Music at mass

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… A lot of the music found in the dreadful OCP songbooks Spirit and Song and Spirit and Song II are full of this kind of stuff. The lyrics may be scripturally based (although doctrinally deficient and lean heavily towards the horizontal and ignore the vertical), but, the settings are certainly not appropriate to the Mass. Bass guitars, keyboards, drum kits and synthesizers belong to Maroon 5 and Hannah Montana, not to the Holy Sacrifice of the Mass. …
Horizontal/vertical non-argument again. :rolleyes:

Any instrument can be used to praise God, inside of and outside of the Liturgy. Just because an instrument can be plugged into an electrical source does not mean it has to be blasted or banged ala rock genre. Many, many different instruments were used in Biblical times to praise God in the liturgical worship of the Israelites. Maybe it’s God’s tastes that have changed??
 
I’ve been reading some of the comments on this forum, and frankly I’m shocked. People here seem to be very critical about genres of worship music that differ from their own preference of “traditional hymns”.
I invite you to read the many, many, many posts which call for, not personal preferences, but for the liturgical music held in the highest esteem by the Church, proclaimed to be the supreme model and permanent standard, or music organically grown out of that supreme model and permanent standard. And “traditional hymns” is the least of that music.

To claim that these are nothing but questions of personal preference is either disengenuous or reflects a total ignorance of what the Church actually teaches about sacred music.
 
Have any of you ever been to a Mass where there was no music? I have. Does that mean that the Mass wasn’t 'sacred ’ because there were no traditional hymns or Gregorian chants?

My point is, the Mass is the Liturgy of the Word and the Liturgy of the Eucharist, with or without music. The music is “extra”,
This is a shocking statement. Vatican II does not state that the music is “extra”; rather, the council fathers state that music is pars integrans, an integral part of the liturgy.
 
I’ve been reading some of the comments on this forum, and frankly I’m shocked. People here seem to be very critical about genres of worship music that differ from their own preference of “traditional hymns”. I have chaperoned many Catholic youth retreats and events, and have come to like a lot of the contemporary Praise and Worship songs that are sung. There is nothing secular about them—they are just as pure and true to worshipping God as any of the traditional hymns that you know. And what makes them even more special, is that you can tell that when people sing these songs, they are not just automatons reading words from a book, but they are passionate, singing from their hearts, the way that God intended it to be. If you’ve never seen over 2500 people gathered together singing praises to God, then you don’t know what you’re missing out on. It’s the most moving thing I’ve ever experienced, and is probably what has helped me personally to grow in my relationship with God.

In response to ontologysue, I have to disagree. I was always taught that mass was a “celebration of the Eucharist”; Only during Lent do we practice ‘sorrow and frustration’. In our parish, occasionally we will sing some contemporary songs, and both young and old will stand up with their hands raised to the Lord. So if you go to a church where the words are projected onto a screen or the wall, remember that it is set up that way to allow people to raise their hands up to the Lord in praise. Nothing secular about that!

Shame on you who are so judgemental!

PS. Most all of the contemporary songs I know have lyrics based on scriptures. I’m always pleased to read a scripture verse that I know from a song, or vice-versa.
:clapping: :extrahappy: :clapping:

A voice of reason 😃 !

You see, Cathyd241, the problem here is that the majority of people posting here (a) state their personal preferences with a conviction which should be reserved for reading the Scriptures (in the original language); (b) don’t know what they’re talking about; (c) have never functioned as a liturgical musician; (d) have no idea what, and have never heard, the types of songs you and I are talking about; and (e) have never experienced such a worship-filled Mass such as you or I have experienced.

If anything, I pity them.
 
… Sorry, I just don’t think Handel’s Messiah, for example, can even be compared to most of the “contemporary Christian songs” sung in most masses! There’s just no comparison and I believe I am correct in thinking that Pope Benedict shares my view. I am not Roman Catholic but hasn’t he made mention of the fact that he prefers “sacred” music for the Liturgy?

There is a time and a place for that music, I just think the Mass is not it.
You are correct. Musically, few pieces of any kind of music can be compared to Handel’s Messiah. However, of all the many times and places I have been in a choir singing, or in a congregation listening, to such pieces, there has been a resounding round of applause from the congregation. – This is what does not belong at Mass.

Mass is neither a concert nor a spectator sport. People should be praying - worshipping - while they are singing their praise to God, not sitting back admiring the skill of the choir or the intracacies of Handel’s compositions.
 
But why does singing praise to our Lord have to ‘fit’ into anyone’s mold? And how do we define ‘sacred’? I took the liberty of pasting the definition from dictionary.com

I don’t see anywhere in this definition that indicates only traditional music is sacred. You certainly are entitled to your opinion…at least of the music that you prefer to sing and hear.
It’s not a matter of how I define “sacred” or you define “sacred”, it’s a matter of how the Church defines “sacred”. Generally speaking, there’s nothing wrong with “religious music”, but the Mass is the public worship of the Church and the Church regulates what happens at Her public worship. To that end, She has consistently taught that Gregorian Chant is the supreme model for sacred music; Pope Pius X said so in 1903, and Pope John Paul II confirmed it in 2003!

