Many singers actually have more talent than their teachers. But they both have it.
Very true. There is an old saying my first voice teacher used to say either of singers like herself who had careers, but no longer perform or teachers who never really had “careers” (in terms of an international or even a regional/local career), but were excellent at teaching vocal technique: “Those who can, do. Those who can’t, teach.”
I don’t know how true it is in other practices, but I know as a fellow opera singer like yourself, the above saying is certainly true.
I just saw this sentence example in the Merriam Webster thesaurus describing what talent was.
"a special and usually **inborn **ability <Liza’s musical talent was already apparent by the time she was five> "
I think this describes what people have been saying in regards to people having to be born with talent. I’m sticking with music because it is what I know best and because the original subject of the thread focused on musical geniuses.
Mostly everyone is aware that with musical talent, it is inborn. You either have the ability or you don’t, BUT you need training. That doesn’t mean that a brand new student or a more seasoned student have no talent just because they aren’t masters yet. A teacher or parent recognises this “raw talent” and then hones it in. Mozart’s father, for example, obviously saw this in his son when he first began teaching him. I don’t think one has to be a classical musician to understand what is natural, raw talent. No one would expect a raw talent to be a “master” yet. And, no, a person with raw talent would not be teaching. Even some masters in the musical field can’t even teach. Teaching music is a completely different kind of talent.
Artistry in music isn’t something that can actually be learned or even trained. That is one kind of talent which I believe is completely innate. It can grow and deepen as the musician matures, but it isn’t something that can be taught with a technique like in music. For example, there are musicians who are technically perfect, but they don’t have the talent to artistically and sensitively interpret the music. The listener might be impressed with the technical prowess, but would be left cold by the lack of artistry.
I went off on a little tangent there in regards to talent in artistry, but wanted to show that not all kinds of talent needs to be “trained” or “honed”.