This time, Josh, I fully agree with you. Nicholas Ray’s King of Kings, for instance, was released in 1961, and it seems almost incredible, now, that at that time Hollywood felt the need to show such a sanitized Passion. The scourging takes place almost entirely off screen, with just a brief glimpse of the slashes across Christ’s back.
Makes you wonder how, for 2000 years, Christians have held healthy beliefs in the power of redemptive suffering, without needing to fill themselves with the graphical portrayal of it.
How did all those saints find the ascetic life? How did they find reverence and awe for Christ’s sacrifice?
?
At a time when reverence seems to be at an all time low in our culture, it seems to me a stepping back is in order (part of the virtue of reverence is to step back and respect that which is holy, to give the holy it’s proper due, to give it room to work in our lives.).
We do not need to appropriate every single thing for our viewing. I don’t need to see the heads chopped off, or the video of the shootings, or the graphic WW2 battlefield photos, to know that people get hurt in this life, and that Christ himself endured gruesome torture for us. It is a distinctly modern thing, this idea that I deserve to see, that I
must see the details in all their entirety. It seems to show a disrespect for human dignity.
I also don’t need to see sexual representations on-screen to know that I am to give myself to my wife
as Christ gave himself for his Church. You might say that is different. Really? How is it different? There is an element of the pornographic in this kind of graphic and gratuitous representation of violence, especially in a subject matter that is holy and deserves reverence.
Out of reverence for God, some things are just not meant to be indulged in.
This movie has some edifying scenes, but in the end it turns the stomach, as it should. As I was watching this the first time my wife got up and left the room.
Somehow I don’t imagine the Mother of God would appreciate this visual over-indulgence in her son’s suffering.