Here’s how the Church broke down “sacred music” in 1958, from De Musica Sacra:
4. “Sacred music” includes the following: a) Gregorian chant; b) sacred polyphony; c) modern sacred music; d) sacred organ music; e) hymns; and f) religious music.
  1. Gregorian chant, which is used in liturgical ceremonies, is the sacred music proper to the Roman Church; it is to be found in the liturgical books approved by the Holy See. This music has been reverently, and faithfully fostered, and developed from most ancient, and venerable traditions; and even in recent times new chants have been composed in the style of this tradition. This style of music has no need of organ or other instrumental accompaniment.
  2. Sacred polyphony is measured music which arose from the tradition of Gregorian chant. It is choral music written in many voice-parts, and sung without instrumental accompaniment. It began to flourish in the Latin Church in the Middle Ages, and reached its height in the art of Giovanni Pierluigi Palestrina (1524-1594) in the latter half of the sixteenth century; distinguished musicians of our time still cultivate this art.
  3. Modern sacred music is likewise sung in many voice-parts, but at times with instrumental accompaniment. Its composition is of more recent date, and in a more advanced style, developed from the previous centuries. When this music is composed specifically for liturgical use it must be animated by a spirit of devotion, and piety; only on this condition can it be admitted as suitable accompaniment for these services.
  4. Sacred music for organ is music composed for the organ alone. Ever since the pipe organ came into use this music has been widely cultivated by famous masters of the art. If such music complies with the laws for sacred music, it is an important contribution to the beauty of the sacred liturgy.
  5. Hymns are songs which spontaneously arise from the religious impulses with which mankind has been endowed by its Creator. Thus they are universally sung among all peoples.
This music had a fine effect on the lives of the faithful, imbuing both their private, and social lives with a true Christian spirit (cf. Eph 5:18-20; Col 3:16). It was encouraged from the earliest times, and in our day it is still to be recommended for fostering the piety of the faithful, and enhancing their private devotions. Even such music can, at times, be admitted to liturgical ceremonies (This music had a fine effect on the lives of the faithful, imbuing both their private, and social lives with a true Christian spirit (cf. Eph 5:18-20; Col 3:16). It was encouraged from the earliest times, and in our day it is still to be recommended for fostering the piety of the faithful, and enhancing their private devotions. Even such music can, at times, be admitted to liturgical ceremonies (Musicæ sacræ disciplina, Dec. 25, 1955; AAS 48 [1956] 13-14).
  1. Religious music is any music which, either by the intention of the composer or by the subject or purpose of the composition, serves to arouse devotion, and religious sentiments. Such music “is an effective aid to religion” (Musicæ sacræ disciplina, idem.). But since it was not intended for divine worship, and was composed in a free style, it is not to be used during liturgical ceremonies.
 
You see, Cathyd241, the problem here is that the majority of people posting here (a) state their personal preferences with a conviction which should be reserved for reading the Scriptures (in the original language); (b) don’t know what they’re talking about; (c) have never functioned as a liturgical musician; (d) have no idea what, and have never heard, the types of songs you and I are talking about; and (e) have never experienced such a worship-filled Mass such as you or I have experienced.
I would hazard a guess that many those who are vocal about using the type of music preferred by the Church are (a) not stating their preferences (about sacred music) but are rather repeating what the Church has stated; (b) have a pretty good idea of what they’re talking about; (c) have some choir experience… and even if they don’t, they have plenty of experience singing as the congregation; (d) have heard various types of “praise and worship” songs and other contemporary music – they’re not up against the unknown; and (e) have experienced a “worship-filled Mass”, regardless of the type of music used.

I am 26. I had no idea what “Gregorian chant” or “polyphony” were until about a year or so ago; I was never exposed to any in my parish growing up, at college (while I wasn’t much of a Catholic during college, when I did go to Mass there wasn’t any chant or polyphony), nor at the parish I attend now. I knew of chant, but believed it was something monks did long ago and we don’t do anymore. The songs I sang during Mass were from the “Breaking Bread” and “Gather” hymnals. Sure, we sang “traditional hymns” often, but never chant. I’ve also attended Protestant worship services – one place used a hymnal and sang “traditional hymns”, another place had two big screens with the words projected on them (and the songs were the current Christian Contemporary Music hits).

Please don’t think that just because we disagree with you, we don’t know what we (or you!) are talking about.
 
