorant, arrogant, jealous, exclusive, violent, low-level, bastard son of a low level deity. He’s responsible for creating the “unspiritual” world of flesh and matter, and he himself is so ignorant of the spiritual world he fancies himself the “only God” and demands absolute obedience. They generally call him “Yahweh.” Or other names, too (Ialdabaoth, for example).
This Creator tries to keep Adam and Eve from the true knowledge of the divine and, when they disobey, flies into a rage and boots them from the garden.
In other words, in case you’re losing the plot here: The serpent was right all along. This “god,” “The Creator,” whom they are worshiping is withholding something from them that the serpent will provide: divinity itself.
The world of Gnostic mysticism is bewildering with a myriad of varieties. But, generally speaking, they hold in common that the serpent is “Sophia,” “Mother,” or “Wisdom.” The serpent represents the true divine, and the claims of “The Creator” are false.
So is the serpent a major character in the film?*
Also
Okay, I’m almost done. The rainbows don’t come at the end because God makes a covenant with Noah. The rainbows appear when Noah sobers up and embraces the serpent. He wraps the skin around his arm, and blesses his family. It is not God that commissions them to now multiply and fill the earth, but Noah, in the first person, “I,” wearing the serpent talisman. (Oh, and by the way, it’s not accidental that the rainbows are all circular. The circle of the “One,” the Ein Sof, in Kabbalah, is the sign of monism.)*
Possibly linked already, but here is a good write up explaining a lot of gnostic themes in “Noah.” It is not surprising as Aronofsky has referenced gnosticism and the kaballah before in “Pi.”
*Except that when Gnostics speak about “The Creator” they are not talking about God. Oh, here in an affluent world living off the fruits of Christendom the term “Creator” generally denotes the true and living God. But here’s a little “Gnosticism 101” for you: the Creator of the material world is an ignorant, arrogant, jealous, exclusive, violent, low-level, bastard son of a low level deity. He’s responsible for creating the “unspiritual” world of flesh and matter, and he himself is so ignorant of the spiritual world he fancies himself the “only God” and demands absolute obedience. They generally call him “Yahweh.” Or other names, too (Ialdabaoth, for example).
This Creator tries to keep Adam and Eve from the true knowledge of the divine and, when they disobey, flies into a rage and boots them from the garden.
In other words, in case you’re losing the plot here: The serpent was right all along. This “god,” “The Creator,” whom they are worshiping is withholding something from them that the serpent will provide: divinity itself.
The world of Gnostic mysticism is bewildering with a myriad of varieties. But, generally speaking, they hold in common that the serpent is “Sophia,” “Mother,” or “Wisdom.” The serpent represents the true divine, and the claims of “The Creator” are false.
So is the serpent a major character in the film?*
Also
Okay, I’m almost done. The rainbows don’t come at the end because God makes a covenant with Noah. The rainbows appear when Noah sobers up and embraces the serpent. He wraps the skin around his arm, and blesses his family. It is not God that commissions them to now multiply and fill the earth, but Noah, in the first person, “I,” wearing the serpent talisman. (Oh, and by the way, it’s not accidental that the rainbows are all circular. The circle of the “One,” the Ein Sof, in Kabbalah, is the sign of monism.)*