M
MrsAngelala
Guest
Yes. You’re absolutely right as far as you’re going. But. We use “hymn” nowadays to refer to music + lyrics. Strictly speaking, it’s actually the lyrics that are the “hymn,” and they are attached to a tune. Many of the tunes in our hymnals are attached to more than one set of lyrics. The tunes in our hymnals are often much older than the lyrics to which they’re attached. And vice versa, really.
On the pages of most hymnals, you’ll see, usually in the small type, a word or small phrase in small capital letters, such as ODE TO JOY. That’s the name of the tune. In this case, the tune ODE TO JOY is from the final movement of Beethoven’s Ninth Symphony (you’ll recognize the tune at 3:00. It starts in the voices with the bass soloist at 7:22). In our hymnals, it is almost always attached to a set of lyrics + tune also titled “Ode to Joy” or “Joyful Joyful,” and that’s usually some sort of translation of the lyrics in the symphony. Those lyrics are a hymn to God. But the tune ODE TO JOY is also attached to unrelated lyrics in our hymals.
I was talking about the tune. I know that the Wagner (tune) is almost never allowed in Catholic churches because it comes from an opera, and specifically it’s part of a scene that includes the groom dragging the unwilling bride back down the aisle by her hair. I think he might kill her after that? Not sure, but not an appropriate association for a sacrament. I was wondering what sort of association is attributed to the ODE TO JOY tune that meant it would be forbidden, since it comes from a perfectly respectable source.
On the pages of most hymnals, you’ll see, usually in the small type, a word or small phrase in small capital letters, such as ODE TO JOY. That’s the name of the tune. In this case, the tune ODE TO JOY is from the final movement of Beethoven’s Ninth Symphony (you’ll recognize the tune at 3:00. It starts in the voices with the bass soloist at 7:22). In our hymnals, it is almost always attached to a set of lyrics + tune also titled “Ode to Joy” or “Joyful Joyful,” and that’s usually some sort of translation of the lyrics in the symphony. Those lyrics are a hymn to God. But the tune ODE TO JOY is also attached to unrelated lyrics in our hymals.
I was talking about the tune. I know that the Wagner (tune) is almost never allowed in Catholic churches because it comes from an opera, and specifically it’s part of a scene that includes the groom dragging the unwilling bride back down the aisle by her hair. I think he might kill her after that? Not sure, but not an appropriate association for a sacrament. I was wondering what sort of association is attributed to the ODE TO JOY tune that meant it would be forbidden, since it comes from a perfectly respectable source.