Horizontal/vertical non-argument again. :rolleyes:

Any instrument can be used to praise God, inside of and outside of the Liturgy. Just because an instrument can be plugged into an electrical source does not mean it has to be blasted or banged ala rock genre. Many, many different instruments were used in Biblical times to praise God in the liturgical worship of the Israelites. Maybe it’s God’s tastes that have changed??
Perhaps you are not familiar with the cultic norms established in Leviticus for worship of Yahweh. The instruments you described in the psalms were not necessarily used when worshipping God according to the cultic ritual established by the Lord, himself. In fact, the only instrument that is even noted is the horn to call the faithful to worship. That was it.

The vertical argument is something that has been stressed repeatedly by the Church over the course of the last 40 years. To be flippant about it is to thumb one’s nose as what the Holy See has repeatedly said about it. In fact, during a liturgical conference in 2007, Frncis Cardinal Arinze made these remarks:
The Holy Eucharist as sacrifice is celebrated in order to adore God, to praise Him, to give Him thanks, to make reparation for our sins and to ask for what we need, spiritual and temporal. Priority in the Eucharistic celebration goes to the vertical dimension: that is to say, the Mass is offered to God. Priest and people come together to offer Christ to God the Father, to celebrate the paschal mystery of Christ (His suffering, death and resurrection), to kneel before God in adoration, reparation and petition. They do not come together to celebrate themselves. God is the center, the direction of their hearts and minds.
If there were no liturgical norms, then every priest and congregation would be free to invent their own way of worshipping. In such a do-it-yourself celebration, it would not be possible in the long run to avoid manifestations of horizontalism, man-centeredness and even desacralization and banalization. The sacred and transcendent dimension of the Eucharistic sacrifice would be put at risk.
It is to be remembered that the Eucharistic sacrifice, and indeed the sacred liturgy as a whole, are not something that we make or invent, or put together on our own. They are gifts that we receive, keep, treasure, celebrate and for which we are grateful.
It must be lamented — says Pope John Paul II — that, especially in the years following the post-conciliar liturgical reforms, as a result of a misguided sense of creativity and adaptation there have been a number of abuses which have been a source of suffering for many.8
The problem is that a lot of the contemporary songs focus more on the horizontal aspect than on the vertical. Come to the Feast/Ven al Banquete, O Love of God (which talks more about building the community than praising the Lord) and other songs focus more on us than on worshipping God. Add instruments that are totally unsuitable to already bad music and you get a horrid combination.
 
Here’s how the Church broke down “sacred music” in 1958, from De Musica Sacra:…
Oh, and lest you think that document is “old and busted”, here’s the “new hotness” from 1967’s Musicam Sacram:
4. It is to be hoped that pastors of souls, musicians and the faithful will gladly accept these norms and put them into practice, uniting their efforts to attain the true purpose of sacred music, “which is the glory of God and the sanctification of the faithful.” <Sacrosanctum Concilium, n. 112 (Vatican II Constitution on the Sacred Liturgy, from 1963)>
Code:
(a) By sacred music is understood that which, being created for the celebration of divine worship, is endowed with a certain holy sincerity of form. <cf. *Tra le sollecitudini*, n. 2 (Pope St. Pius X, from 1903)>

(b) The following come under the title of sacred music here: Gregorian chant, sacred polyphony in its various forms both ancient and modern, sacred music for the organ and other approved instruments, and sacred popular music, be it liturgical or simply religious. <cf. *De Musica Sacra*, n. 4 (from 1958)>
 
I must say it is very sad to hear the bland music in today’s mass that can pass for the score from many of todays’s movies. It is so predictable in tonality and falls WAY behind the traditional sacred music we all grew up with in terms of complexity and richness of musical experience. We threw out the proverbial baby with the bath water when the “modernization” took place. C’est la vie! 😦
Imagine my dismay last Sunday to see the hymn number for the Entrance hymn being switched 2 minutes before Mass and to discover that instead of “Come Holy Ghost” we would now be singing “The Spirit Is A Moving” for the processional. BARF!!
 
First, I’ve never posted that chant should not be held in high esteem. Second, the Magisterium might state an opinion, but has never mandated one type of music over another. Third, more contemporary music is preferable when
that is the type of music which helps a congregation to pray. That there are people who advocate contemporary music states plainly that there are Catholics who find contemporary music an aid to prayer, and it should not be denied them.

Persons who are only marginally Catholic may very well leave when enticed by a church with “livelier” worship. If contemporary music keeps them inside the Church and church building, there’s more of a chance of a conversion of heart to full and healthy Catholic faith. Additionally, I have read posts in other threads in CAF from proponents of more traditional forms of music that they have walked out of Masses with contemporary music not to their preference. What does that say about their faith in the Eucharist?

Again, if they leave, they certainly won’t gain such insight from a church that doesn’t believe it. They can’t tune it out if they are singing the words which can lift their minds and hearts to God, and a good liturgical musician can get their people to sing. This is just the type of music which some people tune out. (I’m not blaming the music. I’m not “blaming” anyone or anything. It’s just the way it is.)

It’s interesting that when people cannot formulate a good argument, they resort to making up ludicrous examples such as “semi clothed female dancers on either side of the altar.” The music has already changed, and it’s not to pack the pews, it’s to help people to pray. No one is trying to “keep up with them,” but we could learn a little from them, but that’s beside the point. There is good, contemporary liturgical music. The evidence lies in the people who say they prefer it and the people whom it helps to pray. Are you saying that good contemporary liturgical music is a sin on the level of contraception ? That’s news to me (probably to the Magisterium also). Once again, never said we should stop it. But it is not the only form of liturgical music.

And the lyrics of many modern hymns come directly from Scripture. Do “wordy” older hymns contain greater truth that Scripture?

What does this paragraph have to do with music at Mass? Surely you’re NOT saying that Masses with contemporary liturgical music are illicit?

Just a tad presumptious, aren’t we? I am as serious as you are, and probably a little more experienced at what I’m talking about than you are. Our Lord died for our sins we’re there to thank him, not to derive joy for ourselves. And if contemporary liturgical music helps some people to thank Him, then you should not be so glib about it. If you don’t like it, you are free to have your opinion. But your opinion is not everyone’s opinion. And what moves you might not move the next person. And I would be willing to guess that the Lord is more concerned about a person’s heart being moved to Him rather than the method used. Amen. And this is a very earthly argument.

…Together with using whatever will help move people’s minds and hearts to God.
If you agree with what the Church says i.e. that Gregorian Chant should be held in high esteem then you have a very funny way of showing it. Actually in the past it has mandated a certain type of music, hence it is false to say it “has never mandated one type of music over another” because it has. If you can demonstrate that it helps a congregation to pray then do so, if you can’t then stop advocating that it is preferable with no basis for that view. It means there are some people who enjoy/prefer it, that doesn’t necessarily mean that it helps then to pray better. Furthermore how many Parishes have regular access to Gregorian Chant? My guess is there are many people who have not been fortunate enough to hear the music which the Church holds in high esteem in a liturgical setting. It should be denied to them if it disrupts a significant number of the other people attending Mass, it should also be denied them if it is inconducive to the nature of the Sacrifice of Mass. As far as I know it has yet to be demonstrated that a) they are appropriate for the Mass and b) the number of people who find it disruptive are fewer than those who are enthusiastic about it.

It says that they believe the Eucharist should be respected and if they find the activities of others at the Mass are inappropriate or if they believe they are unable to continue participating with the congregation in the correct state of mind then they will leave rather than be forced to watch such things which they can do nothing about. If we converted Churches to a drive through more people might come through as well or if unconditional absolution was given out at a window. If we dropped a couple of dogmas or our objection to abortion/contraception more people might come as well. We should not risk demeaning the Sacrifice of Mass by using cheap gimmicks to pack the pews.

They might well gain it when they see just how empty and vacuous such forms of worship are. If they don’t see how empty other things are then they may never be drawn to look further than that. If we make a few concessions just to keep them in Church and give them enough of what they want then that which could draw them to look at the deeper theological truths will never happen.

I was under the impression that we are God’s people, not under the control of some ‘liturgical musician’. I can sing things and tune it out quite easily, indeed I often have to if I want to keep my mind on what is most important about the Mass. Their minds should be on the Sacrifice of Our Lord, their hearts should be given up freely to him, neither should be focused on ‘liturgical musicians’ waving their arms around or doing whatever it is they do to 'get their people to sing.

The whole point of the music is it is not meant to be their main focus, they’re not meant to be giving it laldly or trying to emit notes more suited to marching piccolos or a coloratura soprano.

You said “whatever draws them”. If you are going to make stupid statements then be prepared for people to point out the reality of what you are saying. The whole example stemmed from your lack of a reasoned argument. I have every confidence in the soundness of my position, which is precisely why I don’t make silly and inaccurate blanket statements in an attempt to reinforce it.

Your argument states that having this kind of music helps keep people in the Church rather than going off to Evangelical churches with a soundtrack more to their liking, that is a blatant attempt to keep up the numbers in pews. If your position is that it is to help people pray then how about providing something which demonstrates that it helps them to pray, moreso than Gregorian Chant etc. I know it has exactly the opposite effect on me, whether others are the same I don’t know.

We can get far more from Church history, which is far too often completely neglected, than we can from Evangelical practices. Maybe we should look back at that history, there was a reason the Church told Palestrina et al that suspensions, plagal cadences etc were the way to go.

Where are these people? You, a few other people directly involved in providing it in the Mass, and those who are friends of people who provide it? Until you can provide some evidence to back up this position its all supposition and for every person who comes on this thread to approve of contemporary music there is probably at least one who’ll take the other view.

I didn’t say that. I said that the Church is not a democracy, you can’t deny that fact. People might prefer it if the Priest were to attempt to consecrate crisps that wouldn’t make it right to do so. Likewise a majority of people in a Parish might prefer it if the Priest added some liturgical dancing to the Mass, but that too wouldn’t make it right to do so. The same is true of the music.

As far as I know its the only form of music that the Church has stated it holds in high esteem. That being the case perhaps we should put the Church preference before that of a few people who might prefer the rock party down at the Evangelical church.

If they deal with important issues and do so in a way which better conveys Church teaching and is not as open to misinterpretation then I would suggest they do a better job at it. Would you agree? If people better understand the position of the Church from an old hymn than a new one then I think it better to use that old hymn for its clarity of expression and truth rather than the new for its preferability to a few members of the congregation.

It has everything to do with it. Your position was that using new music helps keep people who might otherwise not come or attend Evangelical churches and that those who are already in the Church and properly catechised will not leave because of it. My point was the those same people would understand that they can still fulfil their obligations to the Church, and remain in full Communion without staying in the same Parish. For example their obligation would be satisfied by going to SSPX Parishes as while their Mass is illicit it is considered to fulfil the Sunday obligation. Likwise they could leave their own Parish and join the FSSP or go to a more orthodox Parish in their own area. Hence the Parishes would be losing many of those people who are most involved with the faith, the kind of people the they would need to help with Catechism classes and to teach new converts about the faith.

You were criticising people for not looking happier. How is it you want us to look when we are remembering what Our Lord did for us? There was no presumption on my part however the presumption you had in criticising others for their “looking like they’ve lost their best friend” when they are focusing on the Mass is truly breathtaking.

If contemporary liturgical music is enjoyed by some Catholics then fine, they can use it. But they should not be allowed to impose it into the Mass. Especially to the extent that it becomes the main attraction. When people start coming to Mass just for the music there is a serious problem and that is just what you have encouraged in your argument. If they come to the Mass for an earthly reason they’re not likely to look very far beyond? If one person finds contemporary music so disruptive to their participation in the Mass that they need to leave or attempt to block it out entirely in order to pray and the next enjoy it to the point of ecstasy just what compromise do you propose? I am not going to try to impose my preference on the Mass, never have and hopefully never will, but I also hope others will have the same courtesy by not trying to introduce music which can be so disruptive to the participation of others.

Glib is defined as:

" 1. a) Performed with a natural, offhand ease: glib conversation.
b) Showing little thought, preparation, or concern: a glib response to a complex question.
2. Marked by ease and fluency of speech or writing that often suggests or stems from insincerity, superficiality, or deceitfulness."

Perhaps you could either point out which parts of my argument were insincere, superficial or deceitful or apologise for an inaccurate accusation.

Do you mind if we do what the Church tells us rather than adding what we want them to do on to it? The Church has not told us to use “whatever will help move people’s minds and hearts to God” and probably for a good reason. By using the blanket term ‘whatever’ you are in fact in error, because that would permit practices the Church has explicitly told us not to use e.g. gathering around the Altar alla LifeTeen etc. and indeed many others which the Church probably hopes people would have enough sense not to introduce.
 
I would hazard a guess that many those who are vocal about using the type of music preferred by the Church are (a) not stating their preferences (about sacred music) but are rather repeating what the Church has stated; (b) have a pretty good idea of what they’re talking about; (c) have some choir experience… and even if they don’t, they have plenty of experience singing as the congregation; (d) have heard various types of “praise and worship” songs and other contemporary music – they’re not up against the unknown; and (e) have experienced a “worship-filled Mass”, regardless of the type of music used.

I am 26. I had no idea what “Gregorian chant” or “polyphony” were until about a year or so ago; I was never exposed to any in my parish growing up, at college (while I wasn’t much of a Catholic during college, when I did go to Mass there wasn’t any chant or polyphony), nor at the parish I attend now. I knew of chant, but believed it was something monks did long ago and we don’t do anymore. The songs I sang during Mass were from the “Breaking Bread” and “Gather” hymnals. Sure, we sang “traditional hymns” often, but never chant. I’ve also attended Protestant worship services – one place used a hymnal and sang “traditional hymns”, another place had two big screens with the words projected on them (and the songs were the current Christian Contemporary Music hits).

Please don’t think that just because we disagree with you, we don’t know what we (or you!) are talking about.
I am 53. I have been in several choirs. I was in the Vicariate Choir that sang for Pope JPII. I have been a liturgical musician, volunteer and paid, for 35 years. I have taken liturgy classes and been on liturgy committees. I have planned and provided music for probably hundreds of Masses solo, and for dozens and dozens of Masses leading small groups where we used a mix of contemporary and old traditionals. I speak from experience and from what I have been taught.
 
Perhaps you are not familiar with the cultic norms established in Leviticus for worship of Yahweh. The instruments you described in the psalms were not necessarily used when worshipping God according to the cultic ritual established by the Lord, himself. In fact, the only instrument that is even noted is the horn to call the faithful to worship. That was it.

Believe it or not, I do own a Bible and I have read it. In fact, I started reading my Children’s Bible at approximately age 3-4, and the adult Bible at approximately age 6. (I started to read at age 2.) I also have several different translations, although I prefer the NAB.

I would be interested in your expounding on the “cultic norms” you refer to because the only things I found in Leviticus were:
Lev 23:23-24 - 23
 
First of all, the cultic norms were dictated directly by God to Moses. Any deviatoin from the norms of worship established in Exodus, expounded in Leviticus and repeated in Numbers and Deuteronomy were often fatal (as were the cases with Aaron’s sons and Dathan, the priest). The cultic liturgy of Ancient Israel centered around offering sacrifice, whether it was for the Passover, for Atonement of for Thanksgiving. This was the official form of worship for Ancient Israel. The only musical instrument that was mentioned was the horn to call the assembly together. The other instruements that are repeatedly mentioned by some posters come from the psalms written by David, but, these were not used for the official cultic worship of Ancient Israel.

All of these sacrificial liturgies prefigured the one Sacrifice of Jesus Christ, which was to be celebrated in perpetuity by the Church. Jesus entrusted these Sacred mysteries to him.

The issue of the vertical notion of liturgy certainly applies to the music. Bear in mind that Cardinal Arinze is the Church’s ranking official on all matters pertaining to Divine Worship. He and Pope Benedict XVI are definitely on the same page when they speak of the problem of the over-emphasis of the horizontal and the de-emphasis of the vertical.

The sad trend in contemporary music is that it focuses on the people rather than on God. “We come to tell the story. We come to…” makes the faithful the main actors, with God as an after-thought, or, in the case of the “Song of the Body of Christ”, not even mentioned. “O Love of God/O Amor de Dios” is another example of the banal. Bob Hurd places more emphasis on building up the community instead of offering rightful adoration to the Triune God.
 
I am reminded of the scriptural “milk v. solid food” analogy.

The Mass is something done on “God’s terms,” so to speak, not on our terms. As others have said, we participate along with the church triumphant and the church suffering.

It’s sort of like a a 5 year old, for example, from whose perspective the best music in the world would be the nursery school rhymes etc., but who is asked to sit at a symphony and listen to Mozart. Certainly he has no taste for Mozart and gets no apparent gratification by sitting through the concert. However, his parents know, that in the process, he will grow to acquire a love and appreciation for it, with time and exposure.

The child prefers the nursery rhyme, but, in time, will grow into “solid food.”

Gregorian Chant, polyphonic music etc is an acquired taste, and is not meant to appeal to our lower (spiritual sensibilities,) it is an invitation to enter into the highest contemplation of God, which we can only grow into and will only fully consummate outside of created time, in our union with God.

As several have said on this thread, it comes down to the “purpose” of the Liturgy.

I grew up Protestant, converting in adulthood. I thoroughly love the old Protestant hymns like “The Old Rugged Cross.” However, I realize that what is happening at a Protestant service is not at all the same thing that is going on at a celebration of the Divine Liturgy!
 
Has anybody answered the question why Hatebreed, Impaler, or Napalm Death would be liturgically unacceptable instead of the usual fluffy “Praise & Worship” prattle that we’re mercilessly tormented with each week?

http://bestsmileys.com/music1/19.gif

Of course, I’ll take Chant too.
 
alright…I can’t stand it anymore. Will someone *please *explain to me what all this mumbo-jumbo is about horizontal and vertical? It’s hard to see your point if I don’t know what the heck you’re talking about!
 
alright…I can’t stand it anymore. Will someone *please *explain to me what all this mumbo-jumbo is about horizontal and vertical? It’s hard to see your point if I don’t know what the heck you’re talking about!
“Horizontal worship” emphasizes the people and the community, whereas “vertical worship” emphasizes God. Generally speaking, “horizontal worship” leans towards making the people “feel good” and can end up seeming like entertainment or production; whereas, generally speaking, “vertical worship” leans toward the transcendent, focusing on the awe and mystery of God, and does not resemble our normal earthly affairs.

Generally speaking.

Certainly, proper Catholic worship must have both vertical and horizontal elements, but it is important to pay attention to their proportion, their emphasis, and their integration with one another. For example, the “sign of peace” seems out of place in the middle of the Liturgy of the Eucharist, since we are told by Jesus to make peace with our brother before presenting our gifts at the altar, and the focus of Liturgy of the Eucharist should be completely on the mystery of the Holy Sacrifice of the Mass taking place on the altar. The “Memorial Acclamation” during the Eucharistic Prayer also seems out of place (to me, at least), especially when it’s the “Christ has died” one, which isn’t even directed at Christ (who has just been made present on the altar), so it seems to take the attention away from him. Contrast that with saying “My Lord and my God” during the elevation of the Host and Chalice (a personal pious practice).

So, when these terms are used in regards to music, generally speaking, “horizontal” music dwells on us and the things we do, while “vertical” music dwells on the things God (and His saints) and what He has done (and how they have glorified Him).
 
alright…I can’t stand it anymore. Will someone *please *explain to me what all this mumbo-jumbo is about horizontal and vertical? It’s hard to see your point if I don’t know what the heck you’re talking about!
First of all, it is not mumbo-jumbo. Vertical means that we are directing our prayer towards God. Horizontal means that we are directing things towards each other; in other words, we are celebrating ourselvex. While there is some wiggle room, the current and unforunate trend has shifted the focus to us, rather than to God.

This is what Francis Cardinal Arinze said:
  1. Liturgical Norms Help to Preserve the Vertical Orientation of the Mass
The Holy Eucharist as sacrifice is celebrated in order to adore God, to praise Him, to give Him thanks, to make reparation for our sins and to ask for what we need, spiritual and temporal. Priority in the Eucharistic celebration goes to the vertical dimension: that is to say, the Mass is offered to God. Priest and people come together to offer Christ to God the Father, to celebrate the paschal mystery of Christ (His suffering, death and resurrection), to kneel before God in adoration, reparation and petition. They do not come together to celebrate themselves. God is the center, the direction of their hearts and minds.
If there were no liturgical norms, then every priest and congregation would be free to invent their own way of worshipping. In such a do-it-yourself celebration, it would not be possible in the long run to avoid manifestations of horizontalism, man-centeredness and even desacralization and banalization. The sacred and transcendent dimension of the Eucharistic sacrifice would be put at risk.
It is to be remembered that the Eucharistic sacrifice, and indeed the sacred liturgy as a whole, are not something that we make or invent, or put together on our own. They are gifts that we receive, keep, treasure, celebrate and for which we are grateful.
It must be lamented — says Pope John Paul II — that, especially in the years following the post-conciliar liturgical reforms, as a result of a misguided sense of creativity and adaptation there have been a number of abuses which have been a source of suffering for many.8
This is what the former Joseph Cardinal wrote in his reflections for the ninth station in his version of the Via Crucix (which the late Pope John Paul II asked him to compose):
What can the third fall of Jesus under the Cross say to us? We have considered the fall of man in general, and the falling of many Christians away from Christ and into a godless secularism. Should we not also think of how much Christ suffers in his own Church? How often is the holy sacrament of his Presence abused, how often must he enter empty and evil hearts! How often do we celebrate only ourselves, without even realizing that he is there! How often is his Word twisted and misused! What little faith is present behind so many theories, so many empty words! How much filth there is in the Church, and even among those who, in the priesthood, ought to belong entirely to him! How much pride, how much self-complacency! What little respect we pay to the Sacrament of Reconciliation, where he waits for us, ready to raise us up whenever we fall! All this is present in his Passion. His betrayal by his disciples, their unworthy reception of his Body and Blood, is certainly the greatest suffering endured by the Redeemer; it pierces his heart. We can only call to him from the depths of our hearts: Kyrie eleison * Lord, save us (cf. Mt 8: 25).
Even though Pope Benedict covers much gound in this meditation, the portion that I highlighted bears significance to this discussion. As I’ve said before, a lot of the contemporary music is me-oriented. Look at what I/we are doing for God! It celebrates our wonderful selves and places adoration of God and contemplation of the salviffic mysteries that unfold before us at the backburner.

Japhy makes a valid point abuot the first option (which, unfortunately is the default one in English) of the Memorial Acclamation. In fact, Christ has died… doesn’t even appear in the original Latin. The Memorial Acclamation should be directed to Christ in the Second Person, the You; the first option is just a statement. Sadly, it’s the one that is most commonly used in English because it’s the one that has the most musical settings for it.
 
If you agree with what the Church says i.e. that Gregorian Chant should be held in high esteem then you have a very funny way of showing it. How? Have I ever denigrated it? Actually in the past it has mandated a certain type of music, hence it is false to say it “has never mandated one type of music over another” because it has. No, I believe it has suggested or recommended. It has not mandated. If you can demonstrate that it helps a congregation to pray then do so, if you can’t then stop advocating that it is preferable with no basis for that view. My view is borne of 35 years of experience. It means there are some people who enjoy/prefer it, that doesn’t necessarily mean that it helps then to pray better. And you are clairvoyant that you can know this? Furthermore how many Parishes have regular access to Gregorian Chant? Unfortunately, too few. (I have always advocated that different genres be used, not that one particular form be thrown out.) My guess is there are many people who have not been fortunate enough to hear the music which the Church holds in high esteem in a liturgical setting. It should be denied to them if it disrupts a significant number of the other people attending Mass, it should also be denied them if it is inconducive to the nature of the Sacrifice of Mass. As far as I know it has yet to be demonstrated that a) they are appropriate for the Mass and b) the number of people who find it disruptive are fewer than those who are enthusiastic about it. I have never said it was disruptive, nor do I think anyone else has.

It says that they believe the Eucharist should be respected and if they find the activities of others at the Mass are inappropriate or if they believe they are unable to continue participating with the congregation in the correct state of mind then they will leave rather than be forced to watch such things which they can do nothing about. Unless there are naked pole dancers (or Mr. Potato Heads - that’s another thread), I cannot conceive of walking out of a Mass because of something disturbing. If this were the case, then even a crying baby could cause someone to walk out. How sad! If we converted Churches to a drive through more people might come through as well or if unconditional absolution was given out at a window. If we dropped a couple of dogmas or our objection to abortion/contraception more people might come as well. As I posted earlier, I’ve noticed that the weaker one’s argument becomes, the more ludicrous examples are used. We should not risk demeaning the Sacrifice of Mass by using cheap gimmicks to pack the pews. If you think that contemporary liturgical music is a “cheap gimmick,” then you are hopelessly deluded and I’m wasting my time here.

They might well gain it when they see just how empty and vacuous such forms of worship are. Masses with contemporary liturgical music are “empty and vacuous”? If they don’t see how empty other things are then they may never be drawn to look further than that. If we make a few concessions just to keep them in Church and give them enough of what they want then that which could draw them to look at the deeper theological truths will never happen. So, by attending a Mass with contemporary liturgical music then there’s nothing else in the Mass which could impart a deeper theological truth?

I was under the impression that we are God’s people, not under the control of some ‘liturgical musician’. I can sing things and tune it out quite easily, indeed I often have to if I want to keep my mind on what is most important about the Mass. Their minds should be on the Sacrifice of Our Lord, their hearts should be given up freely to him, neither should be focused on ‘liturgical musicians’ waving their arms around or doing whatever it is they do to 'get their people to sing. Now you are just sinking to being downright insulting.

The whole point of the music is it is not meant to be their main focus, they’re not meant to be giving it laldly or trying to emit notes more suited to marching piccolos or a coloratura soprano.

You said “whatever draws them”. If you are going to make stupid statements then be prepared for people to point out the reality of what you are saying. The whole example stemmed from your lack of a reasoned argument. I have every confidence in the soundness of my position, which is precisely why I don’t make silly and inaccurate blanket statements in an attempt to reinforce it. “’[L]iturgical musicians’ waving their arms around or doing whatever it is they do to get their people to sing” - and this is not a silly and inaccurate blanket statement?

Your argument states that having this kind of music helps keep people in the Church rather than going off to Evangelical churches with a soundtrack more to their liking, that is a blatant attempt to keep up the numbers in pews. If your position is that it is to help people pray then how about providing something which demonstrates that it helps them to pray My 35 years of experience backs me up, moreso than Gregorian Chant etc. I know it has exactly the opposite effect on me, whether others are the same I don’t know. And this is valid for you. I’m not denying there are others who agree with you. However, it is not valid for everyone on the face of the earth.

We can get far more from Church history, which is far too often completely neglected, than we can from Evangelical practices. Maybe we should look back at that history, there was a reason the Church told Palestrina et al that suspensions, plagal cadences etc were the way to go.

Where are these people? You, a few other people directly involved in providing it in the Mass, and those who are friends of people who provide it? Until you can provide some evidence to back up this position its all supposition My evidence which I have seen with my own eyes is my singing, smiling, praying congregation including the elderly lady with the walker who took a bus from another county (unfortunately, the bus route changed and the stop is now way too far for her to walk); the entire CCD staff of the neighboring parish; the senior citizen who took a long bus ride from where she lived many neighborhoods away; and the many others who have told me so over the past 35 years. and for every person who comes on this thread to approve of contemporary music there is probably at least one who’ll take the other view. Let those who take the other view provide evidence also.

I didn’t say that. I said that the Church is not a democracy, you can’t deny that fact. People might prefer it if the Priest were to attempt to consecrate crisps that wouldn’t make it right to do so. Likewise a majority of people in a Parish might prefer it if the Priest added some liturgical dancing to the Mass, but that too wouldn’t make it right to do so. The same is true of the music. No… there are rubrics dictating what kind of bread may be consecrated. I think everyone (almost) is in agreement that liturgical dancing is not, well, liturgical. The same is not true of the music.

continued…​
 
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